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Author: Luis Valdez
Publisher: Arte Publico Press
ISBN: 9781611923414
Category : Drama
Languages : en
Pages : 220
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Book Description
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
Author: Luis Valdez
Publisher: Arte Publico Press
ISBN: 9781611923414
Category : Drama
Languages : en
Pages : 220
Get Book
Book Description
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
Author: Luis Valdez
Publisher: Arte Publico Press
ISBN: 9781611922127
Category : Drama
Languages : es
Pages : 214
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Book Description
This collection includes one-act plays by the famous farmwork theater, El Teatro Campesino, and its director Luis Valdez; one of the first fully realized, full-length plays by Valdez alone; and an original narrative poem by Luis Valdez.
Author: Luis Valdez
Publisher: Routledge
ISBN: 1000398676
Category : Performing Arts
Languages : en
Pages : 156
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Book Description
Theatre of the Sphere is Luis Valdez’s exploration of the principles that underlie his innovations as a playwright, teacher, and theatrical innovator. He discusses the unique aesthetic, more than five decades in the making, that defines the work of his group El Teatro Campesino—from shows staged on the backs of flatbed trucks by the participants in the Delano Grape Strike of the 1960s to international megahits like Zoot Suit. Opening with a history of El Teatro Campesino, rich with Valdez’s insights and remembrances, the book’s first part provides context for the development of the Theatre of the Sphere acting method. The second part delivers the conceptual framework for Valdez’s acting theory and practice, situating it in Mayan mathematics and metaphysics. The third part of the book applies this methodology to describe the "viente pasos," the 20-element exercise sequence that comprises the core practice of El Teatro Campesino—strengthening the body, balance, precision, and flexibility but also leadership, collaboration, observation, vulnerability, trust, and expression of passion; of consciousness of time, place, self, community, language, and belief; of honour, faith, morality, and commitment. The book concludes with the full text of Valdez’s poem, "El Buen Actor/El Mal Actor," and a comprehensive bibliography for further study. This is a vital and indispensable text for today’s actor, as well as scholars and students of contemporary theatre, American and Chicano performance, and the process of theatre-making, actor training, and community performance.
Author: Luis Valdez
Publisher: Arte Publico Press
ISBN: 9781611922288
Category : Drama
Languages : en
Pages : 212
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Book Description
For more than twenty years, Luis Valdez, the most distinguished Latino playwright and director, has reserved most of his scripts for live stage productions. His two landmark published collections, Early Works and Zoot Suit and Other Plays, are only a sampling of his early master works and of the later plays that made it to the stage in the 1980s. Now, Valdez has finally opened his trunk to release print editions of a revised early work and two brand new, major dramas. Mummified Deer is ValdezÍs mature exploration of the Yaqui Indian roots of Mexican American culture and ValdezÍs own family. Returning to the format of the tent show, Valdez mines maternal psychology and Yaqui mysticism to demand that characters scale the full gamut of emotions. In this gut-wrenching piece, Mama Chu is the dominant, imposing figure who must reconcile the present with the past and unify the conflicting histories and identities of her family. Mundo Mata is the long-awaited drama of unionizing farm workers battling the agribusiness power structure in California while Mexican Americans are being sent off to battle brown-skinned enemies in Vietnam. Valdez assesses the toll that families have to pay to remain united against divisive forces. It all comes down to Reymundo, the antihero, who in the end must weigh existential and political questions. The Shrunken Head of Pancho Villa, ValdezÍs re-worked first play, still holds all the vision, spunk, and innovation of the young playwright. Injecting black humor into domestic drama, disembodied heads talk, mothers exchange roles with the patriarch, pachucos banter, and sell-outs become the mouthpieces for an oppressed communityall characters and themes that would dominate future plays of Valdez and subsequent Chicano literature.
Author: Luis Valdez
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 456
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Book Description
A collection of articles, poems and book excerpts reflecting the Chicano heritage and culture, and the modern problems and struggles of Mexican-Americans.
Author: Harry Justin Elam
Publisher: University of Michigan Press
ISBN: 9780472087686
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
An original and valuable assessment of American political theater in the 1960s and 1970s
Author: Gastón Espinosa
Publisher: Duke University Press
ISBN: 0822388952
Category : Religion
Languages : en
Pages : 455
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Book Description
This collection presents a rich, multidisciplinary inquiry into the role of religion in the Mexican American community. Breaking new ground by analyzing the influence of religion on Mexican American literature, art, activism, and popular culture, it makes the case for the establishment of Mexican American religious studies as a distinct, recognized field of scholarly inquiry. Scholars of religion, Latin American, and Chicano/a studies as well as of sociology, anthropology, and literary and performance studies, address several broad themes. Taking on questions of history and interpretation, they examine the origins of Mexican American religious studies and Mario Barrera’s theory of internal colonialism. In discussions of the utopian community founded by the preacher and activist Reies López Tijerina, César Chávez’s faith-based activism, and the Los Angeles-based Católicos Por La Raza movement of the late 1960s, other contributors focus on mystics and prophets. Still others illuminate popular Catholicism by looking at Our Lady of Guadalupe, home altars, and Los Pastores dramas (nativity plays) as vehicles for personal, social, and political empowerment. Turning to literature, contributors consider Gloria Anzaldúa’s view of the borderlands as a mystic vision and the ways that Chicana writers invoke religious symbols and rhetoric to articulate a moral vision highlighting social injustice. They investigate the role of healing, looking at it in relation to both the Latino Pentecostal movement and the practice of the curanderismo tradition in East Los Angeles. Delving into to popular culture, they reflect on Luis Valdez’s video drama La Pastorela: “The Shepherds’ Play,” the spirituality of Chicana art, and the religious overtones of the reverence for the slain Tejana music star Selena. This volume signals the vibrancy and diversity of the practices, arts, traditions, and spiritualities that reflect and inform Mexican American religion. Contributors: Rudy V. Busto, Davíd Carrasco, Socorro Castañeda-Liles, Gastón Espinosa, Richard R. Flores, Mario T. García, María Herrera-Sobek, Luís D. León, Ellen McCracken, Stephen R. Lloyd-Moffett, Laura E. Pérez, Roberto Lint Saragena, Anthony M. Stevens-Arroyo, Kay Turner
Author: Luis Valdez
Publisher:
ISBN:
Category : Mexican Americans
Languages : es
Pages : 40
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Book Description
Author: Luis Valdez
Publisher:
ISBN:
Category : American drama
Languages : es
Pages : 170
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Book Description
Author: Yolanda Broyles-González
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
This pioneering work demythologizes and reinterprets the company's history from its origins in California's farm labor struggles to its successes in Europe and on Broadway until the disbanding of the original collective ensemble in 1980 with the subsequent adoption of mainstream production practices.
