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Author: Jean-Paul Barbiche
Publisher: Editions L'Harmattan
ISBN:
Category : Communication
Languages : fr
Pages : 356
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Book Description
Des linguistes universitaires de diverses spécialités (anglicistes, germanistes, hispanistes, orientalistes) se sont trouvés réunis pour confronter l'aboutissement de leurs recherches sur l'approche littéraire de la communication sociale, tant chez des auteurs aux sensibilités complémentaires que dans l'expression même de la langue.
Author: Jean-Paul Barbiche
Publisher: Editions L'Harmattan
ISBN:
Category : Communication
Languages : fr
Pages : 356
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Book Description
Des linguistes universitaires de diverses spécialités (anglicistes, germanistes, hispanistes, orientalistes) se sont trouvés réunis pour confronter l'aboutissement de leurs recherches sur l'approche littéraire de la communication sociale, tant chez des auteurs aux sensibilités complémentaires que dans l'expression même de la langue.
Author: Royal Society of Literature of the United Kingdom
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
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Book Description
Author: Royal Society of Literature (Great Britain).
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 444
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Book Description
Author: David Evans
Publisher: Rodopi
ISBN: 9042025026
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
From Sade at one end of the nineteenth century to Freud at the other, via many French novelists and poets, pleasure and pain become ever more closely entwined. Whereas the inseparability of these themes has hitherto been studied from isolated perspectives, such as psychoanalysis, sadism and sado-masochism, melancholy, or post-structuralist textualjouissance, the originality of this collaborative volume lies in its exploration of how pleasure and pain function across a broader range of contexts. The essays collected here demonstrate how the complex relationship between pleasure and pain plays a vital role in structuring nineteenth-century thinking in prose fiction (Balzac, Flaubert, Musset, Maupassant, Zola), verse and the memoir as well as socio-cultural studies, medical discourses, aesthetic theory and the visual arts. Featuring an international selection of contributors representing the full range of approaches to scholarship in nineteenth-century French studies – historical, literary, cultural, art historical, philosophical, and sociopolitical – the volume attests to the vitality, coherence and interdisciplinarity of nineteenth-century French studies and will be of interest to a wide cross-section of scholars and students of French literature, society and culture.
Author: Cathérine Mayeur-Jaouen
Publisher: BRILL
ISBN: 9004415998
Category : Religion
Languages : en
Pages : 744
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Book Description
Adab is a concept situated at the heart of Arabic and Islamic civilisation. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" (al-tamaddun) soon became a leitmotiv. A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores (akhlāq). Still, humanism, poetry, and transgression are constants in the history of adab. Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.
Author:
Publisher: BRILL
ISBN: 9004526358
Category : Religion
Languages : en
Pages : 890
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Book Description
The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.
Author: Phillip Crant
Publisher: Rodopi
ISBN: 9789051834628
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Author: Bevan
Publisher: BRILL
ISBN: 9004656367
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
Author: Christopher Prendergast
Publisher: OUP Oxford
ISBN: 0191527009
Category : Literary Collections
Languages : en
Pages : 328
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Book Description
Focusing on a moment and a source in nineteenth-century France, Christopher Prendergast takes up a big question that is still with us: What is a classic? The question is, by virtue of its insistent recurrence, itself a classic question. It returns to haunt us. It provided the title of a text for French critic Charles-Augustin Sainte-Beuve in 1850 ('Qu'est-ce qu'un classique?'), as it did in the twentieth century for T.S. Eliot and John Coetzee. Centring on Sainte-Beuve in his nineteenth-century context, Prendergast's inquiry takes us historically to many places (antiquity, the middle ages, the seventeenth and eighteenth as well as the nineteenth and early twentieth centuries). He also provides an intellectual history that travels across multiple disciplinary territories (in addition to literary criticism and literary history, classical studies, comparative philology, historiography and political thought). Against this background, The Classic maps the evolution of Sainte-Beuve's thought from an initially cosmopolitan conception of the classic (close in spirit to Goethe's notion of Weltliteratur) to an increasingly nationalist conception, with a strong emphasis on the heritage of Latinity and France as its principal legatee. This emphasis was taken up by the extreme right in France after Sainte-Beuve's death, in a determined mobilizing of a version of the 'classic' on behalf of a proto-fascist agenda. The final chapter deals with this appropriation and ends with a question of our own about Sainte-Beuve's original question: in the light of this bleak history, perhaps the time has come to dispense with the term 'classic' altogether.
Author: Gabriel Peignot
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 506
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Book Description
