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Author: Linda Woolley
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Languages : en
Pages :
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![Looms and Textiles of the Copts. [Review]. PDF](https://books.google.com/books/content/images/frontcover/UL_PswEACAAJ?fife=w80-h100)
Author: Linda Woolley
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Languages : en
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Author: Diana Lee Carroll
Publisher: Forgotten Books
ISBN: 9781330195888
Category : Crafts & Hobbies
Languages : en
Pages : 209
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Excerpt from Looms and Textiles of the Copts: First Millennium Egyptian Textiles in the Carl Austin Rietz Collection of the California Academy of Sciences The Weaver's Art is an ancient one, its history rooted in the remote past. Tracing the path of this history from its distant beginnings is a difficu Uundertaking, largely because textile materials are highly perishable. There are long gaps in the record. The conditions that prevail at most archaeological sites do not favor the preservation of textiles in their original form. Rare indeed are the special situations needed to protect textiles from complete destruction; dry caves, watertight tombs, or a region without significant rainfall. Because of textile preservation problems, some phases of the history of weaving must be recovered almost entirely by means of secondary sources, principally depictions in art, and tools - bobbins, needles, spindle whorls, bone awls, and the like. Even here there are problems because many weaving tools were made of perishable materials as well. Egyptian textile technology is better documented than most. The climate, geography, and burial customs of Egypt have favored the preservation of textiles. Fragments have been found that could have been woven as early as the fourth millennium B.C. (Brunton and Caton-Thompson 1928).Many have been found in dynastic burials, either as mummy wrappings or as grave goods. Though not every period is represented equally well, the surviving textiles are sufficiently plentiful to offer historians a nearly unique opportunity to study a large group of technically related textiles, woven at different dates, which can be understood to form a more or less connected series. Among the most recent of the surviving specimens of cloth in this series are those labeled "Coptic." Most of these are thought to derive from burials that, luckily, had been placed well above local water tables and far enough away from the Nile to have remained unaffected by this river's annual flooding. At least 20,000 textiles - a few whole, the majority fragmentary - are estimated to exist in public and private collections (Lewis 1969:71). Some authorities claim the number of extant Coptic textiles to be even greater, closer to 100,000 (Gervers 1977). Examples can be found in virtually every major collection of textiles as well as in many lesser ones (Lubell 1976-1977). The particular specimens belonging to the Coptic textile corpus that are the focus of attention here were collected by Carl Austin Rietz, presumably purchased during a trip to Egypt in the late 1920 s.Details concerning their acquisition are unknown. All specimens are fragments, representing a total of 72 textiles. Optical microscope examination of fibers from the textiles revealed that 25 of the textiles are wool with wool ornamentation, 46 of them are linen with wool or wool and linen ornamentation, and 1 is silk. They range in date from approximately the late third or early fourth century to the eleventh or twelfth century. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Diane Lee Carroll
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 216
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Spätantike - Altfund/Museumsstück - Grab/Gräberfeld.
