The Lives of the Illustrious Netherlandish and German Painters, from the First Edition of the Schilder-boeck (1603-1604): Commentary on Biography and Lives : fol. 196r01-211r35 PDF Download
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Author: Carel van Mander
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
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Book Description
Author: Carel van Mander
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 428
Get Book Here
Book Description
Author: Carel van Mander
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 404
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Book Description
Author: Carel van Mander
Publisher:
ISBN: 9789070288853
Category : Painters
Languages : en
Pages :
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Book Description
Author: Mark A. Runco
Publisher: Elsevier
ISBN: 0122270770
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 825
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Book Description
This encyclopaedia provides specific information and guidance for everyone who is searching for a greater understanding the text includes theories of creativity, techniques for enhancing creativity and individuals who have contributed to creativity.
Author: Carel van Mander
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 460
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Book Description
Author: Karel Van Mander
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Karel van Mander
Publisher:
ISBN:
Category : Prints, Dutch
Languages : en
Pages : 0
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Book Description
Author: Kevin Salatino
Publisher: Art Institute of Chicago
ISBN: 0300250800
Category : Art
Languages : en
Pages : 153
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Book Description
An engaging survey of a renowned collection of drawings that includes work by artists from Guercino and Hendrick Goltzius to Jean-Auguste-Dominique Ingres and Jaume Plensa One of America's foremost art dealers, Richard Gray--along with his wife, the art historian Mary L. Gray--amassed a remarkable collection of drawings, paintings, and sculpture representing 700 years of Western art. Offering an in-depth look at the Gray Collection's drawings, this volume highlights 36 exceptional works that range from the 15th through the 20th century by artists such as Paolo Veronese, François Boucher, Auguste Rodin, Jackson Pollock, and Tadao Ando. Entries by scholars from a variety of fields provide new perspectives on individual drawings and discuss the ways in which they reflect changes in artistic practice and the evolution of draftsmanship. This handsome publication also features the guest book from the Richard Gray Gallery, a fascinating historical document adorned with drawings and salutations from the likes of Susan Sontag, Ellsworth Kelly, and Tom Wolfe.
Author: Susie Nash
Publisher: OUP Oxford
ISBN: 0191540021
Category : Art
Languages : en
Pages : 384
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Book Description
This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces. While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.
Author: ArthurJ. DiFuria
Publisher: Routledge
ISBN: 135156577X
Category : Art
Languages : en
Pages : 252
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Book Description
Exploring the rich variety of pictorial rhetoric in early modern northern European genre images, this volume deepens our understanding of genre's place in early modern visual culture. From 1500 to 1700, artists in northern Europe pioneered the category of pictures now known as genre, portrayals of people in ostensibly quotidian situations. Critical approaches to genre images have moved past the antiquated notion that they portray uncomplicated 'slices of life,' describing them instead as heavily encoded pictorial essays, laden with symbols that only the most erudite contemporary viewers and modern iconographers could fully comprehend. These essays challenge that limiting binary, revealing a more expansive array of accessible meanings in genre's deft grafting of everyday scenarios with a rich complex of experiential, cultural, political, and religious references. Authors deploy a variety of approaches to detail genre's multivalent relations to older, more established pictorial and literary categories, the interplay between the meaning of the everyday and its translation into images, and the multifaceted concerns genre addressed for its rapidly expanding, unprecedentedly diverse audience.
