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Author: Inger NI Kuin
Publisher: University of Michigan Press
ISBN: 0472133349
Category : History
Languages : en
Pages : 305
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Book Description
The first English-language monograph about religion and Lucian of Samosata
Author: Inger NI Kuin
Publisher: University of Michigan Press
ISBN: 0472133349
Category : History
Languages : en
Pages : 305
Get Book Here
Book Description
The first English-language monograph about religion and Lucian of Samosata
Author: Ingvild Saelid Gilhus
Publisher: Routledge
ISBN: 1134717679
Category : History
Languages : en
Pages : 199
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Book Description
Laughing Gods, Weeping Virgins analyses how laughter has been used as a symbol in myths, rituals and festivals of Western religions, and has thus been inscribed in religious discourse. The Mesopotamian Anu, the Israelite Jahweh, the Greek Dionysos, the Gnostic Christ and the late modern Jesus were all laughing gods. Through their laughter, gods prove both their superiority and their proximity to humans. In this comprehensive study, Professor Gilhus examines the relationship between corporeal human laughter and spiritual divine laughter from c`ussical antiquity, to the Christian West and the modern era. She combines the study of the history of religion with social-scientific approaches, to provide an original and pertinent exploration of a universal human phenomenon, and its significance for the development of religions.
Author: M.a. Screech
Publisher: Routledge
ISBN: 0429721579
Category : Social Science
Languages : en
Pages : 259
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Book Description
"Christian laughter is a maze: you could easily get snarled up within it." So says Michael A. Screech in his note to readers preceding this collection of fifty-three elegant and pithy essays. As Screech reveals, the question of whether laughter is acceptable to the god of the Old and New Testaments is a dangerous one. But we are fortunate in our gu
Author: Margaret Alexiou
Publisher: Edinburgh University Press
ISBN: 1474403808
Category : History
Languages : en
Pages : 504
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Book Description
Explores the range and complexity of human emotions and their transmission across cultural traditionsWhat makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity.Key featuresIncludes an international cast of 25 distinguished contributors Prominence is given to performative arts and to interactions with other cultures Transitions from Late Antiquity to Byzantium, and from Byzantium to the Renaissance, form focal points from which contributors look backwards, forwards and sidewaysHighlights the variety, audacity and quality of the finest Byzantine works and the extent to which they anticipated the renaissance
Author: Courtney J. P. Friesen
Publisher: Taylor & Francis
ISBN: 1000910288
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
While many ancient Jewish and Christian leaders voiced opposition to Greek and Roman theater, this volume demonstrates that by the time the public performance of classical drama ceased at the end of antiquity the ideals of Jews and Christians had already been shaped by it in profound and lasting ways. Readers are invited to explore how gods and heroes famous from Greek drama animated the imaginations of ancient individuals and communities as they articulated and reinvented their religious visions for a new era. In this study, Friesen demonstrates that Greek theater’s influence is evident within Jewish and Christian intellectual formulations, narrative constructions, and practices of ritual and liturgy. Through a series of interrelated case studies, the book examines how particular plays, through texts and performances, scenes, images, and heroic personae, retained appeal for Jewish and Christian communities across antiquity. The volume takes an interdisciplinary approach involving classical, Jewish, and Christian studies, and brings together these separate avenues of scholarship to produce fresh insights and a reevaluation of theatrical drama in relation to ancient Judaism and Christianity. Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era allows students and scholars of the diverse and evolving religious landscapes of antiquity to gain fresh perspectives on the interplay between the gods and heroes—both human and divine—of Greeks and Romans, Jews and Christians as they were staged in drama and depicted in literature.
Author: Inger NI Kuin
Publisher: University of Michigan Press
ISBN: 0472220977
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
No comic author from the ancient world features the gods as often as Lucian of Samosata, yet the meaning of his works remain contested. He is either seen as undermining the gods and criticizing religion through his humor, or as not engaging with religion at all, featuring the gods as literary characters. His humor was traditionally viewed as a symptom of decreased religiosity, but that model of religious decline in the second century CE has been invalidated by ancient historians. Understanding these works now requires understanding what it means to imagine as laughing and laughable gods who are worshipped in everyday cult. In Lucian's Laughing Gods, author Inger N. I. Kuin argues that in ancient Greek thought, comedic depictions of divinities were not necessarily desacralizing. In religion, laughter was accommodated to such an extent as to actually be constituent of some ritual practices, and the gods were imagined either to reciprocate or push back against human laughter—they were never deflated by it. Lucian uses the gods as comic characters, but in doing so, he does not automatically negate their power. Instead, with his depiction of the gods and of how they relate to humans—frivolous, insecure, callous—Lucian challenges the dominant theologies of his day as he refuses to interpret the gods as ethical models. This book contextualizes Lucian’s comedic performances in the intellectual life of the second century CE Roman East broadly, including philosophy, early Christian thought, and popular culture (dance, fables, standard jokes, etc.). His texts are analyzed as providing a window onto non-elite attitudes and experiences, and methodologies from religious studies and the sociology of religion are used to conceptualize Lucian’s engagement with the religiosity of his contemporaries.
