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Author: Charles J. Humber
Publisher: FriesenPress
ISBN: 1460283384
Category : Biography & Autobiography
Languages : en
Pages : 230
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Book Description
DAD’S BEST MEMORIES AND RECOLLECTIONS is Chazzz Humber’s epithaph casting a very long and sentimental shadow across North America and beyond. This 230-page volume is his granite monument, well-polished! It lavishly records 125 of his best memories over a life-span of nearly eighty years. The vignettes are serenaded with more than 400 illustrations. Those discovering this volume likely will find themselves wanting to record, in their own sunset years, their personal memories and recollections. And when they do, they are apt to recall what it was like to live in their fluctuating world dominated by a variety of personalities and cascading events. Mr. Humber vividly describes what it was like, in 1945, to travel in a 1930 Model A Ford from Toronto to Boston. With lively enthusiasm, he reports what it was like to live in post-World War II Boston, to cook a lobster for a former President of the United States or to sell a pair of elevator shoes to one of Hollywood’s shortest celebrities or to shine the shoes of a Derby-hatted father of a future President of the United States. It is not a remarkable achievement to reflect, to recall or to have memories that are treasured. But to tell them with literary aplomb, to recall the events that happened nearly seventy-five years ago with utmost clarity is definitely an admirable achievement and should be cherished not only by the kin who follow Mr. Humber but by those who might like to imitate what he has monumentally achieved in Dad’s Best Memories and Recollections.
Author: Charles J. Humber
Publisher: FriesenPress
ISBN: 1460283384
Category : Biography & Autobiography
Languages : en
Pages : 230
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Book Description
DAD’S BEST MEMORIES AND RECOLLECTIONS is Chazzz Humber’s epithaph casting a very long and sentimental shadow across North America and beyond. This 230-page volume is his granite monument, well-polished! It lavishly records 125 of his best memories over a life-span of nearly eighty years. The vignettes are serenaded with more than 400 illustrations. Those discovering this volume likely will find themselves wanting to record, in their own sunset years, their personal memories and recollections. And when they do, they are apt to recall what it was like to live in their fluctuating world dominated by a variety of personalities and cascading events. Mr. Humber vividly describes what it was like, in 1945, to travel in a 1930 Model A Ford from Toronto to Boston. With lively enthusiasm, he reports what it was like to live in post-World War II Boston, to cook a lobster for a former President of the United States or to sell a pair of elevator shoes to one of Hollywood’s shortest celebrities or to shine the shoes of a Derby-hatted father of a future President of the United States. It is not a remarkable achievement to reflect, to recall or to have memories that are treasured. But to tell them with literary aplomb, to recall the events that happened nearly seventy-five years ago with utmost clarity is definitely an admirable achievement and should be cherished not only by the kin who follow Mr. Humber but by those who might like to imitate what he has monumentally achieved in Dad’s Best Memories and Recollections.
Author: United Empire Loyalists' Association of Canada
Publisher:
ISBN: 9780969156604
Category : Ontario
Languages : en
Pages : 674
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Book Description
Author: Albert Wachtel
Publisher: Susquehanna University Press
ISBN: 9780945636274
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
There are basic problems, and if we can't solve them we should hold off on theorizing. To begin at the beginning, what was Father Flynn's "great wish" for the boy in "The Sisters"? The uncle thinks he knows, but is he right? Can we be sure? How? And how about the beginning and end of "An Encounter"? How do they fit together? What is the specific import to the boy in "Araby" of the shards of conversation between the salesgirl and the Britishers? Can we (or Eveline) be certain of Frank's motives in her story? If not, what relevance do they have? And how in A Portrait of the Artist as a Young Man do Stephen's use and understanding of art evolve? In what crucial respects do they fall short of the understanding a careful reader of the novel can attain? What in Ulysses does Buck Mulligan have in mind when he demands "twopence for a pint" (of what!)? And in what ways are Bloom's ruminations about things like "mity cheese" that "digests all but itself" and saltwater fish ("Why is it that [they] are not...") crucial to the novel? There are bigger questions. What roles do all the accidental occurrences play? Do they heighten or diminish causality and probability? What are the functions of allusion and stylistic experimentation? Is/are there any overriding significance/s to the whole? Is there a didactic component in Joyce's writing? If so, is the didactic element a flaw in his art? What is the relationship between art and instruction--in Joyce and in general? Is good didactic art a contradiction in terms? These latter questions are enticing, but to speculate, theorize, deconstruct, or decontextualize Joyce's works with regard to them without a firm understanding, and perhaps even answers to, the vital though sometimes seemingly trivial former questions is to abrogate critical responsibility and relinquish what one of the formative giants of the twentieth century has to say to us. When relevant, the former are almost always answerable, and the mundane answers, often surprising, are frequently crucial not only for answering the latter questions but for fresh insight into both Joyce's world and our own. By mapping routes to the revelations such mundane "facts" yield, The Cracked Lookingglass establishes a firm base for future interpretations of Joyce's stories from Dubliners through Ulysses. It approaches his works as "fictional histories," grounding its "examplary" readings in relationships among the underlying facts of Joyce's created worlds. The study presents both a method of inquiry and, as examples of its fruit, some of the ways in which the apparent undiscoverables of Joyce's fiction disclose new and indisputable insights into his characters and stories, and through them our world. The approach opens avenues of access to the depths of Dubliners; to the assessments of art, religion, and human relationships in A Portrait of the Artist as a Young Man; to the necessitous underpinnings of Joyce's experimentation in Ulysses, the ground and justification of his uses of "psychocasual chance," the "mythical method," and the seemingly gratuitous stylistic experiments that mirror our lives and suggest new directions for them.
