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Author: Gillian White
Publisher: Harvard University Press
ISBN: 0674734394
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
Author: Gillian White
Publisher: Harvard University Press
ISBN: 0674734394
Category : Literary Criticism
Languages : en
Pages : 361
Get Book Here
Book Description
Gillian White argues that the poetry wars among critics and practitioners are shaped by “lyric shame”—an unspoken but pervasive embarrassment over what poetry is, should be, and fails to be. “Lyric” is less a specific genre than a way to project subjectivity onto poems—an idealized poem that is nowhere and yet everywhere.
Author: Julia Bloch
Publisher: University of Iowa Press
ISBN: 1609389433
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Lyric Trade digs into how poems use lyric in relation to race, gender, nation, and empire. Engaging with poets such as Gwendolyn Brooks, H.D., Lorine Niedecker, Alice Notley, and Myung Mi Kim, it argues that lyric in the postwar long poem not only registers the ideological contradictions of modernism's insistence on new forms, but that it also maps spaces for formal reimaginings of the subject.
Author: Calista McRae
Publisher: Cornell University Press
ISBN: 1501750992
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
A poet walks into a bar... In Lyric as Comedy, Calista McRae explores the unexpected comic opportunities within recent American poems about deeply personal, often embarrassing, experiences. Lyric poems, she finds, can be surprising sites of a shifting, unruly comedy, as seen in the work of John Berryman, Robert Lowell, A. R. Ammons, Terrance Hayes, Morgan Parker, Natalie Shapero, and Monica Youn. Lyric as Comedy draws out the ways in which key American poets have struggled with persistent expectations about what expressive poetry can and should do. McRae reveals how the modern lyric, rather than bestowing order on the poet's thoughts and emotions, can center on impropriety and confusion, formal breakage and linguistic unruliness, and self-observation and self-staging. The close readings in Lyric as Comedy also provide new insight into the theory and aesthetics of comedy, taking in the indirect, glancing comic affordances of poetry. In doing so, McRae captures varieties of humor that do not align with traditional terms, centering abjection and pleasure as facets of contemporary lyric practice.
Author: John Ernest
Publisher: Cambridge University Press
ISBN: 1108803016
Category : Literary Criticism
Languages : en
Pages : 467
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Book Description
Exploring the unsteady foundations of American literary history, Race in American Literature and Culture examines the hardening of racial fault lines throughout the nineteenth century and into the twentieth while considering aspects of the literary and interrelated traditions that emerged from this fractured cultural landscape. A multicultural study of the influential and complex presence of race in the American imagination, the book pushes debate in exciting new directions. Offering expert explorations of how the history of race has been represented and written about, it shows in what ways those representations and writings have influenced wider American culture. Distinguished scholars from African American, Latinx, Asian American, Native American, and white American studies foreground the conflicts in question across different traditions and different modes of interpretation, and are thus able comprehensively and creatively to address in the volume how and why race has been so central to American literature as a whole.
Author: Kim Moore
Publisher: Seren
ISBN: 1781726884
Category : Social Science
Languages : en
Pages : 228
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Book Description
Five 'lyric essays' exploring the dynamics of performing poetry as a female poet – confronting the implications of being a female on public display, with the connotations of sexual objectification, in a context that traditionally disregards the body. Kim states "With the strides and gains made through the #MeToo movement, I believe the time is right for a book like this to make an impact. As a female poet, I know there is a need for such a book to examine the intersection between writing, performing, feminism and sexism. I wish this book had been written when I first started working as a freelance writer and I've had many conversations with other female poets who have also confirmed my thinking – that female poets are navigating these things regularly, and yet nobody is really writing or talking about them." The book draws on her experiences of writing and performing the poems in her second collection All the Men I Never Married. It is a balance of memoir, academic treatise and poetry, though the author's emphasis is on writing in a popular way and making the subject accessible to a wide audience. To achieve this her models have been Maggie Nelson's Bluets, Claudia Rankine's Citizen and Sarah Ahmed's Living a Feminist Life. The book's subjects include heckling at poetry readings and other interactions; problems with the 'male gaze' and what the 'female gaze' might look like in poetry; 'guilty for being a man': how guilt can be useful if it can bring about change; how writing poetry about sexism can shed add meaning to the term; the objectification of men and women, and 'bad faith' arguments. Are You Judging Me Yet?, by Kim Moore, is a remarkable collection of essays and poetry that explore, as the tagline suggests, everyday sexism. – neverintimate '...Moore's work becomes an even more vital tool in the work being done to challenge everyday sexism. Reading her work is not only a window into her own experiences, but may also act as a means of education, and that's something we all need to see more of.' – Wales Arts Review
Author: Prudence Bussey-Chamberlain
Publisher: Bloomsbury Publishing
ISBN: 1350079375
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Irreverent and provoking, the figure of the 'queer troublemaker' is a disruptive force both poetically and politically. Tracing the genealogy of this figure in modern avant-garde American poetry, Prudence Bussey-Chamberlain develops innovative close readings of the works of Gertrude Stein, Frank O'Hara, Eileen Myles and Maggie Nelson. Exploring how these writers play with identity, gender, sexuality and genre, Bussey-Chamberlain constructs a queer poetics of flippancy that can subvert ideas of success and failure, affect and affectation, performance and performativity, poetry and being.
