Author: Zafira L. Cohen
Publisher: Hebrew Union College Press
ISBN: 0878200940
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Maverick Israeli poet Yona Wallach (1944-1985) is often remembered for her outrageous and unconventional personality and the controversies engendered by her sometimes shamelessly erotic verse. But she is regarded by many of her friends and colleagues as the most important among the Israeli poets of her generation, perhaps even the greatest Hebrew poet of modern times, and has had a profound effect on Israel's cultural life ever since her works began to appear in periodicals in the early 1960s. Zafrira Lidovsky Cohen presents the first full-length critical analysis in English of her works, exposing the roots of her poetry in the poetic revolution in Israel during the 1950s and explain how she epitomizes the literary climate of her time. Wallach's poetry reflects the cultural crises that shook the academic world of the 1960s and the intellectual battles many artists fought with the prison-house of semiotic systems in which the human mind, they felt, was entrapped. Mysticism, religion and prophecy, passion, genius, sex, and madness are only some of the terms associated with this woman and her poetic art, which one critic has called a "unique combination of elements of rock and roll, Jungian psychology and street slang, break-neck pace and insistent sexuality." Cohen paints a background for Yona Wallach's poetry by outlining her short life and surveying her critical reputation. Drawing on her own rich and varied background in Bible, mythology, Hebrew language, and Poststructuralist and Postmodernist literary and linguistic theory, Cohen traces Wallach's poetic corpus, translates and interprets representative examples of her works, and situates them within a variety of historical and literary contexts.
Author: Sheila Whiteley
Publisher: Routledge
ISBN: 1136093788
Category : Music
Languages : en
Pages : 311
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Book Description
Queering the Popular Pitch is a new collection of 19 essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts -performance, cultural production and sexual meaning - situating music within the broader patterns of culture that it both mirrors and actively reproduces. The collection is divided into four parts: queering borders queer spaces hidden histories queer thoughts, mixed media. Queering the Popular Pitch will appeal to students of popular music, Gay and Lesbian studies. With case studies and essays by leading popular music scholars it provides insightful discourse in a growing field of musicological research.
Author: Tami Yaguri
Publisher: Cambridge Scholars Publishing
ISBN: 1527525007
Category : Philosophy
Languages : en
Pages : 261
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Book Description
Happiness is fleeting, but meaning endures—even through terrible unhappiness. This book helps to unravel the riddle of how to bring meaning to one’s life. It also outlines a disciplined technique for uncovering meaning in life. This meaning becomes a north star for navigation and appears in the overlap between an identity and a worldview.
Author: Yael S. Feldman
Publisher: Columbia University Press
ISBN: 9780231111478
Category : Education
Languages : en
Pages : 364
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Book Description
No Room of Their Own is a comparative analysis of recent Israeli fiction by women and some of its Western models, from Virginia Woolf and Simone de Beauvoir to Marilyn French and Marie Cardinal. Feldman shows the richness and subtleties of Israeli women's fiction as she explores the themes of gender and nation, as well as the (non)representation of the "New Hebrew Woman" in five authors--Amalia Kahana-Carmon, Shulamith Hareven, Netiva BenYehuda, Ruth Almog, and Shulamit Lapid.
Author: Naftali S. Cohn
Publisher: SBL Press
ISBN: 1951498992
Category : Religion
Languages : en
Pages : 775
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Book Description
This volume brings together the latest scholarship on Jewish literary products and the ways in which they can be interpreted from three different perspectives. In part 1, contributors consider texts as literature, as cultural products, and as historical documents to demonstrate the many ways that early Jewish, rabbinic, and modern secular Jewish literary works make meaning and can be read meaningfully. Part 2 focuses on exegesis of specific biblical and rabbinic texts as well as medieval Jewish poetry. Part 3 examines medieval and early modern Jewish books as material objects and explores the history, functions, and reception of these material objects. Contributors include Javier del Barco, Elisheva Carlebach, Ezra Chwat, Evelyn M. Cohen, Naftali S. Cohn, William Cutter, Yaacob Dweck, Talya Fishman, Steven D. Fraade, Dalia-Ruth Halperin, Martha Himmelfarb, Marc Hirshman, Tamar Kadari, Israel Knohl, Susanne Klingenstein, Katrin Kogman-Appel, Jon D. Levenson, Paul Mandel, Annett Martini, Jordan S. Penkower, Annette Yoshiko Reed, Jeffrey L. Rubenstein, Shalom Sabar, Raymond P. Scheindlin, Seth Schwartz, Sarit Shalev-Eyni, Moshe Simon-Shoshan, Peter Stallybrass, Josef Stern, Barry Scott Wimpfheimer, Elliot R. Wolfson, Azzan Yadin-Israel, and Joseph Yahalom.
Author: Laura S. Lieber
Publisher: Hebrew Union College Press
ISBN: 0878201041
Category : Religion
Languages : en
Pages : 817
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Book Description
Piyyut is the art of Hebrew or Aramaic poetry composed either in place of or as adornments to Jewish statutory prayers. Laura S. Lieber uses the piyyutim of a single poet, Yannai (ca. sixth century C.E.), to introduce readers to this important but largely unfamiliar body of writings. Yannai, the first Hebrew poet to sign his name to his works (by means of an acrostic), influenced Hebrew sacred poetry for centuries beyond his lifespan. He was the first to consistently use true end rhyme, and he was among the first to have written for the weekly service and festivals rather than just particular holidays. As literary works, his poems are as dazzling as they are complex, rich with sound and play, allusion and linguistic beauty. Lieber presents the Hebrew texts of Yannai's 31 extant piyyutim which embellish the Book of Genesis. She translates, annotates, and analyzes these complex poems, which display the poet's transformative treatments of some of the most familiar biblical narratives. She contextualizes these poems and teaches readers how to read and appreciate piyyut by studying Yannai's poetic language and the formal structures of the poems; his exegetical, cultural, and societal importance; and intriguing motifs in Yannai's worldview such as mysticism, holiness, Jewish-Christian relations, and the role of women. Lieber's groundbreaking study is an invitation to those with interests in areas such as liturgical studies, rabbinic literature and targum studies, the early synagogue and its art, Byzantine Christian culture and society, and the history of biblical interpretation to engage with these beautiful and neglected texts and include them in larger intellectual conversations.