Author: Paul Varner
Publisher: Scarecrow Press
ISBN: 0810870517
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
When the earliest filmgoers watched The Great Train Robbery in 1903, many of them shrieked in terror at the very last clip when one of the outlaws turns directly toward the camera and fires a gun, seemingly, directly at the audience. The puff of smoke was sudden and it was hand colored so that it looked real. Today, we can look back at that primitive movie and see all the elements of what would evolve into the Western genre. Perhaps it is the Western's early origins_The Great Train Robbery was the first narrative, commercial movie_or its formulaic yet entertaining structure that has made the Western so popular. Whatever the case may be, with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the western is told in The A to Z of Westerns in Cinema through a chronology, a bibliography, and an introductory essay. However, it is the hundreds of cross-referenced dictionary entries on cinematographers; composers; producers; films like Butch Cassidy and the Sundance Kid, Dances With Wolves, The Good, The Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; such actors as Gene Autry, Kirk Douglas, Clint Eastwood, Henry Fonda, James Stewart, and John Wayne; and directors like John Ford and Sergio Leone that will have you reaching for this book again and again.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
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Author: Nicholas Patrick Wiseman
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
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Author: Ben Parker
Publisher: Cornell University Press
ISBN: 1501774093
Category : History
Languages : en
Pages : 196
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Book Description
Misrecognitions mounts a vigorous defense of the labyrinthine plotting of Victorian novels, notorious for their implausible concluding revelations and coincidences. Critics have long decried Victorian recognition scenes—the reunions and retroactive discoveries of identity that too conveniently bring the story to a close—as regrettable contrivances. Ben Parker counters this view by showing how these recognition scenes offer a critique of the social and economic misrecognitions at work in nineteenth-century capitalism. Through a meticulous analysis of novels by Charles Dickens, Anthony Trollope, and Henry James, as well as Arthur Conan Doyle's Sherlock Holmes stories, Misrecognitions tracks how the Victorian novel translates the financialized abstractions of capital into dramas of buried secrets and disguised relations. Drawing on Karl Marx's account of commodity fetishism and reification, Parker contends that, by configuring capital as an enigma to be unveiled, Victorian recognition scenes dramatize the inversions of agency and temporality that are repressed in capitalist production. In plotting capital as an agent of opacity and misdirection, Victorian novels and their characteristic dialectic of illusion and illumination reveal the plot hole in capitalism itself.
Author: Elizabeth Iles
Publisher: Dundurn
ISBN: 1550023136
Category : History
Languages : en
Pages : 129
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Ask the Grey Sisters: Sault Ste. Marie and the General Hospital, 1898-1998 tells the story of the creation and one-hundred-year history of the Sault Ste. Marie General Hospital. At a time when Canada's healthcare system is at a crossroads and we are asked to make crucial decisions for its future, it is intriguing and enlightening to look at the colourful past of a typical community hospital. Throughout the 1890s, Sault Ste. Marie was a town in search of a hospital. Its glory days at the centre of the fur-trade route were long gone and the Sault was in the process of becoming a modern industrial community. Such a community needed a hospital as a centrepiece to attract investors and as a necessary social institution to care for the hundreds of workers who were flocking to town without family support. The General Hospital was established in 1898 after the town committee charged with developing a hospital had been refused funding by both the federal and provincial governments. In desperation, the committee met with the provincial Inspector of Asylums and Prisons (the only provincial official with hospitals in his mandate). "If you wish a hospital of which the work is serious and lasting," he is reported to have advised them, "ask the Grey Sisters." And so began a fruitful association between the community of Sault Ste. Marie and two orders of Grey Sisters who have operated the hospital through its one-hundred-year history. Based in part on the extensive archival collections of both orders of nuns, this history includes material from the sisters' Chronicles and their personal reminiscences. The result is an intimate and detailed portrait of a community hospital, placed in the context of an emerging provincial system of health care.
Author:
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 896
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