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Author: Leon Trotsky
Publisher: Pickle Partners Publishing
ISBN: 1787209733
Category : Political Science
Languages : en
Pages : 187
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Book Description
Literature and Revolution, written by the founder and commander of the Red Army, Leon Trotsky, in 1924 and first published in 1925, represents a compilation of essays that Trotsky drafted during the summers of 1922 and 1923. This book is a classic work of literary criticism from the Marxist standpoint. By discussing the various literary trends that were around in Russia between the revolutions of 1905 and 1917, Trotsky analyses the concrete forces in society, both progressive as well as reactionary, that helped shape the consciousness of writers at the time. In the book, Trotsky also explains that since the dawn of civilisation art had always borne the stamp of the ruling class and was primarily a vehicle that expressed its tastes and its sensibilities. “It is difficult to predict the extent of self-government which the man of the future may reach or the heights to which he may carry his technique. Social construction and psycho-physical self-education will become two aspects of one and the same process. All the arts—literature, drama, painting, music and architecture will lend this process beautiful form. More correctly, the shell in which the cultural construction and self-education of Communist man will be enclosed, will develop all the vital elements of contemporary art to the highest point. Man will become immeasurably stronger, wiser and subtler; his body will become more harmonized, his movements more rhythmic, his voice more musical. The forms of life will become dynamically dramatic. The average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above this ridge new peaks will rise.”—Leon Trotsky
Author: Jeffrey Mehlman
Publisher: Univ of California Press
ISBN: 0520378431
Category : Literary Criticism
Languages : en
Pages : 143
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Book Description
In Revolution and Repetition, Jeffrey Mehlman surveys the question of the relation between Karl Marx's writings and the institution of literature. He presents not an application of Marxian categories to literary texts, but a delineation of how the phenomenon of revolution in France is refracted through two divergent series of writings. The first comprises three works by Marx: The Class Struggles in France 1848-1850, The Eighteenth Brumaire of Louis Bonaparte, and The Civil War in France. The second consists of two exemplary nineteenth-century novels on revolution: Victor Hugo's Quatrevingt-treize and Honoré de Balzac's Les Chouans. Mehlman also explores the limits and opportunities of reading itself. Within a series of precise textual analyses, the reader will encounter Jean Laplanche's lectures on "anxiety" in Freud, Jacques Derrida's Glas, Georg Lukács’s study of Balzac’s “realism," and Michel Foucault's genealogy of prisons, Surveiller et punir. This volume is a working introduction to what may be termed French "post-structuralism." This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
![Literature and Revolution [First Edition] PDF](https://books.google.com/books/content/images/frontcover/LzxODwAAQBAJ?fife=w80-h100)
Author: Leon Trotsky
Publisher: Pickle Partners Publishing
ISBN: 1787209733
Category : Political Science
Languages : en
Pages : 187
Get Book
Book Description
Literature and Revolution, written by the founder and commander of the Red Army, Leon Trotsky, in 1924 and first published in 1925, represents a compilation of essays that Trotsky drafted during the summers of 1922 and 1923. This book is a classic work of literary criticism from the Marxist standpoint. By discussing the various literary trends that were around in Russia between the revolutions of 1905 and 1917, Trotsky analyses the concrete forces in society, both progressive as well as reactionary, that helped shape the consciousness of writers at the time. In the book, Trotsky also explains that since the dawn of civilisation art had always borne the stamp of the ruling class and was primarily a vehicle that expressed its tastes and its sensibilities. “It is difficult to predict the extent of self-government which the man of the future may reach or the heights to which he may carry his technique. Social construction and psycho-physical self-education will become two aspects of one and the same process. All the arts—literature, drama, painting, music and architecture will lend this process beautiful form. More correctly, the shell in which the cultural construction and self-education of Communist man will be enclosed, will develop all the vital elements of contemporary art to the highest point. Man will become immeasurably stronger, wiser and subtler; his body will become more harmonized, his movements more rhythmic, his voice more musical. The forms of life will become dynamically dramatic. The average human type will rise to the heights of an Aristotle, a Goethe, or a Marx. And above this ridge new peaks will rise.”—Leon Trotsky