Author: Ilana Szobel
Publisher: UPNE
ISBN: 1611683564
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Astute analysis of the work of a great Israeli poet through the lens of psychoanalysis, gender, nationalism, and trauma theory
Author: Michael Chernick
Publisher: Hebrew Union College Press
ISBN: 0878201238
Category : Religion
Languages : en
Pages : 313
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Book Description
The growth of the rabbinic canon may be best described as a hermeneutical endeavor. Michael Chernick demonstrates how hermeneutical methods helped the Rabbis confront the difficulties that arose when logical and interpretative problems appeared in scriptural and, later, rabbinic texts. Given the Rabbis' theological, literary, and rhetorical attitudes, these reading strategies were adopted to obviate the problem the texts presented. After all, the Rabbis of different generations viewed these texts as revealed communications produced by a perfect Author. Chernick analyzes and illustrates six midrashic hermeneutics in great detail: outright midrashic resolutions of contradictions in Scripture, distinguishing between what constitutes true scriptural proof and what is merely a support text, a midrashic hermeneutic that transfers the rules of one rubric to another, two hermeneutics that limit interpretive extensions of halakhot, and the claim that two redundant pentateuchal rubrics are needed to ward off incorrect analogies. He highlights the significant changes that occurred in rabbinic legal hermeneutics from the tannaitic through post-amoraic strata of rabbinic literature-some 500 years at least-and shows how these changes attest to the persistence, continuity, and centrality of hermenutic method to the rabbinic interpretive process. Of particular significance is the connection Chernick makes between changes in hermeneutical practice and the changing revelatory status of the non-Pentateuchal parts of the Hebrew Bible and rabbinic legal discourse. His study draws its title from the traditional view of Sinaitic revelation, when God spoke to the assembled people with "a great voice that did not cease" (kol gadol velo yasaf, Deut 5:19). This view, Chernick believes, is at the core of rabbinic Judaism, the Judaism that claims to hear that great voice through the medium of interpretation.
Author: Edward Fram
Publisher: Hebrew Union College Press
ISBN: 0878200983
Category : Religion
Languages : en
Pages : 358
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Book Description
How did Jewish women in sixteenth-century Poland learn all the rules, rituals, and customs pertaining to the sexual life of couples within the context of marriage? As in other areas of ritual life that concerned the household, it would seem that the primary source for the education of Jewish women was other women. But rabbinic law dictates that Jewish women who experience uterine bleeding are prohibited from having physical contact of any kind with their husbands, and the intricate laws of niddah (enforced separation) spell out exactly when and under what circumstances physical marital relations, even simple touching, can be resumed. Particularly difficult issues could be addressed only by rabbis or other learned men, since women rarely, if ever, attained the level of rabbinic scholarship necessary to pare the details of these complicated laws. To educate both men and women, but particularly women, in a more systematic and impersonal manner, the young rabbi Benjamin Slonik (ca. 1550-after 1620), who later became one of the leading rabbinic authorities in eastern Europe, harnessed the relatively new technology of printing and published a how-to book for women in the Yiddish vernacular. Seder mitzvot hanashim (The Order of Women's Commandments) illuminates the history of Yiddish printing and public education. But it is also a rare remnant of a direct interface between a member of the rabbinic elite and the laity, especially women. Slonik's text also sheds light on the history of Jewish law, particularly the reception of the Shulhan Arukh, an important legal code that had just been published. This volume makes available the 1585 edition of the Seder mitzvot hanashim in Yiddish and English. Fram sets Slonik's work in its bibliographical and historical contexts, demonstrating its relationship with the Shulhan Arukh, exploring how rabbis opposed formal education for women, considering how upheavals accompanying geographic shifts in the Ashkenazic community help explain how the women's commandments texts came to be used in Poland, and offering a treasure trove of information on the place and roles of women in Polish-Jewish society. Fram thus creates a composite picture of how Slonik, along with other men of his time, perceived the main audience for his work and sought to connect it to contemporary texts.
Author: Adriana X. Jacobs
Publisher: University of Michigan Press
ISBN: 047212403X
Category : Foreign Language Study
Languages : en
Pages : 417
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Book Description
For centuries, poets have turned to translation for creative inspiration. Through and in translation, poets have introduced new poetic styles, languages, and forms into their own writing, sometimes changing the course of literary history in the process. Strange Cocktail is the first comprehensive study of this phenomenon in modern Hebrew literature of the late nineteenth century to the present day. Its chapters on Esther Raab, Leah Goldberg, Avot Yeshurun, and Harold Schimmel offer close readings that examine the distinct poetics of translation that emerge from reciprocal practices of writing and translating. Working in a minor literary vernacular, the translation strategies that these poets employed allowed them to create and participate in transnational and multilingual poetic networks. Strange Cocktail thereby advances a comparative and multilingual reframing of modern Hebrew literature that considers how canons change and are undone when translation occupies a central position—how lines of influence and affiliation are redrawn and literary historiographies are revised when the work of translation occupies the same status as an original text, when translating and writing go hand in hand.
