Author: Ron Yule
Publisher: Univ. Press of Mississippi
ISBN: 1604732962
Category : Music
Languages : en
Pages : 363
Book Description
Louisiana Fiddlers shines light on sixty-two of the bayou state's most accomplished fiddlers of the twentieth century. Author Ron Yule outlines the lives and times of these performers, who represent a multitude of fiddling styles including Cajun, country, western swing, zydeco, bluegrass, Irish, contest fiddling, and blues.Featuring over 150 photographs, this volume provides insight into the fiddlin' grounds of Louisiana. Yule chronicles the musicians' varied appearances from the stage of the Louisiana Hayride, honky tonks, dancehalls, house dances, radio and television, and festivals, to the front porch and other more casual venues. The brief sketches include observations on musical travels, recordings, and family history.Nationally acclaimed fiddlers Harry Choates, Dewey Balfa, Dennis McGee, Michael Doucet, Rufus Thibodeaux, and Hadley Castille share space with relatively unknown masters such as Mastern Brack, Cheese Read, John W. Daniel, and Fred Beavers. Each player has helped shape the region's rich musical tradition.
Louisiana Fiddlers
Author: Ron Yule
Publisher: Univ. Press of Mississippi
ISBN: 1604732962
Category : Music
Languages : en
Pages : 363
Book Description
Louisiana Fiddlers shines light on sixty-two of the bayou state's most accomplished fiddlers of the twentieth century. Author Ron Yule outlines the lives and times of these performers, who represent a multitude of fiddling styles including Cajun, country, western swing, zydeco, bluegrass, Irish, contest fiddling, and blues.Featuring over 150 photographs, this volume provides insight into the fiddlin' grounds of Louisiana. Yule chronicles the musicians' varied appearances from the stage of the Louisiana Hayride, honky tonks, dancehalls, house dances, radio and television, and festivals, to the front porch and other more casual venues. The brief sketches include observations on musical travels, recordings, and family history.Nationally acclaimed fiddlers Harry Choates, Dewey Balfa, Dennis McGee, Michael Doucet, Rufus Thibodeaux, and Hadley Castille share space with relatively unknown masters such as Mastern Brack, Cheese Read, John W. Daniel, and Fred Beavers. Each player has helped shape the region's rich musical tradition.
Publisher: Univ. Press of Mississippi
ISBN: 1604732962
Category : Music
Languages : en
Pages : 363
Book Description
Louisiana Fiddlers shines light on sixty-two of the bayou state's most accomplished fiddlers of the twentieth century. Author Ron Yule outlines the lives and times of these performers, who represent a multitude of fiddling styles including Cajun, country, western swing, zydeco, bluegrass, Irish, contest fiddling, and blues.Featuring over 150 photographs, this volume provides insight into the fiddlin' grounds of Louisiana. Yule chronicles the musicians' varied appearances from the stage of the Louisiana Hayride, honky tonks, dancehalls, house dances, radio and television, and festivals, to the front porch and other more casual venues. The brief sketches include observations on musical travels, recordings, and family history.Nationally acclaimed fiddlers Harry Choates, Dewey Balfa, Dennis McGee, Michael Doucet, Rufus Thibodeaux, and Hadley Castille share space with relatively unknown masters such as Mastern Brack, Cheese Read, John W. Daniel, and Fred Beavers. Each player has helped shape the region's rich musical tradition.
Play Me Something Quick and Devilish
Author: Howard Wight Marshall
Publisher: University of Missouri Press
ISBN: 0826272932
Category : Music
Languages : en
Pages : 422
Book Description
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
Publisher: University of Missouri Press
ISBN: 0826272932
Category : Music
Languages : en
Pages : 422
Book Description
Play Me Something Quick and Devilish explores the heritage of traditional fiddle music in Missouri. Howard Wight Marshall considers the place of homemade music in people’s lives across social and ethnic communities from the late 1700s to the World War I years and into the early 1920s. This exceptionally important and complex period provided the foundations in history and settlement for the evolution of today’s old-time fiddling. Beginning with the French villages on the Mississippi River, Marshall leads us chronologically through the settlement of the state and how these communities established our cultural heritage. Other core populations include the “Old Stock Americans” (primarily Scotch-Irish from Kentucky, Tennessee, North Carolina, and Virginia), African Americans, German-speaking immigrants, people with American Indian ancestry (focusing on Cherokee families dating from the Trail of Tears in the 1830s), and Irish railroad workers in the post–Civil War period. These are the primary communities whose fiddle and dance traditions came together on the Missouri frontier to cultivate the bounty of old-time fiddling enjoyed today. Marshall also investigates themes in the continuing evolution of fiddle traditions. These themes include the use of the violin in Westward migration, in the Civil War years, and in the railroad boom that changed history. Of course, musical tastes shift over time, and the rise of music literacy in the late Victorian period, as evidenced by the brass band movement and immigrant music teachers in small towns, affected fiddling. The contributions of music publishing as well as the surprising importance of ragtime and early jazz also had profound effects. Much of the old-time fiddlers’ repertory arises not from the inherited reels, jigs, and hornpipes from the British Isles, nor from the waltzes, schottisches, and polkas from the Continent, but from the prolific pens of Tin Pan Alley. Marshall also examines regional styles in Missouri fiddling and comments on the future of this time-honored, and changing, tradition. Documentary in nature, this social history draws on various academic disciplines and oral histories recorded in Marshall’s forty-some years of research and field experience. Historians, music aficionados, and lay people interested in Missouri folk heritage—as well as fiddlers, of course—will find Play Me Something Quick and Devilish an entertaining and enlightening read. With 39 tunes, the enclosed Voyager Records companion CD includes a historic sampler of Missouri fiddlers and styles from 1955 to 2012. A media kit is available here: press.umsystem.edu/pages/PlayMeSomethingQuickandDevilish.aspx
Accordions, Fiddles, Two Step & Swing
Author: Ryan A. Brasseaux
Publisher: University of Southwestern Louisiana, Center for Louisiana Studies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 560
Book Description
A sweeping overview of Cajun music from early studies to the present.
