Author: Clifford Bartlett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
This collection gathers together nearly sixty of the finest examples of the secular choral repertoire into one volume. Due space is given to the magnificent sixteenth century madrigals of England and Italy, with favorite works by Gibbons and Morley placed alongside less familiar selections by Lassus, Marenzio, and Weelkes. German and French pieces are also represented, for example, with Passereau's ever-popular Il est bel est bon. Works by Haydn and Schubert lead to the nineteenth century repertoire, which includes Brahms's lovely Nachtwache, from Five Songs, Op. 104, and Pearsall's exquisite Lay a Garland. The survey is completed by Debussy's Trois Chansons de Charles D'Orleans and examples of the glorious outpouring of English Romantic partsongs, with works by Elgar, Parry, Stanford, Britten, Finzi, and Vaughan Williams. Ranging from the late fifteenth to the twentieth century, and spanning all major European countries, this is a masterly survey suitable for all choirs. Clifford Bartlett has prepared completely new editions of all pre-twentieth century pieces, going back to the earliest and most reliable manuscript or printed sources. English translations are provided to aid understanding, with playable keyboard reductions in every case.
Madrigals and Partsongs
Author: Clifford Bartlett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
This collection gathers together nearly sixty of the finest examples of the secular choral repertoire into one volume. Due space is given to the magnificent sixteenth century madrigals of England and Italy, with favorite works by Gibbons and Morley placed alongside less familiar selections by Lassus, Marenzio, and Weelkes. German and French pieces are also represented, for example, with Passereau's ever-popular Il est bel est bon. Works by Haydn and Schubert lead to the nineteenth century repertoire, which includes Brahms's lovely Nachtwache, from Five Songs, Op. 104, and Pearsall's exquisite Lay a Garland. The survey is completed by Debussy's Trois Chansons de Charles D'Orleans and examples of the glorious outpouring of English Romantic partsongs, with works by Elgar, Parry, Stanford, Britten, Finzi, and Vaughan Williams. Ranging from the late fifteenth to the twentieth century, and spanning all major European countries, this is a masterly survey suitable for all choirs. Clifford Bartlett has prepared completely new editions of all pre-twentieth century pieces, going back to the earliest and most reliable manuscript or printed sources. English translations are provided to aid understanding, with playable keyboard reductions in every case.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
This collection gathers together nearly sixty of the finest examples of the secular choral repertoire into one volume. Due space is given to the magnificent sixteenth century madrigals of England and Italy, with favorite works by Gibbons and Morley placed alongside less familiar selections by Lassus, Marenzio, and Weelkes. German and French pieces are also represented, for example, with Passereau's ever-popular Il est bel est bon. Works by Haydn and Schubert lead to the nineteenth century repertoire, which includes Brahms's lovely Nachtwache, from Five Songs, Op. 104, and Pearsall's exquisite Lay a Garland. The survey is completed by Debussy's Trois Chansons de Charles D'Orleans and examples of the glorious outpouring of English Romantic partsongs, with works by Elgar, Parry, Stanford, Britten, Finzi, and Vaughan Williams. Ranging from the late fifteenth to the twentieth century, and spanning all major European countries, this is a masterly survey suitable for all choirs. Clifford Bartlett has prepared completely new editions of all pre-twentieth century pieces, going back to the earliest and most reliable manuscript or printed sources. English translations are provided to aid understanding, with playable keyboard reductions in every case.
European Sacred Music
Author: John Rutter
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 396
Book Description
The Oxford Choral Classics gathers together over three hundred of the world's choral masterpieces into a unique series of seven volumes that span the whole of Western choral literature. Each volume contains all of the established classics of its genre under a single cover, in authoritative new editions and at a budget price. European Sacred Music is the second volume in the series and a fabulous value for money. From the Allegri Misereri to the Victora O vos omnes, John Rutter and co-editor Clifford Bartlett have researched the best available sources and provided excellent new English singing translations and sensible, practical keyboard reductions.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 396
Book Description
The Oxford Choral Classics gathers together over three hundred of the world's choral masterpieces into a unique series of seven volumes that span the whole of Western choral literature. Each volume contains all of the established classics of its genre under a single cover, in authoritative new editions and at a budget price. European Sacred Music is the second volume in the series and a fabulous value for money. From the Allegri Misereri to the Victora O vos omnes, John Rutter and co-editor Clifford Bartlett have researched the best available sources and provided excellent new English singing translations and sensible, practical keyboard reductions.
