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Author: Cathi Unsworth
Publisher: MIT Press
ISBN: 1913689158
Category : Fiction
Languages : en
Pages : 375
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Book Description
A gripping crime novel inspired by the "Jack the Stripper" killings in 1960s London. Bad Penny Blues is the latest gripping crime fiction from Cathi Unsworth, London's undisputed queen of noir. Set in late 1950s and early 1960s London, it is loosely based on the West London "Jack the Stripper" killings that rocked the city. The narrative follows police officer Pete Bradley, who investigates the serial killings of a series of prostitutes, and, in a parallel story, Stella, part of the art and fashion worlds of 1960s "Swinging London," who is haunted by visions of the murdered women.
Author: Cathi Unsworth
Publisher: MIT Press
ISBN: 1913689158
Category : Fiction
Languages : en
Pages : 375
Get Book Here
Book Description
A gripping crime novel inspired by the "Jack the Stripper" killings in 1960s London. Bad Penny Blues is the latest gripping crime fiction from Cathi Unsworth, London's undisputed queen of noir. Set in late 1950s and early 1960s London, it is loosely based on the West London "Jack the Stripper" killings that rocked the city. The narrative follows police officer Pete Bradley, who investigates the serial killings of a series of prostitutes, and, in a parallel story, Stella, part of the art and fashion worlds of 1960s "Swinging London," who is haunted by visions of the murdered women.
Author: Roberta Freund Schwartz
Publisher: Routledge
ISBN: 1317120949
Category : Music
Languages : en
Pages : 282
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Book Description
This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.
Author: David Dicaire
Publisher: McFarland
ISBN: 0786462418
Category : Music
Languages : en
Pages : 301
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Book Description
This reference volume is intended for both the casual and the most avid blues fan. It is divided into five separately introduced sections and covers 50 artists with names like Muddy, Gatemouth and Hound Dog who helped shape 20th-century American music. Beginning with the pioneering Mississippi Delta bluesmen, the book then follows the spread of the genre to the city, in the section on the Chicago Blues School. The third segment covers the Texas blues tradition; the fourth, the great blueswomen; and the fifth, the genre's development outside its main schools. The styles covered range from Virginia-Piedmont to Bentonia and from barrelhouse to boogie-woogie. The main text is augmented by substantial discographies and a lengthy bibliography.
Author: Lloyd Bradley
Publisher: Profile Books
ISBN: 1847656501
Category : Social Science
Languages : en
Pages : 432
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Book Description
For as long as people have been migrating to London, so has their music. An essential link to home, music also has the power to shape communities in surprising ways. Black music has been part of London's landscape since the First World War, when the Southern Syncopated Orchestra brought jazz to the capital. Following the wave of Commonwealth immigration, its sounds and styles took up residence to become the foundation of the city's youth culture. Sounds Like London tells the story of the music and the larger-than-life characters making it, journeying from Soho jazz clubs to Brixton blues parties to King's Cross warehouse raves to the streets of Notting Hill - and onto sound systems everywhere. As well as a journey through the musical history of London, Sounds Like London is about the shaping of a city, and in turn the whole nation, through music. Contributors include Eddy Grant, Osibisa, Russell Henderson, Dizzee Rascal and Trevor Nelson, with an introduction by Soul2Soul's Jazzie B.
Author: K G Miles
Publisher: McNidder & Grace
ISBN: 0857162152
Category : Biography & Autobiography
Languages : en
Pages : 131
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Book Description
'A must have for Dylan enthusiasts, lovers of London, and anyone with even a passing interest in the history of music. I devoured it in two sittings - and I loved it!' Conor McPherson, playwright, Girl from the North Country This is both a guide and history on the impact of London on Dylan, and the lasting legacy of Bob Dylan on the London music scene. Bob Dylan in London celebrates this journey, and allows readers to experience his London and follow in his footsteps to places such as the King and Queen pub (the first venue that Dylan performed at in London), the Savoy hotel and Camden Town. This book explores the key London places and times that helped to create one of the greatest of all popular musicians, Bob Dylan.
Author: Lesley-Ann Jones
Publisher: Kings Road Publishing
ISBN: 1789467721
Category : Music
Languages : en
Pages : 327
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Book Description
From Sunday Times bestselling author Lesley-Ann Jones Scandalous affairs and public divorce. Addiction and fiery passion. And of course, the iconic song writing... Christine McVie - born Christine Perfect - was the quintessentially English rock star, as both the backbone and the beating heart of Fleetwood Mac. Straddling the band's incarnations to achieve global fame alongside Stevie Nicks, Mick Fleetwood, Lindsey Buckingham and John McVie, the classic line-up, she wrote and performed many of their greatest hits. As famous for their occasionally life-threateningly decadent lifestyles as for their musical brilliance, they were held together by this strong, constant figure whom they dubbed 'the mother' of the band. It was Christine who contained the flock, regrouped them when they went AWOL, focused and blended their talents and always got them back on track. And yet, as the 'engine' of the band during their Rumours era - an album that unwittingly charted the complete romantic disintegration within the band - Christine's personal life was every bit as tempestuous as those of her bandmates, weathering affairs, divorce, addiction and fiery passion, all of which bled into her now iconic song-writing. Told by an author who herself was friends with Christine, and with new contributions from those who knew her best, Songbird offers a true insider's view, and deep psychological insight into Christine as a both a woman and a musician - the first, the only, the ultimate picture of a rock legend and a national treasure.
