Author: Simon Corbin
Publisher: Independently Published
ISBN: 9781724050366
Category : Fiction
Languages : en
Pages : 420
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Book Description
Let us begin BANKER BINGO. One banker per month will be assassinated unless the government takes practical steps to reduce the widening deficit between the rich and the poor. This is the threat made by maverick anarchist billionaire, Rory Carlisle, which is intended to be carried out by ex-Baader Meinhof operative, Georg Krendler. Rory Carlisle is wealthy beyond imagination, a killer, ruthless, and about to begin the most insidious darknet anarchy of our digital age. Georg Krendler was in with Baader Meinhof, he loved Gudrun Ensslin, he was there when they stood together against the system ruling and ruining Germany. He
Author: Eileen MacDonald
Publisher: Random House (NY)
ISBN:
Category : Political Science
Languages : en
Pages : 280
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Book Description
A look at the lives and motivations of female terrorists uses information garnered from interviews with several women involved in terrorist acts to discuss their anger, fear, and remorse. 15,000 first printing. Tour.
Author: Caoimhe Nic Dhaibheid
Publisher: Taylor & Francis
ISBN: 1317199030
Category : Political Science
Languages : en
Pages : 268
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Book Description
This book addresses provides a series of in-depth portraits of men and women who have been labelled ‘terrorists’, from the 19th, 20th and 21st centuries. Bridging historical methodologies and theoretical approaches to terrorism studies, it seeks to contribute to the developing historicising of terrorism studies. This is achieved principally through a prosopographical approach. In the preponderance of detailed statistical and quantitative data on the practice of terrorism and political violence, the individuals who participate in terrorist acts are often obscured. While ideologies and organisations have attracted much scholarly interest, less is known of the personal trajectories into political violence, particularly from a historical perspective. The focus on a relatively narrow cast of high-profile terrorist ‘villains’, to a large part driven by popular and media attention, results in a somewhat skewed picture; of equal value, arguably, is a more sustained reflection on the lives of lesser-known individuals. The book sits at the juncture between terrorism studies, historical biography and ethnography. It comprises case studies of ten individuals who have engaged in political violence in the nineteenth, twentieth and twenty-first centuries, in a number of locations and with a variety of ideological motivations, from Russian-inflected anarchism to Islamist extremism. Through detailed empirical research, crucial themes in the study of terrorism and political violence are explored: the diverse individual radicalisation pathways, the question of disengagement and re-engagement, various counter-terrorist and counter-insurgency strategies adopted by governments and security forces, and the changing nature and perception of terrorism over time. Although not explicitly comparative, a number of themes resonate between the case studies, which will be drawn together in the conclusion to this book. These include the role of migration in radicalisation, the influence of radical family heritages, the experience of imprisonment and the narratives which individuals construct to tell their own terrorist life-stories. It also provides an historically grounded answer to one of the most contentious and heated debates in recent literature on terrorism studies: ‘what leads a person to turn to political violence?’ In examining the life-narratives of a diverse range of men and women who at some point embraced violence, this book seeks to contribute to a growing understanding of the entire arc of a terrorist lifespan, from radicalisation to mobilisation, to disengagement and beyond. This book will be of much interest to students of political violence, terrorism studies, security studies and politics in general.
Author: Jillian Becker
Publisher: Author House
ISBN: 1491844388
Category : Biography & Autobiography
Languages : en
Pages : 427
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Book Description
First published in 1977 in the US and Britain to universal critical acclaim, Hitler's Children quickly became a world-wide best seller, translated into many other languages, including Japanese. It tells the story of the West German terrorists who emerged out of the 'New Left' student protest movement of the late 1960s. With bombs and bullets they started killing in the name of 'peace'. Almost all of them came from prosperous, educated families. They were 'Hitler's children' not only in that they had been born in or immediately after the Nazi period - some of their parents having been members of the Nazi party - but also because they were as fiercely against individual freedom as the Nazis were. Their declared ideology was Communism. They were beneficiaries of both American aid and the West German economic miracle. Despising their immeasurable gifts of prosperity and freedom, they 'identified' themselves with Third World victims of wars, poverty and oppression, whose plight they blamed on 'Western imperialism'. In reality, their terrorist activity was for no better cause than self-expression. Their dreams of leading a revolution were ended when one after another of them died in shoot-outs with the police, or was blown up with his own bomb, or was arrested, tried, and condemned to long terms of imprisonment. All four leaders of the Red Army Faction (dubbed 'the Baader-Meinhof gang' by journalists) committed suicide in prison.
