Looking at Prints, Drawings, and Watercolours PDF Download
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Author: Paul Goldman
Publisher:
ISBN: 9780714116389
Category : Art
Languages : en
Pages : 64
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Book Description
Many of the terms applied by art historians and curators to describe prints, drawings, and watercolors are not readily understood by the majority of exhibition visitors and art enthusiasts. These terms can also be difficult to find in reference books. This publication, which is part of thepopular Looking At series of art glossaries, defines and illustrates in one portable volume the most commonly used technical terms related to these three media. This handy reference guide features over one hundred entries--alphabetically arranged from aquatint to wood engraving--that concisely explain the processes and materials utilized in creating prints, drawings, and watercolors. This edition, revised from a book originally published in 1989, hasbeen updated with additional color illustrations and new entries on digital printmaking and copies and fakes. It is richly illustrated with objects from the collections of the J. Paul Getty Museum and the British Museum.
Author: Paul Goldman
Publisher:
ISBN: 9780714116389
Category : Art
Languages : en
Pages : 64
Get Book
Book Description
Many of the terms applied by art historians and curators to describe prints, drawings, and watercolors are not readily understood by the majority of exhibition visitors and art enthusiasts. These terms can also be difficult to find in reference books. This publication, which is part of thepopular Looking At series of art glossaries, defines and illustrates in one portable volume the most commonly used technical terms related to these three media. This handy reference guide features over one hundred entries--alphabetically arranged from aquatint to wood engraving--that concisely explain the processes and materials utilized in creating prints, drawings, and watercolors. This edition, revised from a book originally published in 1989, hasbeen updated with additional color illustrations and new entries on digital printmaking and copies and fakes. It is richly illustrated with objects from the collections of the J. Paul Getty Museum and the British Museum.
Author: Paul Goldman
Publisher: Getty Publications
ISBN: 9780892368716
Category : Art
Languages : en
Pages : 84
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Book Description
Many of the terms applied by art historians and curators to describe prints, drawings, and watercolors are not readily understood by the majority of exhibition visitors and art enthusiasts. These terms can also be difficult to find in reference books. This publication, which is part of the popular Looking At series of art glossaries, defines and illustrates in one portable volume the most commonly used technical terms related to these three media. This handy reference guide features over one hundred entries--alphabetically arranged from aquatint to wood engraving--that concisely explain the processes and materials utilized in creating prints, drawings, and watercolors. This edition, revised from a book originally published in 1989, has been updated with additional color illustrations and new entries on digital printmaking and copies and fakes. It is richly illustrated with objects from the collections of the J. Paul Getty Museum and the British Museum.
Author: David Cordingly
Publisher: Philip Wilson Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 168
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Book Description
An introduction to maritime prints, drawings and watercolours which is written for experts and enthusiasts alike. The text includes a historical survey tracing the development of marine art and exploring the technique and subject-matter of the pictures. Although the most famous seventeenth century Dutch maritime painters are covered, the author concentrates on lesser known (and less expensive) works from 1800 onwards that are readily available to the collector. The book addresses important questions about maritime drawings and prints, from the subject and location to larger questions of connoisseurship.
Author: John Berger
Publisher: Taschen
ISBN: 9783822885758
Category : Art
Languages : en
Pages : 104
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Book Description
Documents the works of this Medieval artist.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Christopher Lloyd
Publisher: Thames & Hudson
ISBN: 9780500093870
Category : Artists
Languages : en
Pages : 0
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Book Description
Drawing was central to Cézanne's indefatigable search for solutions to the problems posed by the depiction of reality. Many of his watercolours are equal to his paintings, and he himself made no real distinction between painting and drawing. This book's six chapters are arranged thematically covering the whole range of Cézanne's oeuvre: works after the Old Masters such as Michelangelo and Rubens; his period as one of the Impressionists; his exploration of both portraiture and the human figure, including the magnificent bathers; his interaction with landscape, particularly in his native Provence and the dominating form of Mont Sainte-Victoire; and finally the magisterial still lifes. In the Introduction, as well as throughout the book, Lloyd sets the drawings and watercolours in the context of Cézanne's life and overall artistic development. The result is a greater understanding of the process that led to some of the most absorbing art ever produced.
Author: Narim Bender
Publisher: BookRix
ISBN: 3730967371
Category : Art
Languages : en
Pages : 21
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Book Description
Vincent van Gogh drew thousands of images to better his style. He believed that drawing was "the root of everything".In just over a decade, he produced more than 2100 artworks, consisting of 860 oil paintings and more than 1,300 watercolors, drawings, sketches and prints. He produced nearly 150 watercolor paintings during his life. Similar to his drawings, Van Gogh often did watercolors as studies before doing an oil painting or as practice. As he continued to refine his technique, he used more and brighter colors in his watercolors. Though often they are far away from his bold brush strokes, the Van Gogh's watercolors are a unique in their use of clear and vibrant colors.
Author: Graham Reynolds
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 222
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Book Description
Author: Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main. Graphische Sammlung
Publisher: Michael Imhof Verlag
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Due to the high artistic quality of its holdings - which encompass some 25,000 drawings and 75,000 prints dating from the late Middle Ages to the present - the Staedel Museum's Department of Prints and Drawings is among the most prominent graphic art collections in Germany. It was founded in the eighteenth century and expanded in the nineteenth and twentieth centuries. For reasons of conservation, works on paper cannot be displayed on a permanent basis like paintings, but only placed at visitors' disposal for viewing in the department's Study Hall. Comprising eighty superb drawings, this publication spans a period of nearly six hundred years: the oldest drawings depicted date from the early fifteenth century; the most recent were executed in the late twentieth. Nearly all of art history's most renowned draughtsmen are represented, for example: Durer, Raphael, Titian, Rubens, Rembrandt, Watteau, Fragonard, Tiepolo, Cornelius, Delacroix, Daumier, Cezanne, van Gogh, Picasso, Matisse, Kirchner, Beckmann, Klee and Pollock.
Author: Matthew Thomas Simms
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
Cézanne's watercolors exhibit not only kaleidoscopic arrays of translucent color but also very light graphite pencil lines that contrast strikingly with the soft watery touches of color. These drawn lines have been largely overlooked in previous studies of Cézanne's watercolors. In this ravishing book, Matthew Simms argues that it was the dialogue between drawing and painting--the movement between the pencil and the paintbrush--that attracted Cézanne to watercolor. Watercolor allowed Cézanne to express what he termed his "sensations" in two distinct modes that become a record of his shifting and spontaneous responses to his subject. Combining close visual analysis and examination of historical context, Simms focuses on the counterpoint of drawing and color in Cézanne's watercolors over the course of his career and as viewed in relation to his oil paintings. More than a tool for sketching or preparing for oil paintings, Simms contends, watercolor was a unique means of expression in its own right that allowed Cézanne to combine in one place the two otherwise opposed mediums of drawing and painting.