Madrigals for Treble Voices
Author: Don Malin
Publisher: Alfred Music
ISBN: 9781457443572
Category : Music
Languages : en
Pages : 48
Book Description
This collection attempts to provide repertoire for treble-voice groups who desire to sing madrigals. Although a great wealth of madrigal literature exists for mixed voices, some attention has therefore been given to the text of each selection in order to make it more appropriate for feminine choruses. Titles: * It Was a Lover and His Lass * Let All Who Sing Be Merry * Maidens Fair of Mantua's City * The Messenger of Love * Now Is the Month of Maying * The Silver Swan and more.
Publisher: Alfred Music
ISBN: 9781457443572
Category : Music
Languages : en
Pages : 48
Book Description
This collection attempts to provide repertoire for treble-voice groups who desire to sing madrigals. Although a great wealth of madrigal literature exists for mixed voices, some attention has therefore been given to the text of each selection in order to make it more appropriate for feminine choruses. Titles: * It Was a Lover and His Lass * Let All Who Sing Be Merry * Maidens Fair of Mantua's City * The Messenger of Love * Now Is the Month of Maying * The Silver Swan and more.
Select Madrigals and Part-songs
Author:
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Madrigals
Languages : en
Pages :
Book Description
Book of the Words of Glees, Madrigals, Part Songs, Rounds, Catches ... [for 1853].
Author: City Glee Club
Publisher:
ISBN:
Category : Glees, catches, rounds, etc
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Glees, catches, rounds, etc
Languages : en
Pages : 224
Book Description
Fox Collection of Humorous Glees, Madrigals and Part-songs
Author: Griffith John Jones
Publisher:
ISBN:
Category : Choruses (Mixed voices, 4 parts) with piano
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Choruses (Mixed voices, 4 parts) with piano
Languages : en
Pages : 80
Book Description
Glees, madrigals, miscellaneous part songs, etc., used at the West Riding Asylum
Author: West Riding Pauper Lunatic Asylum (WAKEFIELD)
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
Book Description
A History of Western Choral Music, Volume 2
Author: Chester L. Alwes
Publisher: Oxford University Press
ISBN: 0199377014
Category : Music
Languages : en
Pages : 473
Book Description
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.
Publisher: Oxford University Press
ISBN: 0199377014
Category : Music
Languages : en
Pages : 473
Book Description
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.
150 Rounds for Singing and Teaching
Author:
Publisher:
ISBN: 9781458411426
Category : Music
Languages : en
Pages : 0
Book Description
Classroom Instructional Resources
Publisher:
ISBN: 9781458411426
Category : Music
Languages : en
Pages : 0
Book Description
Classroom Instructional Resources
The Music of Hamish Maccunn
Author: Alasdair Jamieson
Publisher: AuthorHouse
ISBN: 1477235043
Category : Biography & Autobiography
Languages : en
Pages : 479
Book Description
For many people, Hamish MacCunn's name is forever associated with one work The Land of the Mountain and the Flood. Yet, in his short life (1868 – 1916) he wrote other equally fi ne orchestral works, cantatas, two grand operas and over 100 songs. This book is the fi rst detailed examination of his output, providing a contextual basis for, and a stylistic analysis of his major works. In this way it seeks to establish informed criteria by which a truer assessment of MacCunn's signifi cance may be made, challenging the sovereignty of The Land of the Mountain and the Flood in the public's reckoning, and hence revealing it to be not an isolated peak but one summit among many.
Publisher: AuthorHouse
ISBN: 1477235043
Category : Biography & Autobiography
Languages : en
Pages : 479
Book Description
For many people, Hamish MacCunn's name is forever associated with one work The Land of the Mountain and the Flood. Yet, in his short life (1868 – 1916) he wrote other equally fi ne orchestral works, cantatas, two grand operas and over 100 songs. This book is the fi rst detailed examination of his output, providing a contextual basis for, and a stylistic analysis of his major works. In this way it seeks to establish informed criteria by which a truer assessment of MacCunn's signifi cance may be made, challenging the sovereignty of The Land of the Mountain and the Flood in the public's reckoning, and hence revealing it to be not an isolated peak but one summit among many.