Author: Khwaja Ahmad Abbas
Publisher: Delhi : Hind Pocket Books
ISBN:
Category : Motion picture industry
Languages : en
Pages : 198
Book Description
Articles, most previously published.
Mad, Mad, Mad World of Indian Films
Author: Khwaja Ahmad Abbas
Publisher: Delhi : Hind Pocket Books
ISBN:
Category : Motion picture industry
Languages : en
Pages : 198
Book Description
Articles, most previously published.
Publisher: Delhi : Hind Pocket Books
ISBN:
Category : Motion picture industry
Languages : en
Pages : 198
Book Description
Articles, most previously published.
Encyclopedia of Indian Cinema
Author: Ashish Rajadhyaksha
Publisher: Routledge
ISBN: 1135943257
Category : Social Science
Languages : en
Pages : 3189
Book Description
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
Publisher: Routledge
ISBN: 1135943257
Category : Social Science
Languages : en
Pages : 3189
Book Description
The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.
The State and New Cinema in Contemporary India
Author: Sudha Tiwari
Publisher: Taylor & Francis
ISBN: 1000952061
Category : Performing Arts
Languages : en
Pages : 296
Book Description
This book examines the relationship between the newly independent Indian state and its New Cinema movement. It looks at state formative practices articulating themselves as cultural policy. It presents an institutional history of the Film Finance Corporation (FFC), later the National Film Development Corporation (NFDC), and their patronage of the New Cinema in India, from the 1960s to the 1990s, bringing into focus an extraordinary but neglected cultural moment in Indian film history and in the history of contemporary India. The chapters not only document the artistic pursuit of cinema, but also the emergence of a larger field where the market, political inclinations of the Indian state, and the more complex determinants of culture intersect — how the New Cinema movement faced external challenges from the industrial lobby and politicians, as well as experienced deep rifts from within. It also shows how the Emergency, the Janata Party regime, economic liberalization, and the opening of airwaves all left their impact on the New Cinema. The volume will be of great interest to scholars and researchers of film studies, politics and public policy, especially cultural policy, media and culture studies, and South Asian studies.
Publisher: Taylor & Francis
ISBN: 1000952061
Category : Performing Arts
Languages : en
Pages : 296
Book Description
This book examines the relationship between the newly independent Indian state and its New Cinema movement. It looks at state formative practices articulating themselves as cultural policy. It presents an institutional history of the Film Finance Corporation (FFC), later the National Film Development Corporation (NFDC), and their patronage of the New Cinema in India, from the 1960s to the 1990s, bringing into focus an extraordinary but neglected cultural moment in Indian film history and in the history of contemporary India. The chapters not only document the artistic pursuit of cinema, but also the emergence of a larger field where the market, political inclinations of the Indian state, and the more complex determinants of culture intersect — how the New Cinema movement faced external challenges from the industrial lobby and politicians, as well as experienced deep rifts from within. It also shows how the Emergency, the Janata Party regime, economic liberalization, and the opening of airwaves all left their impact on the New Cinema. The volume will be of great interest to scholars and researchers of film studies, politics and public policy, especially cultural policy, media and culture studies, and South Asian studies.
Conjugations
Author: Sangita Gopal
Publisher: University of Chicago Press
ISBN: 0226304272
Category : Performing Arts
Languages : en
Pages : 260
Book Description
Bollywood movies have been long known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But when India entered the global marketplace in the early 1990s, its film industry transformed radically. Production and distribution of films became regulated, advertising and marketing created a largely middle-class audience, and films began to fit into genres like science fiction and horror. In this bold study of what she names New Bollywood, Sangita Gopal contends that the key to understanding these changes is to analyze films’ evolving treatment of romantic relationships. Gopalargues that the form of the conjugal duo in movies reflects other social forces in India’s new consumerist and global society. She takes a daring look at recent Hindi films and movie trends—the decline of song-and-dance sequences, the upgraded status of the horror genre, and the rise of the multiplex and multi-plot—to demonstrate how these relationships exemplify different formulas of contemporary living. A provocative account of how cultural artifacts can embody globalization’s effects on intimate life, Conjugations will shake up the study of Hindi film.
Publisher: University of Chicago Press
ISBN: 0226304272
Category : Performing Arts
Languages : en
Pages : 260
Book Description
Bollywood movies have been long known for their colorful song-and-dance numbers and knack for combining drama, comedy, action-adventure, and music. But when India entered the global marketplace in the early 1990s, its film industry transformed radically. Production and distribution of films became regulated, advertising and marketing created a largely middle-class audience, and films began to fit into genres like science fiction and horror. In this bold study of what she names New Bollywood, Sangita Gopal contends that the key to understanding these changes is to analyze films’ evolving treatment of romantic relationships. Gopalargues that the form of the conjugal duo in movies reflects other social forces in India’s new consumerist and global society. She takes a daring look at recent Hindi films and movie trends—the decline of song-and-dance sequences, the upgraded status of the horror genre, and the rise of the multiplex and multi-plot—to demonstrate how these relationships exemplify different formulas of contemporary living. A provocative account of how cultural artifacts can embody globalization’s effects on intimate life, Conjugations will shake up the study of Hindi film.
A MAD, MAD WORLD: The global rise in rightwing populism
Author: MUNEEB QADIR
Publisher: Muneeb Qadir
ISBN:
Category : Political Science
Languages : en
Pages : 271
Book Description
The year is 2024 and over the last couple of years, the world appears to be drifting towards rightwing populism with people around the globe displaying their growing inclination towards far-right beliefs and populations across different nations reflecting their liking for politicians who stoke culture wars. In the midst of this chaos at national and regional levels, the outbreak of a major humanitarian crisis in the Middle-East after the events of 7th October 2023 has led to an even greater polarisation among members of the global community. Xenophobia, anti-refugee, anti-immigration rhetoric has become political leaders' most effective tool in connecting with their public. So, how does one make sense of this mad, mad world? This book seeks to question and tries to answer this very question.
