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Author: Mrs. Inchbald
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 68
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Book Description
Translation and adaptation of "Das kind der liebe".
Author: Mrs. Inchbald
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 68
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Book Description
Translation and adaptation of "Das kind der liebe".
Author: Brenda Streater Jackson
Publisher: MIRA
ISBN: 0778318001
Category : Fiction
Languages : en
Pages : 410
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Book Description
Business mogul Dalton Granger is determined to show private investigator Jules Bradford that, behind all the bravado, is the honest heart of a devoted son, brother and a man whose own life is in peril.
Author: Jane Wessel
Publisher: University of Michigan Press
ISBN: 047222025X
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Author: Katherine Wolf
Publisher: Zondervan
ISBN: 0310344557
Category : Biography & Autobiography
Languages : en
Pages : 259
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Book Description
When all seems lost, where can you find hope? Katherine and Jay Wolf married right after college and sought adventure far from home in Los Angeles, CA. As they pursued their dreams--she as a model and he as a lawyer--they planted their lives in the city and their church community. Their son, James, came along unexpectedly in the fall of 2007, and just six months later, everything changed in a moment for this young family. On April 21, 2008, as James slept in the other room, Katherine collapsed, suffering a massive brain stem stroke without warning. Miraculously, Jay came home in time and called for help. Katherine was immediately rushed into brain surgery, though her chance of survival was slim. As the sun rose the next morning, the surgeon proclaimed that Katherine had survived the removal of part of her brain, though her future recovery was uncertain. Yet in that moment, there was a spark of hope. Through forty days on life support in the ICU and nearly two years in full-time brain rehab, that small spark of hope was fanned into flame. Hope Heals documents Katherine and Jay's journey as they struggled to regain Katherine's quality of life and as she relearned to talk, eat, and walk. As Katherine returned home with a severely disabled body but a completely renewed purpose, she and Jay committed to celebrating this gift of a second chance by embracing life fully, even though that life looked very different than they could have ever imagined. As you uncover Katherine and Jay's remarkable story, you'll be encouraged to: Find lasting hope in the midst of struggle Embrace the unexpected Welcome God's miracles into your everyday life In the midst of continuing hardships, both in body and mind, Katherine and Jay found what we all long to find: a hope that heals the most broken place--our souls. Let Hope Heals be your guide along the way. Praise for Hope Heals: "As I read this book, tears streamed from my eyes even as joy flooded my heart. Jay and Katherine are a raw yet refreshing testimony to the unshakable trustworthiness of God amidst the unimaginable trials of life. This book reminds all of us where hope can be found in a world where none of us know what the next day holds." --David Platt, author of the New York Times bestseller Radical and president of the International Mission Board "Hope Heals is a beautiful, true story that illustrates the love and protection God has for us even in the darkest times of our lives. Katherine and Jay's dedication to each other and the Lord through their most devastating season is inspiring. This book will help your heart believe that He sees, He knows, He cares, and He is still working miracles today!" --Lysa TerKeurst, New York Times bestselling author and president of Proverbs 31 Ministries
Author: Susan Allen Ford
Publisher: Bloomsbury Publishing
ISBN: 1350416746
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
The first detailed account of Austen's characters' reading experience to date, this book explores both what her characters read and what their literary choices would have meant to Austen's own readership, both during her life and today. Jane Austen was a voracious and extensive reader, so it's perhaps no surprise that many of her characters are also readers-from Mr. Collins in Pride and Prejudice to Fanny Price in Mansfield Park. Beginning by looking at Austen's own reading as well as her interest in readers' responses to her work, the book then focuses on each of her novels, looking at the particulars of her characters' reading and unpacking the multiple (and often surprising) ways in which what they read informs our reading. What Jane Austen's Characters Read (and Why) uses Austen's own love of reading to invite us to rethink the ways in which she imagined her characters and their lives beyond the novels.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 616
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Book Description
Each number includes a classified "Monthly catalogue."
Author: Paul Baines
Publisher: Oxford University Press, USA
ISBN: 9780192833167
Category : English drama
Languages : en
Pages : 436
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Book Description
During the period of European revolutions the British Romantic theatre found itself reexaming the whole cast of social and sexual relations. The five plays grouped here represent some of the most radical and unusual examples of Romantic drama: Horace Walpole invented gothic melodrama with hisincest tragedy, The Mysterious Mother (1768), and Robert Southey imagined the theatre as a site of revolutionary protest in Wat Tyler (1794). Joanna Baillie's psychological case study in aristocratic hatred, De Monfort (1768) was thought too alarming to have been written by a woman, while ElizabethInchbald's hugely successful Lovers' Vows (1798) was sufficiently subversive for Jane Austen to analyse some of its illicit potential in Mansfield Park (1814). Byron's strenuous tragedy The Two Foscari (1821) explores an inescapable conflict between parental love and political authority. The stageimagined by these writers is an arena of tense and embattled desires, with sexual and political claims mapped onto the same conflicts of power. This exciting edition is the only one of its kind and provides the first authorized texts of the plays complete with fully-researched reference to majorauthorial revision.
Author: Deidre Shauna Lynch
Publisher: University of Chicago Press
ISBN: 022618384X
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Author: David Erskine Baker
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 420
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Book Description
Author:
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 616
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Book Description
