Author: Adolphe Clarence Scott
Publisher: Gloucester, Mass. : P. Smith, 1968 [c1963]
ISBN:
Category : Art, Chinese
Languages : en
Pages : 256
Book Description
Literature and the Arts in Twentieth Century China
Author: Adolphe Clarence Scott
Publisher: Gloucester, Mass. : P. Smith, 1968 [c1963]
ISBN:
Category : Art, Chinese
Languages : en
Pages : 256
Book Description
Publisher: Gloucester, Mass. : P. Smith, 1968 [c1963]
ISBN:
Category : Art, Chinese
Languages : en
Pages : 256
Book Description
Literature and the Arts in Twentieth Century China by A.C. Scott
Author: Adolphe Clarence Scott
Publisher:
ISBN:
Category : China
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : China
Languages : en
Pages : 212
Book Description
Literature and the Arts in Twentieth Century China, by A.C. Scott
Author: A. C. Scott
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
Literature and Arts In Twentieth Century China
Author: Adolphe C. Scott
Publisher:
ISBN: 9780844602516
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780844602516
Category :
Languages : en
Pages :
Book Description
LITERATURE AND THE ARTS IN 20TH CENTURY CHINA.
Author: Adolphe Clarence Scott
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Art and Artists of Twentieth-Century China
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 052091161X
Category : Art
Languages : en
Pages : 451
Book Description
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea—shocking in ethnocentric China—that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history. Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book—richly documented and abundantly illustrated—is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.
Publisher: Univ of California Press
ISBN: 052091161X
Category : Art
Languages : en
Pages : 451
Book Description
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea—shocking in ethnocentric China—that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history. Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book—richly documented and abundantly illustrated—is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.
The Literature of China in the Twentieth Century
Author: Bonnie S. McDougall
Publisher: Columbia University Press
ISBN: 9780231110853
Category : Education
Languages : en
Pages : 516
Book Description
A historical survey of 20th-century Chinese literature, this book chronicles the writers who - continuing in the Chinese tradition of using literature to exert moral, social, and political leadership - debated the nature, development and future of Chinese society.
Publisher: Columbia University Press
ISBN: 9780231110853
Category : Education
Languages : en
Pages : 516
Book Description
A historical survey of 20th-century Chinese literature, this book chronicles the writers who - continuing in the Chinese tradition of using literature to exert moral, social, and political leadership - debated the nature, development and future of Chinese society.
Literary History
Author: Anders Pettersson
Publisher: Walter de Gruyter
ISBN: 9783110189322
Category : Literary Criticism
Languages : en
Pages : 1208
Book Description
Literary History: Towards a Global Perspective is a research project funded by the Swedish Research Council (Vetenskapsrådet). Initiated in 1996 and launched in 1999, it aims at finding suitable methods and approaches for studying and analysing literature globally, emphasizing the comparative and intercultural aspect. Even though we nowadays have fast and easy access to any kind of information on literature and literary history, we encounter, more than ever, the difficulty of finding a credible overall perspective on world literary history. Until today, literary cultures and traditions have usually been studied separately, each field using its own principles and methods. Even the conceptual basis itself varies from section to section and the genre concepts employed are not mutually compatible. As a consequence, it is very difficult, if not impossible, for the interested layperson as well as for the professional student, to gain a clear and fair perspective both on the literary traditions of other peoples and on one's own traditions. The project can be considered as a contribution to gradually removing this problem and helping to gain a better understanding of literature and literary history by means of a concerted empirical research and deeper conceptual reflection. The contributions to the four volumes are written in English by specialists from a large number of disciplines, primarily from the fields of comparative literature, Oriental studies and African studies in Sweden. All of the literary texts discussed in the articles are in the original language. Each one of the four volumes is devoted to a special research topic.
Publisher: Walter de Gruyter
ISBN: 9783110189322
Category : Literary Criticism
Languages : en
Pages : 1208
Book Description
Literary History: Towards a Global Perspective is a research project funded by the Swedish Research Council (Vetenskapsrådet). Initiated in 1996 and launched in 1999, it aims at finding suitable methods and approaches for studying and analysing literature globally, emphasizing the comparative and intercultural aspect. Even though we nowadays have fast and easy access to any kind of information on literature and literary history, we encounter, more than ever, the difficulty of finding a credible overall perspective on world literary history. Until today, literary cultures and traditions have usually been studied separately, each field using its own principles and methods. Even the conceptual basis itself varies from section to section and the genre concepts employed are not mutually compatible. As a consequence, it is very difficult, if not impossible, for the interested layperson as well as for the professional student, to gain a clear and fair perspective both on the literary traditions of other peoples and on one's own traditions. The project can be considered as a contribution to gradually removing this problem and helping to gain a better understanding of literature and literary history by means of a concerted empirical research and deeper conceptual reflection. The contributions to the four volumes are written in English by specialists from a large number of disciplines, primarily from the fields of comparative literature, Oriental studies and African studies in Sweden. All of the literary texts discussed in the articles are in the original language. Each one of the four volumes is devoted to a special research topic.
Literature and the Art in Twentieth Century Chian
Author: Adolphe Clarence Scott
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
A Modern Miscellany
Author: Paul Bevan
Publisher: BRILL
ISBN: 900430794X
Category : Art
Languages : en
Pages : 407
Book Description
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
Publisher: BRILL
ISBN: 900430794X
Category : Art
Languages : en
Pages : 407
Book Description
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.