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Author: Claudia Georgi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110346532
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.
Author: Claudia Georgi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110346532
Category : Literary Criticism
Languages : en
Pages : 282
Get Book Here
Book Description
Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.
Author: Philip Auslander
Publisher: Routledge
ISBN: 1134642989
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
In Liveness Philip Auslander addresses what may be the single most important question facing all kinds of performance today: What is the status of live performance in a culture dominated by mass media? By looking at specific instances of live performance such as theatre, rock music, sport and courtroom testimony, Liveness offers penetrating insights into media culture. This provocative book tackles some of the enduring 'sacred truths' surrounding the high cultural status of the live event.
Author: Paul Sanden
Publisher: Routledge
ISBN: 0415895405
Category : Art
Languages : en
Pages : 222
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Book Description
This study investigates the idea and practice of liveness in modern music.. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines.
Author: Yu Jin Ko
Publisher: Springer Nature
ISBN: 3031655109
Category :
Languages : en
Pages : 273
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Book Description
Author: Tracy C. Davis
Publisher: Cambridge University Press
ISBN: 1139828185
Category : Drama
Languages : en
Pages : 361
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Book Description
Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
Author: Dennis R. Cutchins
Publisher: Manchester University Press
ISBN: 1526108933
Category : Literary Criticism
Languages : en
Pages : 581
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Book Description
This edited collection explores the afterlife of Mary Shelley's Frankenstein in theatre and film, radio, literature and graphics novels, making a substantial contribution to the field of adaptation studies.
Author: Dominique Borrione
Publisher: Springer Science & Business Media
ISBN: 3540291059
Category : Computers
Languages : en
Pages : 423
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Book Description
This book constitutes the refereed proceedings of the 13th IFIP WG 10.5 Advanced Research Working Conference on Correct Hardware Design and Verification Methods, CHARME 2005, held in Saarbrücken, Germany, in October 2005. The 21 revised full papers and 18 short papers presented together with 2 invited talks and one tutorial were carefully reviewed and selected from 79 submissions. The papers are organized in topical sections on functional approaches to design description, game solving approaches, abstraction, algorithms and techniques for speeding (DD-based) verification, real time and LTL model checking, evaluation of SAT-based tools, model reduction, and verification of memory hierarchy mechanisms.
Author: MengChu Zhou
Publisher: CRC Press
ISBN: 1482276534
Category : Computers
Languages : en
Pages : 693
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Book Description
Complex computer-integrated systems offer enormous benefits across a wide array of applications, including automated production, transportation, concurrent software, and computer operating systems, computer networks, distributed database systems, and many other automated systems. Yet, as these systems become more complex, automated, distributed, and computing-intensive, the opportunity for deadlock issues rises exponentially. Deadlock modeling, detection, avoidance, and recovery are critical to improving system performance. Deadlock Resolution in Computer-Integrated Systems is the first text to summarize and comprehensively treat this issue in a systematic manner. Consisting of contributions from prominent researchers in the field, this book addresses deadlock-free models and scheduling, detection and recovery methods, the formulation of dynamic control policies, and comparison and industrial benchmark studies that evaluate various approaches. The editors lay the foundation for exploring deadlock issues with a typical example of an automated manufacturing process, illustrating three primary modeling methods (digraphs, Petri nets, and automata) and comparing their respective advantages and disadvantages. Providing all of the important models and resolution approaches, this book is the complete guide for electrical and control engineers and manufacturing, intelligent, and network systems designers to prevent and manage deadlock issues in their systems.
Author: Neepa Majumdar
Publisher: John Wiley & Sons
ISBN: 1119048192
Category : Performing Arts
Languages : en
Pages : 628
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Book Description
A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.
Author: Seda Ilter
Publisher: Bloomsbury Publishing
ISBN: 1350031178
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
This study explores the ways in which playtexts have evolved in relation to the sociocultural and cognitive conditions of a mediatized age, and how they, in form and content, respond to this environment and open up new critical possibilities in text and performance. The study combines theatre and media theory through the innovative concept of 'mediatized dramaturgy' and offers conceptual reflections on the ways in which a playtext negotiates the new reality of contemporary culture. The book scrutinizes the form of playtexts and works through the exchange between text and performance by exploring contemporary works such as Simon Stephens's Pornography, Caryl Churchill's Love and Information, and David Greig's The Yes/No Plays, and their selected productions. Offering a pioneering intervention that expands discussions about the mediatization of theatre, and new playwriting, Mediatized Dramaturgyproposes areas for discussion that appeal to researchers, audiences and practitioners with an interest in the sub-field of media and performance, and British and North American drama and theatre. Media technologies and their socio-cultural repercussions have increasingly influenced theatre, particularly since the ubiquitous prevalence of digital technologies from the 1990s onwards. Consequently, new modes such as digital and intermedial theatre have come to populate and transform the theatre practice and scholarship. In this changing theatrical landscape, what has happened to plays in the historically text-oriented British theatre? How has playtext changed in an age of theatre marked by mediatization and its possibilities?
