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Author: Maria Tippett
Publisher: Harbour Publishing
ISBN: 1550177303
Category : Biography & Autobiography
Languages : en
Pages : 300
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Book Description
Is there such a thing as British Columbia culture, and if so, is there anything special about it? This is the broad question Dr. Maria Tippett answers in this work with an assured “yes!” To prove her point she looks at the careers of eight ground-breaking cultural producers in the fields of painting, aboriginal art, architecture, writing, theatre and music. The eight creative figures profiled in Made in British Columbia are not just distinguished artists who made an enduring mark on Canadian culture during the twentieth century. They are unique artists whose work is intimately interwoven with British Columbia’s identity. Emily Carr portrayed BC’s coastal landscape in a manner as unique as her lifestyle. Bill Reid’s carvings, jewellery and sculpture stand as a contemporary interpretation of his reclaimed Haida heritage. The name Francis Rattenbury is less known than The Empress Hotel in Victoria, one of many prominent BC buildings he designed, while Arthur Erickson’s modern architectural contributions are recognized worldwide. Martin Allerdale Grainger’s experience in the BC woods in the early days of hand-logging inspired him to write one of the undisputed classics of BC fiction, Woodsmen of the West. Jean Coulthard struggled for respect as a female composer during the 1920s and 1930s in British Columbia but eventually proved her extraordinary musical talents internationally. George Woodcock left Britain in 1949 to forge his career as an influential author, editor, mentor and tireless promoter of literary scholarship in the province, while playwright George Ryga, the son of Ukrainian immigrants, exposed the anguish and reality of life for Native women in our cities with his 1967 play, The Ecstasy of Rita Joe. Featuring images of the artists and their works, Made in British Columbia presents a history of the treasures found in our galleries, concert halls, theatres, museums, libraries and streetscapes, and explores the legacy of a cultural tradition as unique as the place that nurtured it.
Author: Maria Tippett
Publisher: Harbour Publishing
ISBN: 1550177303
Category : Biography & Autobiography
Languages : en
Pages : 300
Get Book Here
Book Description
Is there such a thing as British Columbia culture, and if so, is there anything special about it? This is the broad question Dr. Maria Tippett answers in this work with an assured “yes!” To prove her point she looks at the careers of eight ground-breaking cultural producers in the fields of painting, aboriginal art, architecture, writing, theatre and music. The eight creative figures profiled in Made in British Columbia are not just distinguished artists who made an enduring mark on Canadian culture during the twentieth century. They are unique artists whose work is intimately interwoven with British Columbia’s identity. Emily Carr portrayed BC’s coastal landscape in a manner as unique as her lifestyle. Bill Reid’s carvings, jewellery and sculpture stand as a contemporary interpretation of his reclaimed Haida heritage. The name Francis Rattenbury is less known than The Empress Hotel in Victoria, one of many prominent BC buildings he designed, while Arthur Erickson’s modern architectural contributions are recognized worldwide. Martin Allerdale Grainger’s experience in the BC woods in the early days of hand-logging inspired him to write one of the undisputed classics of BC fiction, Woodsmen of the West. Jean Coulthard struggled for respect as a female composer during the 1920s and 1930s in British Columbia but eventually proved her extraordinary musical talents internationally. George Woodcock left Britain in 1949 to forge his career as an influential author, editor, mentor and tireless promoter of literary scholarship in the province, while playwright George Ryga, the son of Ukrainian immigrants, exposed the anguish and reality of life for Native women in our cities with his 1967 play, The Ecstasy of Rita Joe. Featuring images of the artists and their works, Made in British Columbia presents a history of the treasures found in our galleries, concert halls, theatres, museums, libraries and streetscapes, and explores the legacy of a cultural tradition as unique as the place that nurtured it.
Author: Great Britain. Colonial Office
Publisher:
ISBN:
Category : British Columbia
Languages : en
Pages : 446
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Book Description
Author: British Columbia. Ministry of Economic Development
Publisher:
ISBN:
Category : Clothing trade
Languages : en
Pages : 40
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Book Description
Author: Robert Cowin
Publisher: UBC Press
ISBN: 0774838361
Category : Education
Languages : en
Pages : 244
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Book Description
The literature about postsecondary education in British Columbia has largely focused on public colleges and universities, while paying less attention to vocational colleges, apprenticeship, continuing education, and private institutions. Robert Cowin addresses that gap. He provides a comprehensive overview of the evolution of the contemporary provincial postsecondary system and examines the role of social justice, human capital formation, and marketization during five significant transitions. This dynamic approach provides a thoughtful critical analysis of the development of the institutional arrangements – the distribution of institutions by size, mission, type, and location – and policies that have shaped education in the province.