Author: Paul Du Noyer
Publisher: Random House
ISBN: 0753520958
Category : Music
Languages : en
Pages : 338
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Book Description
'A dense and colourful account of one of the most vibrant musical centres in the world, In the City almost puts you on that train to London' Guardian In this fascinating history of London's music, which was the 2009 Sunday Times 'Music Book of the Year', Paul Du Noyer, critically-acclaimed music writer and founding editor of MOJO, celebrates the people and places that have made London the most exciting and diverse musical city on earth. The West End musicals, Ronnie Scott's jazz club, Abbey Road, mod culture, the Kinks, the Who and the Rolling Stones are just as much a part of London as the Houses of Parliament, Big Ben and the Routemaster. Du Noyer's captivating book charts the city's music history and landmarks and will appeal to residents, visitors and exiles alike.
Author: David Luhrssen
Publisher: Bloomsbury Publishing USA
ISBN: 1440835144
Category : Music
Languages : en
Pages : 464
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Book Description
Examining one of the most popular and enduring genres of American music, this encyclopedia of classic rock from 1965 to 1975 provides an indispensable resource for cultural historians and music fans. More than movies, literature, television, or theater, rock music set the stage for the cultural shifts that occurred from 1965 to 1975. Led by The Beatles and Bob Dylan, rock became a self-conscious art form during these years, daring to go places unimaginable to earlier rock and roll musicians. The music and outspokenness of classic rock artists inspired and moved the era's social, cultural, and political developments with a power once possessed by authors and playwrights—and influenced many artists in younger generations of rock musicians. This single-volume work tracks the careers of well-known as well as many lesser-known but influential rock artists from the period, providing readers with a handy reference to the music from a critical, groundbreaking period in popular culture and its enduring importance. The book covers rock artists who emerged or came to prominence in the period ranging 1965–1975 and follows their careers through the present. It also specifically defines the term "classic rock" and identifies the criteria that a song must meet in order to be considered as within the genre. While the coverage naturally includes the cultural importance and legacy of most well-known American and British bands of the era, it also addresses the influence of artists from Western and Eastern Europe, Africa, Asia, and Latin America. Readers will grasp how the music of the classic rock era was notably more sophisticated than what preceded it—an artistic peak from which most of contemporary rock has descended.
Author: Jon Stratton
Publisher: Routledge
ISBN: 1317173899
Category : Music
Languages : en
Pages : 257
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Book Description
Black Popular Music in Britain Since 1945 provides the first broad scholarly discussion of this music since 1990. The book critically examines key moments in the history of black British popular music from 1940s jazz to 1970s soul and reggae, 1990s Jungle and the sounds of Dubstep and Grime that have echoed through the 2000s. While the book offers a history it also discusses the ways black musics in Britain have intersected with the politics of race and class, multiculturalism, gender and sexuality, and debates about media and technology. Contributors examine the impact of the local, the ways that black music in Birmingham, Bristol, Liverpool, Manchester and London evolved differently and how black popular music in Britain has always developed in complex interaction with the dominant British popular music tradition. This tradition has its own histories located in folk music, music hall and a constant engagement, since the nineteenth century, with American popular music, itself a dynamic mixing of African-American, Latin American and other musics. The ideas that run through various chapters form connecting narratives that challenge dominant understandings of black popular music in Britain and will be essential reading for those interested in Popular Music Studies, Black British Studies and Cultural Studies.
Author: Camille S. Alexander
Publisher: Cambridge Scholars Publishing
ISBN: 1527552756
Category : Literary Criticism
Languages : en
Pages : 108
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Book Description
Black British writing in the decades after the Windrush generation was marked by a significant change: more immigrant women were published in the UK in these decades than ever before. This book is a collection of essays examining the texts of some of these women writers. Included are essays on Black British women writers, such as Warshan Shire, Eintou Pearl Springer, Beryl Gilroy, Buchi Emecheta, and Barbara Jenkins, which span the literary period from the 1970s to the early 2000s. The essays in this collection propose that these women writers represent the voices of another subgenre of Black British writing, and they are connected – through immigration or temporary migration – to the UK. Yet, they also remain firmly attached to their geographical and cultural origins. The essays included in this collection explore what it means to be a Black British woman writer, and how members of this group were able to conceptualise ‘home’ in their fiction.
