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Author: Heidi Lucja Liedke
Publisher: Bloomsbury Publishing
ISBN: 1350340960
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
"Taking a fresh approach to the study of live theatre broadcasting, this book focuses on National Theatre Live a decade after its launch in 2009. It embeds livecasting in its historical context of 19th-century electrophone technology, assesses its position in contemporary discourse on the meaning of theatre for spectators, in a pre- and post-pandemic moment, and points towards its future. Heidi Liedke navigates between an interdisciplinary range of 20th- and 21st-century theorists from the fields of cultural studies, theatre studies and performance philosophy. Combining lively analyses of recent theatre performances with auto-ethnographic accounts, she turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting's position in a continuum of developments taking place on the borders of media, film and performance for the past 100 years. Locating livecasting on the conceptual tripod of spectacle, materiality and engagement, Livecasting in Twenty-First Century British Theatre asks what role audiences and their engagement play in livecasting. These conceptual threads are illustrated by in-depth analyses of recent NT Live shows, such as A Midsummer Night's Dream (2019), Antony and Cleopatra (2018) and Small Island (2019) and complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance"--
Author: Heidi Lucja Liedke
Publisher: Bloomsbury Publishing
ISBN: 1350340960
Category : Performing Arts
Languages : en
Pages : 241
Get Book Here
Book Description
"Taking a fresh approach to the study of live theatre broadcasting, this book focuses on National Theatre Live a decade after its launch in 2009. It embeds livecasting in its historical context of 19th-century electrophone technology, assesses its position in contemporary discourse on the meaning of theatre for spectators, in a pre- and post-pandemic moment, and points towards its future. Heidi Liedke navigates between an interdisciplinary range of 20th- and 21st-century theorists from the fields of cultural studies, theatre studies and performance philosophy. Combining lively analyses of recent theatre performances with auto-ethnographic accounts, she turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting's position in a continuum of developments taking place on the borders of media, film and performance for the past 100 years. Locating livecasting on the conceptual tripod of spectacle, materiality and engagement, Livecasting in Twenty-First Century British Theatre asks what role audiences and their engagement play in livecasting. These conceptual threads are illustrated by in-depth analyses of recent NT Live shows, such as A Midsummer Night's Dream (2019), Antony and Cleopatra (2018) and Small Island (2019) and complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance"--
Author: Heidi Lucja Liedke
Publisher: Bloomsbury Publishing
ISBN: 1350340987
Category : Performing Arts
Languages : en
Pages : 241
Get Book Here
Book Description
This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night's Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance. Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting's place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years. As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form's future.
Author: Pascale Aebischer
Publisher: Manchester University Press
ISBN: 1526172410
Category : Performing Arts
Languages : en
Pages : 277
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Book Description
This book offers insights into some of the digital innovations, structural adaptations and analogue solutions that enabled live performance in the UK to survive through the COVID-19 pandemic. It provides evidence of values-led policies and practices that have improved the wellbeing of the creative workforce and have increased access to live performance. Through sections that address digital innovations, workforce resilience and programming live performances outdoors and in community settings, this book provides practical insights into the challenges live performance faced during the pandemic. It shows how, in order to survive, individuals and companies within the sector drew on the creativity and resourcefulness of its workforce, and on new and existing networks. In these accounts, the pandemic functioned as catalyst for technological innovations, stock-taking regarding exploitative industry structures, and a re-valuing of the role of live performance for community-building.
Author: Lucja Liedke (Heidi)
Publisher:
ISBN: 9781350340992
Category : Electronic books
Languages : en
Pages : 0
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Book Description
Author: Pascale Aebischer
Publisher: Cambridge University Press
ISBN: 1108420486
Category : Drama
Languages : en
Pages : 259
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Book Description
Examining how technological developments in performance practices affect spectator experience of Shakespeare and early modern drama.
