Welsh Lyrics of the Nineteenth Century PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Welsh Lyrics of the Nineteenth Century PDF full book. Access full book title Welsh Lyrics of the Nineteenth Century by Anonymous. Download full books in PDF and EPUB format.
Author: Anonymous
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 62
Get Book Here
Book Description
"Welsh Lyrics of the Nineteenth Century" by anonymous and translated by Edmund O. Jones is a collection of poems that celebrate Welsh heritage. Though the poems are anonymous in the text, each individual voice rings out uniquely. Though people with Welsh ancestors might find themselves most drawn to this book, everyone who reads it will be taken by the pride and love for the country that emanates from the pages.
Author: Anonymous
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 62
Get Book Here
Book Description
"Welsh Lyrics of the Nineteenth Century" by anonymous and translated by Edmund O. Jones is a collection of poems that celebrate Welsh heritage. Though the poems are anonymous in the text, each individual voice rings out uniquely. Though people with Welsh ancestors might find themselves most drawn to this book, everyone who reads it will be taken by the pride and love for the country that emanates from the pages.
Author: Lee Christine O'Brien
Publisher: University of Delaware
ISBN: 1611493927
Category : Literary Criticism
Languages : en
Pages : 261
Get Book Here
Book Description
The Romance of the Lyric in Nineteenth-Century Women’s Poetry: Experiments in Form offers a new account of the nature of the lyric as nineteenth-century women poets developed the form. It offers fresh assessments of the imaginative and aesthetic complexity of women’s poetry. The monograph seeks to redefine the range and cultural significance of women’s writing using the work of poets who have not, heretofore, been part of critical accounts of nineteenth-century lyric poetry. These new voices are set beside new readings of the poetry of established figures: for example, Christina Rossetti’s Goblin Market and Augusta Webster’s “Medea in Athens” and “Circe." The monograph draws substantially on the poetry of Rosamund Marriott Watson – who was lost to literary history before the restoration of her oeuvre through the scholarly and critical work of Professor Linda K. Hughes – to make the case that once neglected and lost voices provide new ways of determining the cultural centrality of women and the poetry they produced in one of the richest periods of poetic experimentation in the Western literary tradition. This monograph contends that Watson’s poetry and prose provide new ways of analyzing the complex and frequently transgressive nature of the lyric engagement of women with folklore and myth and with the growing understanding in the nineteenth century of the fragmented, fluid self in general and of the writer in particular.
Author: Edmund Osborne Jones
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
Get Book Here
Book Description
Author: George Neely Henning (ed)
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
Get Book Here
Book Description
Author: Clare A. Lees
Publisher: Cambridge University Press
ISBN: 131617509X
Category : Literary Criticism
Languages : en
Pages : 910
Get Book Here
Book Description
Informed by multicultural, multidisciplinary perspectives, The Cambridge History of Early Medieval English Literature offers a new exploration of the earliest writing in Britain and Ireland, from the end of the Roman Empire to the mid-twelfth century. Beginning with an account of writing itself, as well as of scripts and manuscript art, subsequent chapters examine the earliest texts from England, Ireland, Scotland and Wales, and the tremendous breadth of Anglo-Latin literature. Chapters on English learning and literature in the ninth century and the later formation of English poetry and prose also convey the profound cultural confidence of the period. Providing a discussion of essential texts, including Beowulf and the writings of Bede, this History captures the sheer inventiveness and vitality of early medieval literary culture through topics as diverse as the literature of English law, liturgical and devotional writing, the workings of science and the history of women's writing.
Author: Jennifer Ronyak
Publisher: Indiana University Press
ISBN: 0253035791
Category : Music
Languages : en
Pages : 284
Get Book Here
Book Description
The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.
Author: Marion Thain
Publisher: Edinburgh University Press
ISBN: 1474415679
Category : Literary Criticism
Languages : en
Pages : 281
Get Book Here
Book Description
This study explores lyric poetry's response to a crisis of relevance in Victorian Modernity, offering an analysis of literature usually elided by studies of the modern formation of the genre and uncovering previously unrecognized discourses within it. Setting the focal aestheticist poetry (c. 1860 to 1914) within much broader historical, theoretical and aesthetic frames, it speaks to those interested in Victorian and modernist literature and culture, but also to a burgeoning audience of the 'new lyric studies'. The six case studies introduce fresh poetic voices as well as giving innovative analyses of canonical writers (such as D. G. Rossetti, Ezra Pound, A. C. Swinburne).
Author: Tracy C. Davis
Publisher: Broadview Press
ISBN: 1551119005
Category : Drama
Languages : en
Pages : 685
Get Book Here
Book Description
This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.
Author: Elizabeth K. Helsinger
Publisher: University of Virginia Press
ISBN: 0813938015
Category : Literary Criticism
Languages : en
Pages : 332
Get Book Here
Book Description
In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as "musical"—Alfred, Lord Tennyson, Gerard Manly Hopkins, Emily Brontë, and Algernon Charles Swinburne—Helsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art: Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating song’s forms and sound textures through lyric’s rhythm, rhyme, and repetition, these poets were pursuing song’s "thought" in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song: to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.
Author: Fordham University. Fordham College
Publisher:
ISBN:
Category :
Languages : en
Pages : 370
Get Book Here
Book Description
