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Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Get Book Here
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Author: William H. Brock
Publisher: Routledge
ISBN: 1351872869
Category : History
Languages : en
Pages : 680
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Book Description
William Crookes' long life was one of unbroken scientific and business activity, culminating in his appointment as President of the Royal Society in 1913. Throughout his career he was an important science journalist, the discoverer of thallium, the inventor of the radiometer, investigator of cathode rays and the vacuum, a spectroscopist of significance in rare earth chemistry, and a spokesman for a chemical solution to the problems with the world's food supplies. He was also, and perhaps most controversially, an occultist who played a significant role in spiritualism in the 1870s, and was involved with D.D. Home (Browning's Mr Sludge) and other notable mediums of the day. Previous literature on Crookes has tended to focus on his involvement with the spiritualists, sometimes to the detriment of his many scientific achievements. This, the first biography of William Crookes, gives us the whole man: one of the most complex, public, and interesting figures in the history of science. Professor Brock guides us through the abundant catalogue of Crookes' accomplishments, placing his scientific activities in the context of the business of making a living from science - something that Crookes did principally as a science journalist and editor with his Chemical News (the model for today's Nature), and by business enterprises ranging from water analysis, sewerage schemes, and goldmining to the design of electric light bulbs. We also see Crookes in the lab, as an independent researcher, and learn the processes behind his discovery of thallium, his investigations into matter and energy, and his crucial work on cathode rays. We see the public man, the celebrity who was much sought after for his opinions on the latest discovery, and who was widely regarded as Britain's leading scientist at the beginning of the twentieth century. Scientist, spiritualist, entrepreneur: Sir William Crookes' extraordinary life and many endeavours provide a unique window into Victorian and Edwardian science and industry.
Author: Liverpool (England). Public Libraries, Museums, and Art Gallery. Library
Publisher:
ISBN:
Category : Liverpool (England)
Languages : en
Pages : 392
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Book Description
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 688
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Book Description
Author: George Shadbolt
Publisher: BoD – Books on Demand
ISBN: 3382309246
Category : Fiction
Languages : en
Pages : 714
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Book Description
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: William Crookes
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 522
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Book Description
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
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Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Author: Nicole Hudgins
Publisher: Routledge
ISBN: 1000211509
Category : Art
Languages : en
Pages : 312
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Book Description
It would be unthinkable now to omit early female pioneers from any survey of photography's history in the Western world. Yet for many years the gendered language of American, British and French photographic literature made it appear that women's interactions with early photography did not count as significant contributions. Using French and English photo journals, cartoons, art criticism, novels, and early career guides aimed at women, this volume will show why and how early photographic clubs, journals, exhibitions, and studios insisted on masculine values and authority, and how Victorian women engaged with photography despite that dominant trend. Focusing on the period before 1890, when women were yet to develop the self-assurance that would lead to broader recognition of the value of their work, this study probes the mechanisms by which exclusion took place and explores how women practiced photography anyway, both as amateurs and professionals. Challenging the marginalization of women’s work in the early history of photography, this is essential reading for students and scholars of photography, history and gender studies.
Author: Great Britain. Patent Office. Library
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 188
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Book Description
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 1004
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Book Description