Author:
Publisher:
ISBN: 9781999794026
Category :
Languages : en
Pages : 0
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Book Description
Author: Gillian McIver
Publisher: Bloomsbury Publishing
ISBN: 1474246206
Category : Art
Languages : en
Pages : 647
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Book Description
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
Author: Marion Campbell
Publisher: Apollo Books
ISBN: 9781742584911
Category : Fiction
Languages : en
Pages : 160
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Book Description
Ex-commo Monique Piquet meets up in Paris with a former student, Angel Beigesang, who has just published a dramatic re-imagining of Ulrike Meinhof and Gudrun Ensslin of the Red Army Faction. In her wanderings through revolutionary and repressive Paris, the old birdie's breakdown goes into freefall, as she recalls her earlier radicalism and its part in the younger woman's dangerous identification with revolutionaries.
Author: Clare Bielby
Publisher: Camden House
ISBN: 1571135308
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
West Germany's terrorist period of the 1970s is still a troubling and fascinating subject for Germans, not least because of the high proportion of women involved, most notoriously Ulrike Meinhof. The present study examines the West German print media of the 1960s and 1970s, from the right-wing 'Bild' to the left-leaning 'Der Spiegel'to explore how violent women - both terrorists and others - were represented in image and text. This is the first book to explore print-media representations of German terrorism from an explicitly gendered perspective, and one of very few books in English to addres.
Author: Ulrike Meinhof
Publisher: Seven Stories Press
ISBN: 160980046X
Category : Political Science
Languages : en
Pages : 211
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Book Description
No other figure embodies revolutionary politics and radical chic quite like Ulrike Meinhof, who formed, with Andreas Baader and Gudrun Ensslin, the Red Army Faction (RAF), also known as the Baader–Meinhof Gang, notorious for its bombings and kidnappings of the wealthy in the 1970s. But in the years leading up to her leap into the fray, Meinhof was known throughout Europe as a respected journalist, who informed and entertained her loyal readers with monthly magazine columns. What impels someone to abandon middle-class privilege for the sake of revolution? In the 1960s, Meinhof began to see the world in increasingly stark terms: the United States was emerging as an unstoppable superpower, massacring a tiny country overseas despite increasingly popular dissent at home; and Germany appeared to be run by former Nazis. Never before translated into English, Meinhof's writings show a woman increasingly engaged in the major political events and social currents of her time. In her introduction, Karin Bauer tells Meinhof's mesmerizing life story and her political coming-of-age; Nobel Prize–winning author Elfriede Jelinek provides a thoughtful reflection on Meinhof's tragic failure to be heard; and Meinhof ’s daughter—a relentless critic of her mother and of the Left—contributes an afterword that shows how Meinhof's ghost still haunts us today.
Author: Kimberly Mair
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773598758
Category : Social Science
Languages : en
Pages : 382
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Book Description
The violent operations performed in the 1970s by West German urban guerrillas – such as the Red Army Faction (RAF) – were so vivid and incomprehensible that it seemed to be more urgent to produce spectacle than to be politically successful. In Guerrilla Aesthetics, Kimberly Mair challenges the assumption that these guerrillas sought to realize specific political goals. Instead, she tracks the guerrilla fighters’ plunge into an avant-garde-inspired negativity that rejected rationality and provoked the state. Focusing on the Red Decade of 1967 to 1977, which was characterized not only by terrorism and police brutality but also by counterculture aesthetics, Mair draws from archives, grey literatures, popular culture, art, and memorial and curatorial practices to explore the sensorial aspects of guerrilla communications performed by the RAF, as well as the 2nd of June Movement and the Socialist Patients' Collective. Turning to cultural and artistic responses to the decade and its legacy of raw public feelings, Mair also examines works by Eleanor Antin, Erin Cosgrove, Christoph Draeger, Bruce LaBruce, Gerhard Richter, and others. Reconsidering an enigmatic period in the history of terrorism, Guerrilla Aesthetics innovatively engages with the inherent connections between violence, performance, the senses, and memory.