Author: Robert Darnton
Publisher: Oxford University Press
ISBN: 0190678003
Category : History
Languages : en
Pages :
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Book Description
The publishing industry in France in the years before the Revolution was a lively and sometimes rough-and-tumble affair, as publishers and printers scrambled to deal with (and if possible evade) shifting censorship laws and tax regulations, in order to cater to a reading public's appetite for books of all kinds, from the famous Encyclopédie, repository of reason and knowledge, to scandal-mongering libel and pornography. Historian and librarian Robert Darnton uses his exclusive access to a trove of documents-letters and documents from authors, publishers, printers, paper millers, type founders, ink manufacturers, smugglers, wagon drivers, warehousemen, and accountants-involving a publishing house in the Swiss town of Neuchatel to bring this world to life. Like other places on the periphery of France, Switzerland was a hotbed of piracy, carefully monitoring the demand for certain kinds of books and finding ways of fulfilling it. Focusing in particular on the diary of Jean-François Favarger, a traveling sales rep for a Swiss firm whose 1778 voyage, on horseback and on foot, around France to visit bookstores and renew accounts forms the spine of this story, Darnton reveals not only how the industry worked and which titles were in greatest demand, but the human scale of its operations. A Literary Tour de France is literally that. Darnton captures the hustle, picaresque comedy, and occasional risk of Favarger's travels in the service of books, and in the process offers an engaging, immersive, and unforgettable narrative of book culture at a critical moment in France's history.
Author: Jack A. Goldstone
Publisher: Univ of California Press
ISBN: 9780520913752
Category : History
Languages : en
Pages : 644
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Book Description
What can the great crises of the past teach us about contemporary revolutions? Arguing from an exciting and original perspective, Goldstone suggests that great revolutions were the product of 'ecological crises' that occurred when inflexible political, economic, and social institutions were overwhelmed by the cumulative pressure of population growth on limited available resources. Moreover, he contends that the causes of the great revolutions of Europe—the English and French revolutions—were similar to those of the great rebellions of Asia, which shattered dynasties in Ottoman Turkey, China, and Japan. The author observes that revolutions and rebellions have more often produced a crushing state orthodoxy than liberal institutions, leading to the conclusion that perhaps it is vain to expect revolution to bring democracy and economic progress. Instead, contends Goldstone, the path to these goals must begin with respect for individual liberty rather than authoritarian movements of 'national liberation.' Arguing that the threat of revolution is still with us, Goldstone urges us to heed the lessons of the past. He sees in the United States a repetition of the behavior patterns that have led to internal decay and international decline in the past, a situation calling for new leadership and careful attention to the balance between our consumption and our resources. Meticulously researched, forcefully argued, and strikingly original, Revolutions and Rebellions in the Early Modern World is a tour de force by a brilliant young scholar. It is a book that will surely engender much discussion and debate.
Author: George Wilkins Kendall
Publisher:
ISBN:
Category : Mexican War, 1846-1848
Languages : en
Pages : 118
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Book Description
Author: Rosa Luxemburg
Publisher: Courier Corporation
ISBN: 0486147223
Category : Political Science
Languages : en
Pages : 242
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Book Description
A refutation of revisionist interpretations of Marxist doctrine, the title essay (1899) explains why capitalism can never overcome its internal contradictions and defines the character of the proletarian revolution. 3 other essays.