Author: Diane Lee Carroll
Publisher:
ISBN:
Category :
Languages : en
Pages : 201
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Author: Diana Lee Carroll
Publisher: Forgotten Books
ISBN: 9781528277129
Category : Crafts & Hobbies
Languages : en
Pages : 208
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Excerpt from Looms and d104iles of the Copts: First Millennium Egyptian d104iles in the Carl Austin Rietz Collection of the California Academy of Sciences HE weaver's art is an ancient one, its history rooted in the remote past. Trac ing the path of this history from its distant beginnings is a difficult under taking, largely because textile materials are highly perishable. There are long gaps in the record. The conditions that prevail at most archaeological sites do not favor the preservation of textiles in their original form. Rare indeed are the special situations needed to protect textiles from complete destruction: dry caves, watertight tombs, or a region without significant rainfall. Because of textile preservation problems, some phases of the history of weaving must be recovered almost entirely by means of secondary sources, principally depic tions in art, and tools - bobbins, needles, spindle whorls, bone awls, and the like. Even here there are problems because many weaving tools were made of perishable materials as well. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Languages : en
Pages :
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Author: Arne Effenberger
Publisher:
ISBN:
Category :
Languages : de
Pages : 2
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Author: Nancy Arthur Hoskins
Publisher: University of Washington Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 226
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Vibrant tapestries of beribboned birds, cantering centaurs, and Dionysian dancers, woven in Coptic Egypt more than a thousand years ago, were artfully arranged in a handsome pair of albums in 1913. Some of the fabrics are shown in unique collage compositions. Sandals, spindles, and a mysterious lock of hair are assembled in a shallow box at the back of one album. Many textiles in this important collection, housed at the Henry Art Gallery at the University of Washington, were once joined by warp and weft with those from the Muse du Louvre and other major museums. Nancy Hoskins deftly interweaves the creation of the textiles in the Greco-Roman city of Antino, Egypt, with their discovery by the charismatic French archaeologist Albert Gayet (1856-1916). Gayet staged stunning exhibitions of the pieces in Paris at the turn of the century and ultimately gave them to museums or sold them. One collector, Henry Bryon, had his 144 fabrics bound into the two albums featured here. The album pages and covers are illustrated in glowing color, along with archival photographs from Gayet's expeditions. The style, structure, and iconography of each tapestry, tabby, and tablet-woven textile are discussed within the cultural construct of Late Antique and Early Christian Egypt. Detailed technical drawings illustrate the special weaving techniques of the Copts. Directions for six weaving projects inspired by the album fragments are included. The story of the inimitable Coptic tapestry albums will delight weavers, textile historians, art historians, and archaeologists. Nancy Arthur Hoskins, a former college weaving instructor, researched Coptic collections in over fifty museums around the world. She is the author of Universal Stitches for Weaving, Embroidery, and Other Fiber Arts and Weft-Faced Pattern Weaves: Tabby to Taquet. ÒMaster weaver, scholarly detective, and sensitive connoisseur, Nancy Hoskins combines all these skills to describe and identify this unusually wide range of Egyptian Coptic textile fragments. Her descriptions of weaving techniques create a fundamental glossary of technical terms, which all who study textiles should use. The detailed data on each piece are a benchmark for all who work in the field.Ó Ñ Jere L. Bacharach, Director, American Research Center in Egypt
Author: Wendy Landry
Publisher: BRILL
ISBN: 9004415394
Category : Art
Languages : en
Pages : 280
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This catalogue of the Coptic Textiles in the Collection of Mediterranean Antiquities at the Montreal Museum of Fine Arts provides a detailed analysis of 64 textiles from both historical and weaving practice points of view. This approach provides a fuller understanding of the cultural situation in which such textiles were produced and circulated. Dr. Landry’s experience of over 40 years of weaving and scholarship highlights the elements of knowledge and skill held and applied by weavers in Antiquity. This perspective complements and expands on the focus on imagery usually provided by art historians regarding textiles of this period. This catalogue shows how much more cultural information can be accessed when the technical, economic, and practical character of both production and use are adequately integrated into the study of material artefacts.
Author: Mary Harlow
Publisher: Bloomsbury Publishing
ISBN: 1350141518
Category : Art
Languages : en
Pages : 345
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This volume looks at how the issues of textiles and gender intertwine across three millennia in antiquity and examines continuities and differences across time and space – with surprising resonances for the modern world. The interplay of gender, identity, textile production and use is notable on many levels, from the question of who was involved in the transformation of raw materials into fabric at one end, to the wearing of garments and the construction of identity at the other. Textile production has often been considered to follow a linear trajectory from a domestic (female) activity to a more 'commercial' or 'industrial' (male-centred) mode of production. In reality, many modes of production co-existed and the making of textiles is not so easily grafted onto the labour of one sex or the other. Similarly, textiles once transformed into garments are often of 'unisex' shape but worn to express the gender of the wearer. As shown by the detailed textual source material and the rich illustrations in this volume, dress and gender are intimately linked in the visual and written records of antiquity. The contributors show how it is common practice in both art and literature not only to use particular garments to characterize one sex or the other, but also to undermine characterizations by suggesting that they display features usually associated with the opposite gender.