Publisher: Muneeb Qadir
ISBN:
Category : Political Science
Languages : en
Pages : 271
Book Description
The year is 2024 and over the last couple of years, the world appears to be drifting towards rightwing populism with people around the globe displaying their growing inclination towards far-right beliefs and populations across different nations reflecting their liking for politicians who stoke culture wars. In the midst of this chaos at national and regional levels, the outbreak of a major humanitarian crisis in the Middle-East after the events of 7th October 2023 has led to an even greater polarisation among members of the global community. Xenophobia, anti-refugee, anti-immigration rhetoric has become political leaders' most effective tool in connecting with their public. So, how does one make sense of this mad, mad world? This book seeks to question and tries to answer this very question.
House Full
Author: Lakshmi Srinivas
Publisher: University of Chicago Press
ISBN: 022636173X
Category : Social Science
Languages : en
Pages : 328
Book Description
India is the largest producer and consumer of feature films in the world, far outstripping Hollywood in the number of movies released and tickets sold every year. Cinema quite simply dominates Indian popular culture, and has for many decades exerted an influence that extends from clothing trends to music tastes to everyday conversations, which are peppered with dialogue quotes. With House Full, Lakshmi Srinivas takes readers deep into the moviegoing experience in India, showing us what it’s actually like to line up for a hot ticket and see a movie in a jam-packed theater with more than a thousand seats. Building her account on countless trips to the cinema and hundreds of hours of conversation with film audiences, fans, and industry insiders, Srinivas brings the moviegoing experience to life, revealing a kind of audience that, far from passively consuming the images on the screen, is actively engaged with them. People talk, shout, whistle, cheer; others sing along, mimic, or dance; at times audiences even bring some of the ritual practices of Hindu worship into the cinema, propitiating the stars onscreen with incense and camphor. The picture Srinivas paints of Indian filmgoing is immersive, fascinating, and deeply empathetic, giving us an unprecedented understanding of the audience’s lived experience—an aspect of Indian film studies that has been largely overlooked.
Publisher: University of Chicago Press
ISBN: 022636173X
Category : Social Science
Languages : en
Pages : 328
Book Description
India is the largest producer and consumer of feature films in the world, far outstripping Hollywood in the number of movies released and tickets sold every year. Cinema quite simply dominates Indian popular culture, and has for many decades exerted an influence that extends from clothing trends to music tastes to everyday conversations, which are peppered with dialogue quotes. With House Full, Lakshmi Srinivas takes readers deep into the moviegoing experience in India, showing us what it’s actually like to line up for a hot ticket and see a movie in a jam-packed theater with more than a thousand seats. Building her account on countless trips to the cinema and hundreds of hours of conversation with film audiences, fans, and industry insiders, Srinivas brings the moviegoing experience to life, revealing a kind of audience that, far from passively consuming the images on the screen, is actively engaged with them. People talk, shout, whistle, cheer; others sing along, mimic, or dance; at times audiences even bring some of the ritual practices of Hindu worship into the cinema, propitiating the stars onscreen with incense and camphor. The picture Srinivas paints of Indian filmgoing is immersive, fascinating, and deeply empathetic, giving us an unprecedented understanding of the audience’s lived experience—an aspect of Indian film studies that has been largely overlooked.
Global Soundtracks
Author: Mark Slobin
Publisher: Wesleyan University Press
ISBN: 9780819568823
Category : Music
Languages : en
Pages : 420
Book Description
The first volume focusing on film music as a worldwide phenomenon
Publisher: Wesleyan University Press
ISBN: 9780819568823
Category : Music
Languages : en
Pages : 420
Book Description
The first volume focusing on film music as a worldwide phenomenon
Indian Cinema Superbazaar
Author: Aruna Vasudev
Publisher: Vikas Publishing House Private
ISBN:
Category : Performing Arts
Languages : en
Pages : 432
Book Description
Publisher: Vikas Publishing House Private
ISBN:
Category : Performing Arts
Languages : en
Pages : 432
Book Description
Cassette Culture
Author: Peter Manuel
Publisher: University of Chicago Press
ISBN: 0226504018
Category : Music
Languages : en
Pages : 322
Book Description
In Cassette Culture, Peter Manuel tells how a new mass medium—the portable cassette player—caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette technology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture.
Publisher: University of Chicago Press
ISBN: 0226504018
Category : Music
Languages : en
Pages : 322
Book Description
In Cassette Culture, Peter Manuel tells how a new mass medium—the portable cassette player—caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette technology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture.
Colonial India and the Making of Empire Cinema
Author: Prem Chowdhry
Publisher: Manchester University Press
ISBN: 9780719057250
Category : Colonies
Languages : en
Pages : 312
Book Description
An empirico-historical inquiry into the empire cinema in Hollywood and Britain during the turbulent 1930s and 1940s. It shows how the empire cinema constructed the colonial world, its rationale for doing so, and the manner in which such constructions were received by the colonized people.
Publisher: Manchester University Press
ISBN: 9780719057250
Category : Colonies
Languages : en
Pages : 312
Book Description
An empirico-historical inquiry into the empire cinema in Hollywood and Britain during the turbulent 1930s and 1940s. It shows how the empire cinema constructed the colonial world, its rationale for doing so, and the manner in which such constructions were received by the colonized people.