Author: Elizabeth S. Dodd
Publisher: Bloomsbury Publishing
ISBN: 0567670325
Category : Religion
Languages : en
Pages : 201
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Book Description
In this book, Elizabeth S. Dodd traces the contours of a lyric theology through the lens of English lyric tradition. She addresses the dominance of narrative and drama in contemporary theological aesthetics by drawing on recent developments in lyric theory. Informed by the work of critics such as Jonathan Culler, Dodd explores the significance of lyric for theological discourse. Lyric is presented here as a short, musical, expressive and personal form that is also fragmentary, embodied, socially located and performative. The main chapters address key moments in English lyric tradition. This selective approach aims to expand the theological gaze beyond the monochromatic features of the traditional canon. It covers Anglo-Saxon hymns, medieval lullaby carols, early-modern sonnets and the prophetic poetry of Romanticism, but also Grime and hip hop, performance poetry, social media poetry and Geoffrey Hill.
Author: Bridget Vincent
Publisher: Oxford University Press
ISBN: 0192644254
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
How do poems communicate moral ideas? Can they express concepts in ways that are unique and impossible to replicate in other forms of writing? This book explores these questions by turning to two of the late twentieth century's most important poets: Seamus Heaney and Geoffrey Hill. Their work shows that a poem can act as an example of a moral concept, rather than simply a description or discussion of it. Exploring these two poets via their shared preoccupation with poetry's moral exemplarity opens up new perspectives on their work. The concept of exemplarity is shown to play an important role in these poets' most significant preoccupations, from moral complicity to the nature of lyric speech to literary influence to memorialisation, responsibility, and aesthetic autonomy. Through this new analysis of poetry, critical prose, drama, and archival materials, this book offers a major new study of ethics in the later period of these two writers--including recent underexplored posthumous works. In turn, the book also makes an important intervention in larger debates about literature and morality, and about the field of ethical criticism itself: this is the first book-length study to expand ethical criticism beyond its customary narrative focus. The ethical criticism of fiction is often an exercise in methodological advocacy, urging the use of more literary examples in moral philosophy. As this book shows, including poetry among these examples introduces new, lyric-inflected caveats about the use of literature as a form of moral example: caveats which remain invisible in narrative-centred ethical criticism.
Author: Stephen J. Ross
Publisher: Oxford University Press
ISBN: 0192519301
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
In his debut collection, Some Trees (1956), the American poet John Ashbery poses a question that resonates across his oeuvre and much of modern art: 'How could he explain to them his prayer / that nature, not art, might usurp the canvas?' When Ashbery asks this strange question, he joins a host of transatlantic avant-gardists—from the Dadaists to the 1960s neo-avant-gardists and beyond—who have dreamed of turning art into nature, of creating art that would be 'valid solely on its own terms, in the way nature itself is valid, in the way a landscape—not its picture—is aesthetically valid' (Clement Greenberg, 1939). Invisible Terrain reads Ashbery as a bold intermediary between avant-garde anti-mimeticism and the long western nature poetic tradition. In chronicling Ashbery's articulation of 'a completely new kind of realism' and his engagement with figures ranging from Wordsworth to Warhol, the book presents a broader case study of nature's dramatic transformation into a resolutely unnatural aesthetic resource in 20th-century art and literature. The story begins in the late 1940s with the Abstract Expressionist valorization of process, surface, and immediacy—summed up by Jackson Pollock's famous quip, 'I am Nature'—that so influenced the early New York School poets. It ends with 'Breezeway,' a poem about Hurricane Sandy. Along the way, the project documents Ashbery's strategies for literalizing the 'stream of consciousness' metaphor, his negotiation of pastoral and politics during the Vietnam War, and his investment in 'bad' nature poetry.
Author: Barry Sheils
Publisher: Routledge
ISBN: 1351657518
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
Shame and Modern Writing seeks to uncover the presence of shame in and across a vast array of modern writing modalities. This interdisciplinary volume includes essays from distinguished and emergent scholars in the Humanities and Social Sciences, and shorter practice-based reflections from poets and clinical writers. It serves as a timely reflection of shame as presented in modern writing, giving added attention to engagements on race, gender, and the question of new media representation.