Author: Matthew C. Farmer
Publisher: John Wiley & Sons
ISBN: 1119622956
Category : History
Languages : en
Pages : 469
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Book Description
Provides a comprehensive and systematic treatment of the life and work of Aristophanes A Companion to Aristophanes provides an invaluable set of foundational resources for undergraduates, graduate students, and scholars alike. More than a basic reference text, this innovative volume situates each of Aristophanes' surviving plays within discussion of key themes relevant to the study of the Aristophanic corpus. Throughout the Companion, an international panel of contributors incorporates material culture and performance context, offers methodological and theoretical insights into the study of Aristophanes, demonstrates the relevance of Aristophanes to modern life, and more. Each chapter focused on a particular play is paired with a theme that is exemplified by that play, such as gender, sexuality, religion, ritual, and satire. With an emphasis on understanding Greek comedy and its ancient Athenian context, the text includes approaches to Aristophanes through criticism, performance, translation, and teaching to encourage and inform future work on Greek comedy. Illustrating the vitality of contemporary engagement with one of the world's great literary figures, this comprehensive volume: Helps new readers and teachers of Aristophanes appreciate the broader importance of each play within the study of antiquity Offers sophisticated analyses of the Aristophanic corpus and its place in literary and cultural history Includes chapters focused on teaching Aristophanes, including one emphasizing performance Provides detailed syllabi and lesson plans for integrating the material into high school and college curricula A Companion to Aristophanes is an essential resource for advanced students and instructors in Classics, Ancient Literature, Comparative Literature, and Ancient Drama and Theater. It is also a must-have reference for academic scholars, university libraries, non-specialist Classicists and other literary critics researching ancient drama, and sophisticated general readers interested in Aristophanes, Greek drama, classical Athens, or the ancient Mediterranean world.
Author: Andrew Faulkner
Publisher: Oxford University Press
ISBN: 0191044504
Category : Literary Collections
Languages : en
Pages : 424
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Book Description
The Reception of the Homeric Hymns is a collection of original essays exploring the reception of the Homeric Hymns and other early hexameter poems in the literature and scholarship of the first century BC and beyond. Although much work has been done on the Hymns over the past few decades, and despite their importance within the Western literary tradition, their influence on authors after the fourth century BC has so far received relatively little attention and there remains much to explore, particularly in the area of their reception in later Greco-Roman literature and art. This volume aims to address this gap in scholarship by discussing a variety of Latin and Greek texts and authors across the late Hellenistic, Imperial, and Late Antique periods, including studies of major Latin authors, such as Virgil, Horace, and Ovid, and Byzantine authors writing in classicizing verse. While much of the book deals with classical reception of the Hymns, including looking beyond the textual realm to their influence on art, the editors and contributors have extended its scope to include discussion of Italian literature of the fifteenth century, German scholarship of the nineteenth century, and the English Romantic poets, demonstrating the enduring legacy of the Homeric Hymns in the literary world.
Author: Chris M. Christian
Publisher: Lochmoor Productions
ISBN: 1737343002
Category : Art
Languages : en
Pages : 299
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Book Description
When powerful siblings discover a terrifying truth, will they embrace a new destiny or turn to darkness? Ashaya Blacksun has had a weight lifted from her shoulders. Freed by her father's abdication of his crown, the former princess's delight over choosing her own path is barely dimmed by her strange and haunting dreams. But when her beloved twin brother doesn't return home from a ranging expedition, the unconventional young woman fears something has gone terribly wrong. Born into royalty, Sirich Blacksun quietly seethes that he's no longer heir to the throne. Still determined to maintain a position of leadership, he sets out to investigate the disturbing news of carnage in the south. But when he crosses paths with a powerful figure straight out of lore, the temptation to ignore his beloved father's bold vision in favor of his own ambition becomes increasingly difficult to resist. Defying tradition by sneaking off to find her missing twin, Ashaya's travels over deadly terrain are plagued by intensifying visions that point to a dark fate. And as Sirich's strange new companion shows him a new way forward, the frustrated would-be king faces a frightening choice. As these scions of nobility grapple with a new reality, will their quest for truth end in tragedy? The Crimson Gods is the first book in the sweeping Crimson Gods medieval fantasy series. If you like fierce characters, ancient fables, and stunning twists, then you'll love Chris M. Christian's breathtaking epic. Buy The Crimson Gods to taste the blood of deities today!
Author: Steven D. Paulson
Publisher: Fortress Press
ISBN: 1506458548
Category : Religion
Languages : en
Pages : 416
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Book Description
In this second of three volumes addressing Luther's outlaw God, Steven D. Paulson uses several biblical figures (Ezekiel, Jonah, Moses, David, and more) to illustrate Luther's understanding of law and gospel and what this means for preaching. Paulson shows that the challenge of all preaching is revealing God's actual grace without using the law at all. The gospel is what freed Luther from thinking of the world as split into two: an obscure world where law accuses and a magical world where the law blesses. With remarkable depth and clarity, Paulson explores the question: Where do we find a gracious God? For Luther, it was not in the law, but only in the publicly executed and hated God, Jesus Christ, hidden in the cross.