Author: Jessica Litman
Publisher: Prometheus Books
ISBN: 161592051X
Category : Law
Languages : en
Pages : 216
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Book Description
Professor Litman's work stands out as well-researched, doctrinally solid, and always piercingly well-written.-JANE GINSBURG, Morton L. Janklow Professor of Literary and Artistic Property, Columbia UniversityLitman's work is distinctive in several respects: in her informed historical perspective on copyright law and its legislative policy; her remarkable ability to translate complicated copyright concepts and their implications into plain English; her willingness to study, understand, and take seriously what ordinary people think copyright law means; and her creativity in formulating alternatives to the copyright quagmire. -PAMELA SAMUELSON, Professor of Law and Information Management; Director of the Berkeley Center for Law & Technology, University of California, BerkeleyIn 1998, copyright lobbyists succeeded in persuading Congress to enact laws greatly expanding copyright owners' control over individuals' private uses of their works. The efforts to enforce these new rights have resulted in highly publicized legal battles between established media and new upstarts.In this enlightening and well-argued book, law professor Jessica Litman questions whether copyright laws crafted by lawyers and their lobbyists really make sense for the vast majority of us. Should every interaction between ordinary consumers and copyright-protected works be restricted by law? Is it practical to enforce such laws, or expect consumers to obey them? What are the effects of such laws on the exchange of information in a free society?Litman's critique exposes the 1998 copyright law as an incoherent patchwork. She argues for reforms that reflect common sense and the way people actually behave in their daily digital interactions.This paperback edition includes an afterword that comments on recent developments, such as the end of the Napster story, the rise of peer-to-peer file sharing, the escalation of a full-fledged copyright war, the filing of lawsuits against thousands of individuals, and the June 2005 Supreme Court decision in the Grokster case.Jessica Litman (Ann Arbor, MI) is professor of law at Wayne State University and a widely recognized expert on copyright law.
Author: Matthew Reason
Publisher: Routledge
ISBN: 1317334841
Category : Art
Languages : en
Pages : 476
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Book Description
This volume brings together dynamic perspectives on the concept of liveness in the performing arts, engaging with the live through the particular analytical focus of audiences and experience. The status and significance of the live in performance has become contested: perceived as variously as a marker of ontological difference, a promotional slogan, or a mystical evocation of cultural value. Moving beyond debates about the relationship between the live and the mediated, this collection considers what we can know and say about liveness in terms of processes of experiencing and processes of making. Drawing together contributions from theatre, music, dance, and performance art, it takes an interdisciplinary approach in asking not what liveness is, but how it matters and to whom. The book invites readers to consider how liveness is produced through processes of audiencing - as spectators bring qualities of (a)liveness into being through the nature of their attention - and how it becomes materialized in acts of performance, acts of making, acts of archiving, and acts of remembering. Theoretical chapters and practice-based reflections explore liveness, eventness and nowness as key concepts in a range of topics such as affect, documentation, embodiment, fandom, and temporality, showing how the relationship between audience and event is rarely singular and more often malleable and multiple. With its focus on experiencing liveness, this collection will be of interest to disciplines including performance, audience and cultural studies, visual arts, cinema, and sound technologies.
Author: Michael Jay Quinn
Publisher: Addison Wesley Publishing Company
ISBN:
Category : Computers
Languages : en
Pages : 516
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Book Description
Widely praised for its balanced treatment of computer ethics, Ethics for the Information Age offers a modern presentation of the moral controversies surrounding information technology. Topics such as privacy and intellectual property are explored through multiple ethical theories, encouraging readers to think critically about these issues and to make their own ethical decisions.
Author: Guy Standing
Publisher: Bloomsbury Publishing
ISBN: 0755637097
Category : Political Science
Languages : en
Pages : 255
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Book Description
This book presents the new Precariat – the rapidly growing number of people facing lives of insecurity, on zero hours contracts, moving in and out of jobs that give little meaning to their lives. The delivery driver who brings your packages, the uber driver who gets you to work, the security guard at the mall, the carer looking after our elderly...these are The Precariat. Guy Standing investigates this new and growing group, finding a frustrated and angry new underclass who are often ignored by politicians and economists. The rise of zero hours contracts, encouraged by fat cat corporations as risk-free employment, and by silicon valley as a way of outsourcing costs and responsibility, has been exacerbated by the COVID pandemic. At the same time, in its experience of lockdown, the western world is realizing the true value of these nurses, carers and key workers. The answer? The return of income security and meaningful work - the principles 20th century capitalism was built on. By making the fears and desires of the Precariat central to economic thinking, Standing shows how concepts like Basic Income are not just desirable but inevitable, and plots the way to a better future.
Author: Christie Carson
Publisher: Cambridge University Press
ISBN: 1107064368
Category : Business & Economics
Languages : en
Pages : 279
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Book Description
This collection brings the broad discussion about digital humanities into focus through Shakespeare in research, teaching, publishing and performance.
