Lucas Cranach's Judith & Lucretia

Lucas Cranach's Judith & Lucretia PDF Author: Andrew Weislogel
Publisher:
ISBN:
Category : Women in art
Languages : en
Pages : 40

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Lucas Cranach's Judith & Lucretia

Lucas Cranach's Judith & Lucretia PDF Author: Andrew Weislogel
Publisher:
ISBN:
Category : Women in art
Languages : en
Pages : 40

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Lucas Cranach the Elder's Popular Images of Judith and Lucretia

Lucas Cranach the Elder's Popular Images of Judith and Lucretia PDF Author: Mary Lynn Goodner
Publisher:
ISBN:
Category : Painting, German
Languages : en
Pages : 230

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Lucas Cranach the elder

Lucas Cranach the elder PDF Author: Alexander Stepanov
Publisher: Parkstone International
ISBN: 1646999649
Category : Art
Languages : en
Pages : 204

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Book Description
Lucas Cranach (1472-1553) was one of the greatest artists of the Renaissance, as shown by the diversity of his artistic interests as well as his awareness of the social and political events of this time. He developed a number of painting techniques which were afterwards used by several generations of artists. His somewhat mannered style and spending palette are easily recognized in numerous portraits of monarchs, cardinals, courtiers and their ladies, religious reformers, humanists and philosophers. A part of the Great Painters Collection, translated from the Russian by Paul Williams. 109 full color plates and numerous black and white and two-color illustrations interspersed by text. Includes a chronological table of the work of Cranach and his notable contemporaries.

The Rapes of Lucretia

The Rapes of Lucretia PDF Author: Ian Donaldson
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 240

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The Rapes of Lucretia A Myth and its Transformations

Encyclopedia of Comparative Iconography

Encyclopedia of Comparative Iconography PDF Author: Helene E. Roberts
Publisher: Routledge
ISBN: 1136787925
Category : Art
Languages : en
Pages : 2586

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Book Description
First published in 1998. The Encyclopedia of Comparative Iconography compares the uses of iconographic themes from mythology, the Bible and other sacred texts, literature, and popular culture in works of art through various periods, cultures, and genres. Art historians now tend to study narrative themes depicted in works of art in relation to such subjects as gender and sexuality, politics and power, ownership and possession, ceremony and ritual, legitimacy and authority. The Encyclopedia of Comparative Iconography reflects these new approaches by ordering the themes of various iconographic sources in particular biblical, mythological, and literary texts according to these new emphases.Each handsomely illustrated entry discusses the major relevant iconographic narratives and the historical background of each theme. A list of selected works of art that accompanies each essay guides the reader to examples in art that depict the theme under discussion. Each essay includes a list of suggested reading that provides further sources of information about the themes. A general bibliography of reference books is listed separately and can be used in association with all the essays. With 119 entries written by 42 experts, the Encyclopedia of Comparative Iconography is an important reference work for art historians, students of art history, artists, and the general reader.

Gender, Interpretation, and Political Rule in Sidney's Arcadia

Gender, Interpretation, and Political Rule in Sidney's Arcadia PDF Author: Kathryn DeZur
Publisher: Rowman & Littlefield
ISBN: 1611494184
Category : Literary Criticism
Languages : en
Pages : 195

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Book Description
Gender, Interpretation, and Political Rule in Sidney's Arcadia studies cultural ideologies regarding gender and monarchy in early modern England by examining transformations of a single text, Sir Philip Sidney's Arcadia, in their historical contexts. It reveals changing tensions in the ideological struggles over queenship, especially with respect to cultural debates focused on anxieties about gendered reception and interpretation of persuasive rhetoric. The cultural shift between about 1550 and 1650 regarding gendered interpretation and political rule--a shift that was by no means complete or homogenous--reflects the changing position of women and their relationship to language within early modern domestic and political ideological discourses. The book begins by investigating primary cultural, political, and historical sources in order to provide a cultural scaffolding helpful to the interpretation of Sidney's enormously popular work. These sources include conduct manuals, gynecocratic debates, paintings, poems, diaries, pamphlets, and letters. Gender, Interpretation, and Political Rule then considers the initial version of the Arcadia (the Old Arcadia) Sidney authored and argues that Sidney's involvement in the marriage debate regarding the Duke of Anjou's courtship of Elizabeth I in the late 1570s shaped his representations of female characters and their questionable ability to interpret persuasive rhetoric. Next, the book turns to Sidney's expanded and revised version (the New Arcadia), authorized and published by his sister the Countess of Pembroke Mary Sidney Herbert. The New Arcadia ultimately provides a more positive representation of women readers and rulers and reveals a shift in cultural understandings of women's relationship to the persuasive rhetoric that both describes and enacts political power and authority. The penultimate chapter examines paradigms of active reading and their political consequences in Lady Mary Wroth's The Countess of Montgomery's Urania that demonstrate a need for well-balanced identification with characters. Finally, this book focuses on a little-studied seventeenth-century continuation of Sidney's work by a young woman, Anna Weamys, who asserts her authority as an interpreter of Sidney's Arcadia and in the process creates a political commentary about the legitimacy of female authority and influence just after the English Civil War.

Guide to the Royal Collections of Dresden

Guide to the Royal Collections of Dresden PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 306

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"In His Image and Likeness"

Author: Kristin Zapalac
Publisher: Cornell University Press
ISBN: 1501746405
Category : Religion
Languages : en
Pages : 303

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Book Description
In this ground-breaking book, Kristin Zapalac brings together the methods of social, intellectual, and art history to achieve a new understanding of how the Protestant Reformation altered the terms of political discourse in a German free imperial city. In Zapalac's view, visual and verbal images, many of them having their origins in conceptions of the sacred, were more central to sixteenth-century political thought within the city walls than was the rationalized language of law. Drawing on a wealth of sources including bookbindings, sermons, wills, frescoes, decrees, and woodcuts, she traces the impact of religious change on the languages of judgment and authority used in the city of Regensburg, and thereby sheds light on the nature of political thought in early modern Germany.

Guide to the Royal Collections of Dresden

Guide to the Royal Collections of Dresden PDF Author: Sammlungen für Kunst und Wissenschaft (Dresden, Germany)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324

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Biblical Reception, 5

Biblical Reception, 5 PDF Author: J. Cheryl Exum
Publisher: Bloomsbury Publishing
ISBN: 0567685160
Category : Religion
Languages : en
Pages : 249

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Book Description
In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark's gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.