Publisher: University of Southwestern Louisiana, Center for Louisiana Studies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 560
Book Description
A sweeping overview of Cajun music from early studies to the present.
African American History Day by Day
Author: Karen Juanita Carrillo
Publisher: Bloomsbury Publishing USA
ISBN: 1598843613
Category : Social Science
Languages : en
Pages : 432
Book Description
The proof of any group's importance to history is in the detail, a fact made plain by this informative book's day-by-day documentation of the impact of African Americans on life in the United States. One of the easiest ways to grasp any aspect of history is to look at it as a continuum. African American History Day by Day: A Reference Guide to Events provides just such an opportunity. Organized in the form of a calendar, this book allows readers to see the dates of famous births, deaths, and events that have affected the lives of African Americans and, by extension, of America as a whole. Each day features an entry with information about an important event that occurred on that date. Background on the highlighted event is provided, along with a link to at least one primary source document and references to books and websites that can provide more information. While there are other calendars of African American history, this one is set apart by its level of academic detail. It is not only a calendar, but also an easy-to-use reference and learning tool.
Publisher: Bloomsbury Publishing USA
ISBN: 1598843613
Category : Social Science
Languages : en
Pages : 432
Book Description
The proof of any group's importance to history is in the detail, a fact made plain by this informative book's day-by-day documentation of the impact of African Americans on life in the United States. One of the easiest ways to grasp any aspect of history is to look at it as a continuum. African American History Day by Day: A Reference Guide to Events provides just such an opportunity. Organized in the form of a calendar, this book allows readers to see the dates of famous births, deaths, and events that have affected the lives of African Americans and, by extension, of America as a whole. Each day features an entry with information about an important event that occurred on that date. Background on the highlighted event is provided, along with a link to at least one primary source document and references to books and websites that can provide more information. While there are other calendars of African American history, this one is set apart by its level of academic detail. It is not only a calendar, but also an easy-to-use reference and learning tool.
Continuum Encyclopedia of Popular Music of the World, Volume 2
Author: John Shepherd
Publisher: A&C Black
ISBN: 1847144721
Category : Social Science
Languages : en
Pages : 713
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Publisher: A&C Black
ISBN: 1847144721
Category : Social Science
Languages : en
Pages : 713
Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
French Louisiana Music and Its Patrons
Author: Patricia Peknik
Publisher: Springer
ISBN: 3319974246
Category : History
Languages : en
Pages : 226
Book Description
French Louisiana music emerged from the bayous and prairies of Southwest Louisiana in the late nineteenth and early twentieth centuries. Pioneered by impoverished Acadian and Afro-Caribbean settlers, the sound is marked by a high-pitched fiddle playing loud and fast above the bellow of a diatonic accordion. With lyrics about disaster and heartache sung cheerfully in a French dialect, the effect is dissonant and haunting. French Louisiana music was largely ignored in mainstream music culture, except by a handful of collectors, scholars, and commercial promoters who sought to popularize it. From the first recordings in the 1920s to the transformation of the genre by the 1970s, the spread of this regional sound was driven by local, national, and international elites who saw the music’s traditions and performers in the context of larger social, political, and cultural developments, including the folk revival and the civil rights and ethnic revival movements. Patricia Peknik illuminates how the music’s history and meaning were interpreted by a variety of actors who brought the genre onto a national and global stage, revealing the many interests at work in the popularization of a regional music.
Publisher: Springer
ISBN: 3319974246
Category : History
Languages : en
Pages : 226
Book Description
French Louisiana music emerged from the bayous and prairies of Southwest Louisiana in the late nineteenth and early twentieth centuries. Pioneered by impoverished Acadian and Afro-Caribbean settlers, the sound is marked by a high-pitched fiddle playing loud and fast above the bellow of a diatonic accordion. With lyrics about disaster and heartache sung cheerfully in a French dialect, the effect is dissonant and haunting. French Louisiana music was largely ignored in mainstream music culture, except by a handful of collectors, scholars, and commercial promoters who sought to popularize it. From the first recordings in the 1920s to the transformation of the genre by the 1970s, the spread of this regional sound was driven by local, national, and international elites who saw the music’s traditions and performers in the context of larger social, political, and cultural developments, including the folk revival and the civil rights and ethnic revival movements. Patricia Peknik illuminates how the music’s history and meaning were interpreted by a variety of actors who brought the genre onto a national and global stage, revealing the many interests at work in the popularization of a regional music.