Author: Katherine Gordon
Publisher: Winlaw, B.C. : Sono Nis Press
ISBN:
Category : British Columbia
Languages : en
Pages : 373
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Book Description
Author: Michael Dawson
Publisher: UBC Press
ISBN: 0774850833
Category : History
Languages : en
Pages : 294
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Book Description
Selling British Columbia is an entertaining examination of the development of the tourist industry in British Columbia between 1890 and 1970. Michael Dawson argues that in order to understand the roots of the fully-fledged consumer culture that emerged in Canada after the Second World War, it is necessary to understand the connections between the 1930s, 1940s, and the postwar era. Cultural producers such as tourism promoters and the state infrastructure played important roles in fostering consumer demand, particularly during the Depression, the Second World War, and throughout the postwar era. Dawson draws upon promotional pamphlets, newspapers, advertisements, and films, as well as archival sources regarding government, civic, and international tourism organizations. Central to his book is an examination of the representation of popular imagery and of how aboriginal and British cultures were commodified and marketed to potential tourists. He also looks at the gendered aspect of these promotional campaigns, particularly during the 1940s, and challenges earlier interpretations regarding the relationship between tourism and nature in Canada. Historians have tended to focus on either the first wave of consumerism from the 1880s to the 1920s, or else on the era of economic expansion that followed World War Two. As Dawson shows, the 1930-45 period in particular was an important and dynamic one in the creation of Canadian and British Columbian consumer culture. Michael Dawson’s highly readable and engaging account of the development of the British Columbia tourist industry will be welcomed by British Columbian and Canadian historians, as well as other scholars of tourism and consumerism.
Author:
Publisher:
ISBN:
Category : British Columbia
Languages : en
Pages : 1346
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Book Description
Author: Harry Bertram Hawthorn
Publisher: Univ of California Press
ISBN:
Category : Indians of North America
Languages : en
Pages : 520
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Book Description
Author:
Publisher: Harbour Publishing
ISBN: 1550178652
Category : History
Languages : en
Pages : 409
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Book Description
The office of lieutenant governor has been a constant in British Columbia from the province’s colonial beginnings to the modern era. Originally tasked with selecting the province’s premier, giving royal assent to provincial legislation, and invested with the power to dismiss governments, the role of the Crown’s representative has continually evolved to meet the needs of society. Today the office’s constitutional powers largely focus on community functions, but the role of lieutenant governor is more than ceremonial. This was demonstrated after the 2017 provincial election when then Lieutenant Governor Judith Guichon accepted Premier Christy Clark’s resignation and asked NDP leader John Horgan to attempt to form government rather than call a new election. BC’s early lieutenant governors were the force behind infrastructure initiatives such as building roads, railways and ships, and investing in electric utilities and the forest industry. Although most came from the ranks of the British elite and often espoused policies that denied First Nations land rights and opposed the immigration of Chinese and Japanese people, over time the office became more representative of the province’s diverse population. In recent years, lieutenant governors have played an increasingly activist role, celebrating cultural excellence and promoting literacy, creativity, environmental awareness: Chinese Canadian David Lam (1988–95) had a mandate of intercultural understanding; Iona Campagnolo (2001–7), the first woman to hold the position in BC, focused on empowering youth and women, and fostering a spirit of public inclusiveness at Government House; Steven Point (2007-12), BC’s first Indigenous lieutenant governor, worked to establish libraries in First Nations communities. Chronologically arranged and rich with photographs, this work by historian Jenny Clayton paints a vivid picture of the lives of BC’s thirty lieutenant governors. Clayton’s biographical essays capture the distinct personalities and events that have characterized the office from 1871 to the present, offering a unique perspective on the evolution of the province.
Author: Chad Reimer
Publisher: UBC Press
ISBN: 0774858974
Category : History
Languages : en
Pages : 219
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Book Description
Captain James Cook first made contact with the area now known as British Columbia in 1778. The colonists who followed soon realized they needed a written history, both to justify their dispossession of Aboriginal peoples and to formulate an identity for a new settler society. Writing British Columbia History traces how Euro-Canadian historians took up this task, and struggled with the newness of colonial society and overlapping ties to the British Empire, the United States, and Canada. This exploration of the role of history writing in colonialism and nation building will appeal to anyone interested in the history of British Columbia, the Pacific Northwest, and history writing in Canada.
