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Author: Peter Greenaway
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Since 2006, iconoclastic British filmmaker Peter Greenaway has been engaged in a project to reinvigorate some of the most iconic paintings in the history of art in an attempt to get people to look at them again in a new way. Using audio and projectors, Greenaway barrages the selected paintings with imagery, cinema, poetry and special effects. Of his 2006 intervention with Rembrandt's "The Nightwatch" (1642), the filmmaker recalls, "We burned it, flooded it and covered it in blood, but if you go there today you will find it completely untouched." This volume is published concurrently with Greenaway's performance of "Leonardo's Last Supper" (2008) in the Refectory of the Santa Maria delle Grazie friary, where Leonardo da Vinci painted his famous masterpiece. This multi-media event will take place on the occasion of the 2008 Milan Furniture Fair. Da Vinci expert Martin Kemp, Professor of Art History at Oxford University, observes, "Greenaway has a terrific understanding of how painters work, which is not true of every filmmaker. There's no need to be stuffy about these things. If Leonardo had been around he would have been into moving images. You get the sense that he wanted his paintings to move."
Author: Peter Greenaway
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Since 2006, iconoclastic British filmmaker Peter Greenaway has been engaged in a project to reinvigorate some of the most iconic paintings in the history of art in an attempt to get people to look at them again in a new way. Using audio and projectors, Greenaway barrages the selected paintings with imagery, cinema, poetry and special effects. Of his 2006 intervention with Rembrandt's "The Nightwatch" (1642), the filmmaker recalls, "We burned it, flooded it and covered it in blood, but if you go there today you will find it completely untouched." This volume is published concurrently with Greenaway's performance of "Leonardo's Last Supper" (2008) in the Refectory of the Santa Maria delle Grazie friary, where Leonardo da Vinci painted his famous masterpiece. This multi-media event will take place on the occasion of the 2008 Milan Furniture Fair. Da Vinci expert Martin Kemp, Professor of Art History at Oxford University, observes, "Greenaway has a terrific understanding of how painters work, which is not true of every filmmaker. There's no need to be stuffy about these things. If Leonardo had been around he would have been into moving images. You get the sense that he wanted his paintings to move."
Author: Niklas Salmose
Publisher: Routledge
ISBN: 1000761304
Category : Language Arts & Disciplines
Languages : en
Pages : 289
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Book Description
This collection offers a multi-faceted exploration of transmediations, the processes of transfer and transformation that occur when communicative acts in one medium are mediated again through another. While previous research has explored these processes from a broader perspective, Salmose and Elleström argue that a better understanding is needed of the extent to which the outcomes of communicative acts are modified when transferred across multimodal media in order to foster a better understanding of communication more generally. Using this imperative as a point of departure, the book details a variety of transmediations, viewed through four different lenses. The first part of the volume looks at narrative transmediations, building on existing work done by Marie-Laure Ryan on transmedia storytelling. The second section focuses on the spatial dynamics involved in media transformation as well as the role of the human body as a perceptive agent and a medium in its own right. The third part investigates new, radical boundaries and media types in transmediality and hence shows its versatility as a method of analyzing complex and contemporary communicative discourses. The fourth and final part explores the challenges involved in transmediating scientific data into the narrative format in the context of environmental issues. Taken together, these sections highlight a range of case studies of transmediations and, in turn, the complexity and variety of the process, informed by the methodologies of the different disciplines to which they belong. This innovative volume will be of particular interest to students and scholars in multimodality, communication, intermediality, semiotics, and adaptation studies.
Author: Sandra Barriales-Bouche
Publisher: Cambridge Scholars Publishing
ISBN: 1443807966
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
In the context of the transformations that Europe is undergoing, Zoom in, Zoom out: Crossing Borders in Contemporary European Cinema attempts to serve as a testimony to the multiple ways in which European filmmakers are questioning the many borders of the continent. European films have become a vital cultural space where the relationship between borders and identity is being renegotiated. The films discussed here self-consciously address the question of European identity while overtly crossing geographic, cultural, linguistic and aesthetic borders. While all the articles explore the crossing of borders in Contemporary European films, the volume maintains diverse themes and perspectives as subtopics. It includes articles not only about films that deal thematically with border-crossings, but also articles that examine movies that cross borders in genres and techniques. The articles have different theoretical approaches (Film theory, Cultural Studies, History, Sociology, Philosophy, and Psychoanalysis) and cover films from well-known cinematic traditions (French, Spanish, German, and Italian) as well as lesser-known cinematic traditions (Yugoslavian, Greek, and Irish). As a whole, the essays frame the self-conscious gesture by European filmmakers to define European cinema as a work-in-progress, or at the very least, as a project that, like Europe itself, raises as many questions as it answers. "This volume is a welcome addition to the growing critical literature on the evolution of the conception and practice of national cinema in Europe over the last two decades. Sandra Barriales-Bouche and Marjorie Attignol Salvodon have chosen a solid selection of representative case studies that reflects different critical approaches to the problem of maintaining local or national cinema production in Europe during a period of intense globalization. Their insightful introduction formulates the theme of “unsettled borders” and “renegotiated identities” that will resonate in the nine essays that follow. With a focus on the critical concept of these unsettled borders, the various authors explore the ways that the traditional mark of national space has been transformed through political and economic realignments as well as new technologies and the emergence of a new generation of filmmakers for whom national cinema no longer means what it did even twenty years ago. The volume provides a good balance of critical approaches that includes auteur studies, descriptions of state policies and the particular practices of filmmakers and producers in different parts of the continent (Spain, Germany, Ireland, the Balkans) and, finally, useful appendices that provide a close-up view of the complex nature of international co-productions." —Marvin D’Lugo, Professor of Spanish, Clark University "This is an interesting collection of essays that has been well conceived and organised. The standard of writing is high and I recommend publication. I particularly commend the conceptual framework underpinning the volume. This marries a cultural studies approach, which still dominates the study of film in Area Studies and language departments across Europe and the US (where filmic texts are increasingly used as teaching tools), with the more industry-based focus one tends to find adopted by Media and Screen Studies departments. Thus this collection will appeal to a wide range of students and academics. The introduction sets out the volume’s overarching framework cogently and clearly, giving a nuanced exploration of the way that the notion of the border can be used as a dynamic prism to help define and explore the limits of our understanding of Europe, European identity and European culture, within which cinema has long played a key role. The editors give a good account, for example, of the way film has been employed as a space to explore the possibilities of European integration by EU politicians as well as highlighting the flaws inherent within this project. They do, however, perhaps suggest a certain Western European/North American-centric view in their suggestion that the cinema of Yugoslavia, Greece or Ireland is somehow less well known than other national and transnational cinemas explored here. Less well known to whom? ... However, from the broad range of cinemas explored in the rest of the volume clearly this is not the case. Particular high points for me are the chapters on the work of Fatih Akin by Janis Little Solomon and John Davidson’s discussion of Schulze gets the Blues, as well as Olivier Asselin’s fascinating account of Database Cinema. This will be a good addition to scholarship on European film and I look forward to receiving my copy." —Professor Paul Cooke (University of Leeds)
Author: Paula Willoquet-Maricondi
Publisher: Scarecrow Press
ISBN: 0810862271
Category : Art
Languages : en
Pages : 447
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Book Description
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures. From early experimental films to provocative features, Greenaway has deployed strategies associated with structuralist cinema, only to challenge or critique the very limits of that cinema and of film in general. In this collection of essays, scholars from a variety of disciplines explore various postmodern and poststructuralist aspects of Greenaway's films, starting with his early shorts and delving into his feature-length works, including The Draughtman's Contract, The Belly of an Architect, A Zed and Two Noughts, The Cook, the Thief, His Wife and Her Lover, The Baby of M%con, and The Pillow Book. Other artistic productions, including his paintings and installations are also discussed. These essays examine the filmmaker's position within British and avant-garde cinema and his interest in constructing and deconstructing representational systems. In the years since the first edition of this book, Greenaway has enjoyed continued success in creating hybridized media projects for the stage and screen, as evidenced by additional essays for this revised edition. A new chapter addresses how Dutch political events and Dutch art have been crucial in shaping Greenaway's aesthetic, focusing on The Draughtsman's Contract, the 1991 opera Writing to Vermeer, and Nightwatching, the audio-visual installation and 2007 film of the same name, which were inspired by Rembrandt's Night Watch. Also new to this collection is an essay that examines Greenaway's most ambitious endeavor to date, The Tulse Luper Suitcases, which exists as four feature films, multiple websites, an online game, several books and installations, and a number of theatrical events. Peter Greenaway's Postmodern/Poststructuralist Cinema, Revised Edition explores the cultural, historical, and philosophical implications of this hybrid artist whose paintings, drawings, exhibitions, installations, and operatic productions are an intrinsic part of his work in film. This collection of diverse essays, which includes two texts by Greenaway, two interviews with the director, and a revised filmography, will interest students, teachers, critics and lovers of both postmodern art and cinema.
Author: David Morley
Publisher: Routledge
ISBN: 1134317131
Category : Social Science
Languages : en
Pages : 366
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Book Description
From best-selling author David Morley, this book presents a set of interlinked essays which discuss and examine some of the key debates in the fields of media and cultural studies. Spanning the last decade, this fascinating and readable book is based on interdisciplinary work on the interface of media and cultural studies, cultural geography and anthropology. Clearly structured in five thematic sections, the book surveys the potential contribution of art-based discourses to the field and offers critical perspectives on the emergence of the ‘new media’ of our age. Including discussion on the status and future of media and cultural studies as disciplines, the significance of technology and new media, and raising questions about the place of the magical in the newly emerging forms of techno-modernity in which we live today, this is a media student must-read.
Author: James Jordan
Publisher: Routledge
ISBN: 1317385039
Category : History
Languages : en
Pages : 244
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Book Description
Migration is, and has always been, a disruptive experience. Freedom from oppression and hope for a better life are counter-balanced by feelings of loss – loss of family members, of a home, of personal belongings. Memories of the migration process itself often fade quickly away in view of the new challenges that await immigrants in their new homelands. This volume asks, and shows, how migration memories have been kept, stored, forgotten, and indeed retrieved in many different archives, in official institutions, in heritage centres, as well as in personal and family collections. Based on a variety of examples and conceptual approaches – from artistic approaches to the family archive via ‘smell and memory as archives’, to a cultural history of the suitcase – this volume offers a new and original way to write Jewish history and the history of Jewish migration in the context of personal and public memory. The documents reflect the transitory character of the migration experience, and they tell stories of longing and belonging. This book was originally published as a special issue of Jewish Culture and History.
Author:
Publisher:
ISBN:
Category : Museum techniques
Languages : en
Pages : 346
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Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 478
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Author:
Publisher: Cambria Press
ISBN: 1621968162
Category :
Languages : en
Pages : 245
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Book Description