Author: Piero Gobetti
Publisher: Yale University Press
ISBN: 0300132964
Category : Political Science
Languages : en
Pages : 344
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Book Description
This book is the first English-language edition of a collection of writings by one of Italy’s most important radical liberals, Piero Gobetti (1901–1926). In thirty-five thought-provoking essays, Gobetti proposes an original and challenging notion of liberalism as a revolutionary theory of both the individual and social and political movements. His theory is of particular relevance in the wake of the collapse of Marxist socialism, as non-Western countries with nonliberal or antiliberal cultural and moral traditions confront the problems of transition toward democracy and liberalism. Gobetti’s ideas continue to influence in important ways today’s heated debates over the nature of liberalism. Gobetti was the first Italian scholar to identify “two Italys”: one enlightened and modern though small and weak, the other premodern, traditional, and dominant. A witness to the seizure of power by the Fascists, Gobetti became convinced that Italy’s hostility to liberalism could be overcome only with a cultural revolution. Endorsing a radical liberalism, he nevertheless believed that the Communists, led by Antonio Gramsci, could play a crucial role in democratizing Italy by helping to develop a secular culture. For a liberal state to subsist and grow, Gobetti argued, there must first be a transformation of both the economic structure and the legal and moral culture of the society.
Author: Steven Blakemore
Publisher: Fairleigh Dickinson
ISBN: 1611475732
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
Dealing with Thomas Paine's Common Sense (1776), John Trumbull's M'Fingal (1776-82), Philip Freneau's "The British-Prison Ship" (1781), J. Hector St. John de Crèvecoeur's Letters from an American Farmer (1782), and Washington Irving's "Rip Van Winkle" (1819-20), Steven Blakemore breaks new ground in assessing the strategies of subversion and intertextuality used during the American Revolution. Blakemore also crystallizes the historical contexts that link these works together – contexts that have been missed or overlooked by critics and scholars. The five works additionally illuminate issues of history (The Norman Conquest, the English Civil War, and the French Revolution) and gender as they impinge on American-revolutionary discourse. The result is five new readings of significant revolutionary-era works that suggest fruitful entries into other literatures of the Revolution. Blakemore demonstrates the nexus between literature and history in the revolutionary era and how it created an intertextual dialogue in the formation of the first postcolonial critiques of the British Empire.
Author: Moses Coit Tyler
Publisher: Forgotten Books
ISBN: 9780265573259
Category : Biography & Autobiography
Languages : en
Pages : 1104
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Book Description
Excerpt from The Literary History of the American Revolution, 1763-1783 There would, perhaps, be no injustice in describing this book as the product of a new method, at least of a method never before so fully applied, in the critical treatment of the American Revolution. The outward history of that famous procedure has been many times written, and is now, by a new breed of American scholars, being freshly rewrit ten ih the light of larger evidence, and under the direction of i a more disinterested and a more judicial spirit. In the pres ent work, for the first time in a systematic and a fairly complete way, is set forth the inward history of our Rev olution - the history of its ideas, its spiritual moods, its motives, its passions, even of its sportive caprices and its whims, as these uttered themselves at the time, whether consciously or not, in the various writings of the two par ties oi Americans who promoted or resisted that great movement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Tao Dongfeng
Publisher: Cambridge Scholars Publishing
ISBN: 1443810371
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
This volume has brought together essays to explore, analyse and interpret the revolutionary tradition in modern Chinese literature over the past century from various angles. The authors examines the bodily or carnal dimension, especially the hidden implication of sexual passion, in revolutionary literature, formulate feminist critiques of the conception of women in literary expressions of revolution, explore the function of revolution as historical discourse and in historiographical representation, and discuss the reworking of “revolutionary classics” in recent literary and artistic endeavours. Here, revolution (in history and in literature) is conceptualized neither as an unquestionably progressive and creative force for a new world, nor an absolutely pejorative concept that necessarily leads to sociopolitical turmoil and tragedy. Insofar as “postrevolutionary writings” cannot but reappropriate the revolutionary spirit as their unavoidable and inseparable traumatic kernel, studies in revolutionary literature and culture, too, go through the zigzag experience of revolution in order to scrutinize its complex implications.
