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Author: Giovanni Antonio Terzi
Publisher: A-R Editions, Inc.
ISBN: 0895794691
Category : Music
Languages : en
Pages : 170
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Book Description
Lute music from Terzi's 2 compilations, originally published 1593 and 1599. Includes original works, and intabulations of works by other composers.
Author: Giovanni Antonio Terzi
Publisher: A-R Editions, Inc.
ISBN: 0895794691
Category : Music
Languages : en
Pages : 170
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Book Description
Lute music from Terzi's 2 compilations, originally published 1593 and 1599. Includes original works, and intabulations of works by other composers.
Author: James McWhorter Meadors
Publisher:
ISBN:
Category : Fantasia
Languages : en
Pages : 414
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Book Description
Author: John Griffiths
Publisher: A-R Editions, Inc.
ISBN: 0895795663
Category : Music
Languages : en
Pages : 210
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Book Description
xxi + 181 pp.
Author: Robert White
Publisher: A-R Editions, Inc.
ISBN: 0895790394
Category : Music
Languages : en
Pages : 112
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Book Description
Author: David Grimes
Publisher: Mel Bay Publications
ISBN: 1619116952
Category : Music
Languages : en
Pages : 181
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Book Description
In his quest to compile an anthology of the best pieces by vihuela composers, David Grimes encountered the rich complexity of the music of Luys Milan. He also noticed many discrepancies in fingering and in the notes themselves in various existing transcribed editions. Following a period of exhaustive research the author prepared this authoritative guitar edition of the fifty fantasias in Milan's seminal 1536 book, El Maestro. The resulting edition provides a more accurate sense of the virtuosity of this music. These extraordinary pieces are presented here in standard notation only with extensive historical and performance notes. Of this collection the author writes," It is my sincere hope that this new edition will help bring this glorious repertoire to the attention of more of today's many outstanding performers, and that Milan's fantasias will more often take their deserved place on recital programs, alongside the masterworks of John Dowland and Francesco da Milano."
Author: Rob MacKillop
Publisher: Mel Bay Publications
ISBN: 1619116731
Category : Music
Languages : en
Pages : 101
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Book Description
This book is aimed at beginner lute and guitar players interested in playing Renaissance lute music on either instrument. Lute and guitar tablature are included, along with notes on technique, biographies of lute composers from the 16th century, and general advice on buying, stringing and tuning a lute. The book starts with single-line melodies, before progressing to two-part and full repertoire pieces. Selections include works by great Renaissance composers such as John Dowland, Francesco da Milano, Alonso Mudarra, Francesco Spinacino and others, with music from England, Scotland, Italy, France and Germany. A useful chord chart is also included. Every piece in the book has been recorded for download by Rob MacKillop--in itself, an album worth owning. Includes access to online audio.
Author: Esteban Daza
Publisher: A-R Editions, Inc.
ISBN: 0895791668
Category : Vihuela music
Languages : en
Pages : 106
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Book Description
Author:
Publisher:
ISBN:
Category : Lute
Languages : en
Pages : 106
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Book Description
Author: Matthew Spring
Publisher: Oxford University Press, USA
ISBN: 9780195188387
Category : Language Arts & Disciplines
Languages : en
Pages : 576
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Book Description
"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.
Author: Jonathan Wainwright
Publisher: Routledge
ISBN: 1351566261
Category : Music
Languages : en
Pages : 342
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Book Description
Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
