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Author: Andrés Úbeda de los Cobos
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 410
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Book Description
In spite of the huge number of paintings by this artist in the Prado, Luca Giordano (Naples, 1634-1705) is seldom studied and is therefore little known to the public, who often do not see beyond the cliché of his prodigious speed of execution. The present volume sets out to remedy this lack of knowledge. It begins with three introductory essays that set the Prado paintings in the context of Giordano's life, survey the painter's critical fortunes from his own time to the present day, and provide information on his Spanish period, which lasted from 1692 to 1702. These initial texts also look into specific issues, among them Giordano's relationship with his dealers, and more controversial aspects such as the commercial strategies he used to disseminate his work. The second part of the book "the catalogue raisonné proper" consists of entries for each of the paintings studied, including information on their provenance, condition, restoration history, related literature, iconography, visual sources and critical fortunes. It features a total of 99 paintings executed on different supports and in various media which span all the stages of his production except the period following his return to Naples in 1702. This catalogue is the result of many years of thorough research conducted by its author, Andrés Úbeda de los Cobos, Deputy Director for Conservation and Research at the Museo del Prado. He is a specialist on Luca Giordano and has published various articles and books on the artist's works, such as a study on the fresco of the Apotheosis of the Spanish Monarchy in the Casón del Buen Retiro in 2008, a project which, in a sense, has been brought to a successful completion by this book.
Author: Andrés Úbeda de los Cobos
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 410
Get Book Here
Book Description
In spite of the huge number of paintings by this artist in the Prado, Luca Giordano (Naples, 1634-1705) is seldom studied and is therefore little known to the public, who often do not see beyond the cliché of his prodigious speed of execution. The present volume sets out to remedy this lack of knowledge. It begins with three introductory essays that set the Prado paintings in the context of Giordano's life, survey the painter's critical fortunes from his own time to the present day, and provide information on his Spanish period, which lasted from 1692 to 1702. These initial texts also look into specific issues, among them Giordano's relationship with his dealers, and more controversial aspects such as the commercial strategies he used to disseminate his work. The second part of the book "the catalogue raisonné proper" consists of entries for each of the paintings studied, including information on their provenance, condition, restoration history, related literature, iconography, visual sources and critical fortunes. It features a total of 99 paintings executed on different supports and in various media which span all the stages of his production except the period following his return to Naples in 1702. This catalogue is the result of many years of thorough research conducted by its author, Andrés Úbeda de los Cobos, Deputy Director for Conservation and Research at the Museo del Prado. He is a specialist on Luca Giordano and has published various articles and books on the artist's works, such as a study on the fresco of the Apotheosis of the Spanish Monarchy in the Casón del Buen Retiro in 2008, a project which, in a sense, has been brought to a successful completion by this book.
Author: Prado Museum (Madrid)
Publisher:
ISBN: 9788484801931
Category :
Languages : en
Pages : 0
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Book Description
Author: Andrés Ubeda de los Cobos
Publisher:
ISBN: 9782503536217
Category : Mural painting and decoration, Italian
Languages : en
Pages : 0
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Book Description
Author: Luca Giordano
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 406
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Book Description
Author: Museo del Prado
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 692
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Book Description
The collection of the Prado Museum in Madrid is among the most prestigious in the world. Its riches include paintings that once decorated the palaces of kings and emperors and by the most renowned names in the history of Western art -- Botticelli, Bosch, Bruegel, Tintoretto, Titian, El Greco, Velazquez, Rubens, Goya, and scores of other artists. This handsome volume, prepared in cooperation with the Prado, presents more than 800 of the museum's magnificent paintings.Eminent art historians describe the works themselves and their social, cultural, and political contexts, and discuss the collection as a whole, which reflects the changing tastes and styles of the past 500 years. The vivid colorplates, made from specially taken photographs, are fully integrated with the text.
Author: Richard Verdi
Publisher: Thames & Hudson
ISBN: 050077790X
Category : Art
Languages : en
Pages : 385
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Book Description
Diego Velázquez (15991660) was one of the towering figures of western painting and Baroque art, a technical master renowned for his focus on realism and startling veracity. Everything he painted was treated as a portrait, from Spanish royalty and Pope Innocent X, to a mortar and pestle. This comprehensive introduction to Velázquezs life and art includes a discussion of all his major works, and illustrates most of Velázquezs surviving output of approximately 110 paintings. The artists greatest innovation his unorthodox and revolutionary technique is explored in relation to the styles of certain of his most celebrated contemporaries both in Spain and beyond, including Titian and Rubens. The book concludes with a final chapter on the influence and importance of Velázquezs art on later painters from the time of his own death to the art of recent times including Francisco Goya, Pablo Picasso, Francis Bacon and the Impressionists.
Author: Jeremy Robbins
Publisher: Reaktion Books
ISBN: 1789145384
Category : History
Languages : en
Pages : 368
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Book Description
A sumptuous history of Golden Age Spain that explores the irresistible tension between heavenly and earthly realms. Incomparable Realms offers a vision of Spanish culture and society during the so-called Golden Age, the period from 1500 to 1700 when Spain unexpectedly rose to become the dominant European power. But in what ways was this a Golden Age, and for whom? The relationship between the Habsburg monarchy and the Roman Catholic Church shaped the period, with both constructing narratives to bind Spanish society together. Incomparable Realms unpicks the impact of these two historical forces on thought and culture and examines the people and perspectives such powerful projections sought to eradicate. The book shows that the tension between the heavenly and earthly realms, and in particular the struggle between the spiritual and the corporeal, defines Golden Age culture. In art and literature, mystical theology and moral polemic, ideology, doctrine, and everyday life, the problematic pull of the body and the material world is the unacknowledged force behind early modern Spain. Life is a dream, as the title of Calderón’s famous play of the period proclaimed, but there is always a body dreaming it.
Author: Museo del Prado
Publisher:
ISBN: 9780300218749
Category : Art
Languages : en
Pages : 0
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Book Description
Handsomely designed and produced, this stunning book highlights sensual paintings from the Spanish royal collections of the Museo Nacional del Prado, Madrid. Many of the featured artists were court painters under sovereigns whose tastes influenced the art world of the 16th and 17th centuries. This superb selection of twenty-eight paintings includes works by Jan Breughel, Guercino, Peter Paul Rubens, Titian, and Diego Velázquez. Included is Titian's Reclining Venus with Cupid and a Musician, probably painted by the artist for Charles V, and several works by Rubens, who painted a considerable number of works for the Spanish court. Informative catalogue entries accompany an essay by Javier Portús on the Spanish royal taste in collecting and the role of painting within European politics of the day and a contemporary response to understanding the nude in Renaissance and Baroque painting by Jill Burke. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute 06/11/16-10/10/16
Author: Museo del Prado
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 320
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Book Description
The Director of the Museo del Prado offers a small-scale walking tour highlighting the best of the Prado's magnificent collections of European paintings, sculptures, and objects d'art. 250 full-color illus.
Author: Malcolm Bull
Publisher: Princeton University Press
ISBN: 0691138842
Category : Art
Languages : en
Pages : 160
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Book Description
How the philosophy of Giambattista Vico was influenced by eighteenth-century Neopolitan painting Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.
