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Author: Jonathan Walley
Publisher: Oxford University Press
ISBN: 019093865X
Category : Performing Arts
Languages : en
Pages : 577
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Book Description
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
Author: Jonathan Walley
Publisher: Oxford University Press
ISBN: 019093865X
Category : Performing Arts
Languages : en
Pages : 577
Get Book Here
Book Description
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
Author: United States. Great Lakes Basin Commission
Publisher:
ISBN:
Category : Great Lakes Region (North America)
Languages : en
Pages : 968
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Book Description
Author: United States. Great Lakes Basin Commission
Publisher:
ISBN:
Category : Great Lakes (North America)
Languages : en
Pages : 794
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Book Description
Author: Carol Payne
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588949
Category : Photography
Languages : en
Pages : 224
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Book Description
Mandated to foster a sense of national cohesion The National Film Board of Canada's Still Photography Division was the country's official photographer during the mid-twentieth century. Like the Farm Security Administration and other agencies in the US, the NFB used photographs to serve the nation. Division photographers shot everything from official state functions to images of the routine events of daily life, producing some of the most dynamic photographs of the time, seen by millions of Canadians - and international audiences - in newspapers, magazines, exhibitions, and filmstrips. In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of Canadians during the Centennial in 1967 - to demonstrate how abstract concepts of nationhood and citizenship, as well as attitudes toward gender, class, linguistic identity, and conceptions of race were reproduced in photographs. The Official Picture looks closely at the work of many Division photographers from staff members Chris Lund and Gar Lunney during the 1940s and 1950s to the expressive documentary photography of Michel Lambeth, Michael Semak, and Pierre Gaudard, in the 1960s and after. The Division also produced a substantial body of Northern imagery documenting Inuit and Native peoples. Payne details how Inuit groups have turned to the archive in recent years in an effort to reaffirm their own cultural identity. For decades, the Still Photography Division served as the country's image bank, producing a government-endorsed "official picture" of Canada. A rich archival study, The Official Picture brings the hisotry of the Division, long overshadowed by the Board's cinematic divisions, to light.
Author: Odd Arne Westad
Publisher: Yale University Press
ISBN: 0300267088
Category : History
Languages : en
Pages : 421
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Book Description
The first thorough account of a formative and little understood chapter in Chinese history Odd Arne Westad and Chen Jian chronicle how an impoverished and terrorized China experienced radical political changes in the long 1970s and how ordinary people broke free from the beliefs that had shaped their lives during Mao's Cultural Revolution. These changes, and the unprecedented and sustained economic growth that followed, transformed China and the world. In this rigorous account, Westad and Chen construct a panorama of catastrophe and progress in China. They chronicle China's gradual opening to the world--the interplay of power in an era of aged and ailing leadership, the people's rebellion against the earlier government system, and the roles of unlikely characters: overseas Chinese capitalists, American engineers, Japanese professors, and German designers. This is a story of revolutionary change that neither foreigners nor the Chinese themselves could have predicted.
Author: Darryl Raymaker
Publisher: University of Alberta
ISBN: 1772123196
Category : Political Science
Languages : en
Pages : 310
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Book Description
A chronicle of Pierre Elliot Trudeau’s first term as prime minister and the attempt to bridge one of Canada’s classic political fault lines. Trudeau appeared to enjoy the encounter. He stood his ground while escaping projectiles, including a tomato . . . In this insightful and lively history, Liberal insider Darryl Raymaker recalls the attempt to broker “a marriage from hell” between the federal Liberal Party and Alberta’s Social Credit government in the late 1960s. Raymaker uses his deep connections and backroom knowledge to trace the tangled political relationships that developed when charismatic statesman Pierre Trudeau confronted the forces of oil and agriculture in Canada’s west. Part memoir, part chronicle, Trudeau’s Tango provides a window into Canadian history, politics, economics and the zeitgeist of the late 1960s. “Trudeau’s Tango is part memoir, part documentary of the geographic, cultural and political divisions that are a permanent fixture of Confederation. The fact we held it together remains a world-class achievement. . . . Compelling reading for any Canada 150 book club . . . A fresh and lively account of politics with sharp elbows.” —Holly Doan, Blacklock’s Reporter “An excellent book about Alberta and the Trudeaus.” —Warren Kinsella, HuffPost “[Raymaker’s] book recalls a tumultuous political era with wry humour and a touch of anger.” —Frank Dabbs, Alberta Views “A detailed chronology of the history and tangled political relationships of the Liberal Party at the national and provincial levels and its opponents in Alberta—the once dominant Social Credit Party and then the Progressive Conservatives—from December 1967 through November 1972. The account is filled with blow-by-blow descriptions of political events and encounters at the provincial level. . . . Recommended.” —G.A. McBeath, CHOICEMagazine
Author: James M. Graham
Publisher:
ISBN:
Category : Independent regulatory commissions
Languages : en
Pages : 464
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Book Description
Author: William A. Katz
Publisher:
ISBN:
Category : Periodicals on microfilm
Languages : en
Pages : 56
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Book Description
Author: Glenn M. Stein
Publisher: McFarland
ISBN: 0786477083
Category : Transportation
Languages : en
Pages : 387
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Book Description
From 1850 to 1854, the ambitious Commander Robert McClure captained the HMS Investigator on a voyage in search of the missing Franklin Expedition, which sailed from England into the Arctic in 1845 to map the last uncharted section of the North-West Passage. The Investigator and her consort the Enterprise were to pass through the Bering Strait from the west but a Pacific storm separated them, never to meet again. Obsessed with traversing the passage, McClure pressed on and HMS Investigator spent three years trapped in pack ice in Mercy Bay before the crew abandoned ship on foot. This book chronicles the voyage in detail. McClure and his relationships with his officers are at the heart of the story of the arduous journey, vividly illustrated by the paintings of Lt. Samuel Cresswell.
Author: Keneth Kinnamon
Publisher: McFarland
ISBN: 0786421355
Category : Literary Criticism
Languages : en
Pages : 500
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Book Description
African-American writer Richard Wright (1908-1960) was celebrated during the early 1940s for his searing autobiography (Black Boy) and fiction (Native Son). By 1947 he felt so unwelcome in his homeland that he exiled himself and his family in Paris. But his writings changed American culture forever, and today they are mainstays of literature and composition classes. He and his works are also the subjects of numerous critical essays and commentaries by contemporary writers. This volume presents a comprehensive annotated bibliography of those essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism. Also included as an appendix are addenda to the author's earlier bibliography covering the years from 1934 through 1982. This is the exhaustive reference for serious students of Richard Wright and his critics.