North American Fiddle Music
Author: Drew Beisswenger
Publisher: Routledge
ISBN: 1135847223
Category : Music
Languages : en
Pages : 433
Book Description
North American Fiddle Music: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.
Publisher: Routledge
ISBN: 1135847223
Category : Music
Languages : en
Pages : 433
Book Description
North American Fiddle Music: A Research and Information Guide is the first large-scale annotated bibliography and research guide on the fiddle traditions of the United States and Canada. These countries, both of which have large immigrant populations as well as Native populations, have maintained fiddle traditions that, while sometimes faithful to old-world or Native styles, often feature blended elements from various traditions. Therefore, researchers of the fiddle traditions in these two countries can not only explore elements of fiddling practices drawn from various regions of the world, but also look at how different fiddle traditions can interact and change. In addition to including short essays and listings of resources about the full range of fiddle traditions in those two countries, it also discusses selected resources about fiddle traditions in other countries that have influenced the traditions in the United States and Canada.
Continuum Encyclopedia of Popular Music of the World
Author: John Shepherd
Publisher: A&C Black
ISBN: 0826463223
Category : Popular music
Languages : en
Pages : 713
Book Description
See:
Publisher: A&C Black
ISBN: 0826463223
Category : Popular music
Languages : en
Pages : 713
Book Description
See:
I'd Fight the World
Author: Peter La Chapelle
Publisher: University of Chicago Press
ISBN: 0226923010
Category : Music
Languages : en
Pages : 355
Book Description
A “educational, interesting, and very easy to read” history of the bond between country music and politics in America (Harry Reid). Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape. Praise for I’d Fight the World “Thoroughly researched and insightful, I’d Fight the World exposes the political themes embedded in country music of all stripes, as well as the sometimes subtle, sometimes blatant, always shrewd employment of this music by politicians. La Chapelle reveals a political legacy in country music that today’s audiences have an obligation to confront.” —Jocelyn Neal, author of Country Music: A Cultural and Stylistic History “In this well-written and expansive book, La Chapelle narrates a national history of politics and country music, from nineteenth-century populism to post–World War II conservatism. I’d Fight the World demonstrates how both political and cultural history can shine light upon each other, creating a rich tapestry of scholarship.” —David Gilbert, author of The Product of Our Souls “Lively and informative. . . . This book will surprise those who have preconceived notions about country music and Southern politicians, and their longstanding connection.” —Library Journal “A deeply researched examination of the ways that country and old-time music have been coopted into political life. . . . La Chapelle traces the not especially healthy relationship between country music and populism. . . . La Chapelle’s exhaustive examination of his subject uncovers many untold stories and raises interesting questions about whether country music has yet truly reckoned with its political past.” —Times Literary Supplement
Publisher: University of Chicago Press
ISBN: 0226923010
Category : Music
Languages : en
Pages : 355
Book Description
A “educational, interesting, and very easy to read” history of the bond between country music and politics in America (Harry Reid). Long before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape. Praise for I’d Fight the World “Thoroughly researched and insightful, I’d Fight the World exposes the political themes embedded in country music of all stripes, as well as the sometimes subtle, sometimes blatant, always shrewd employment of this music by politicians. La Chapelle reveals a political legacy in country music that today’s audiences have an obligation to confront.” —Jocelyn Neal, author of Country Music: A Cultural and Stylistic History “In this well-written and expansive book, La Chapelle narrates a national history of politics and country music, from nineteenth-century populism to post–World War II conservatism. I’d Fight the World demonstrates how both political and cultural history can shine light upon each other, creating a rich tapestry of scholarship.” —David Gilbert, author of The Product of Our Souls “Lively and informative. . . . This book will surprise those who have preconceived notions about country music and Southern politicians, and their longstanding connection.” —Library Journal “A deeply researched examination of the ways that country and old-time music have been coopted into political life. . . . La Chapelle traces the not especially healthy relationship between country music and populism. . . . La Chapelle’s exhaustive examination of his subject uncovers many untold stories and raises interesting questions about whether country music has yet truly reckoned with its political past.” —Times Literary Supplement
South to Louisiana
Author: John Broven
Publisher: Pelican Publishing
ISBN: 9780882896083
Category : Travel
Languages : en
Pages : 386
Book Description
Describes the history of the music of southern Louisiana and examines the influence of Cajun songs on American popular music
Publisher: Pelican Publishing
ISBN: 9780882896083
Category : Travel
Languages : en
Pages : 386
Book Description
Describes the history of the music of southern Louisiana and examines the influence of Cajun songs on American popular music