Author: Gregory Eiselein
Publisher: Indiana University Press
ISBN: 9780253113122
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
"... this volume presents a reasonable, fresh, and well-researched reading of several key texts in American studies." -- Journal of the American Studies Association of Texas During the Civil War, a crisis erupted in philanthropy that dramatically changed humanitarian theories and demanded new approaches to humanitarian work. Certain writer-activists began to advocate an "eccentric benevolence" -- a type of philanthropy that would undo the distinction between the powerful bestowers of benevolence and the weaker folks who receive it. Among the figures discussed are the anti-philanthropic Henry David Thoreau and the dangerously philanthropic John Brown.
Literature and Humanitarian Reform in the Civil War Era
Author: Gregory Eiselein
Publisher: Indiana University Press
ISBN: 9780253113122
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
"... this volume presents a reasonable, fresh, and well-researched reading of several key texts in American studies." -- Journal of the American Studies Association of Texas During the Civil War, a crisis erupted in philanthropy that dramatically changed humanitarian theories and demanded new approaches to humanitarian work. Certain writer-activists began to advocate an "eccentric benevolence" -- a type of philanthropy that would undo the distinction between the powerful bestowers of benevolence and the weaker folks who receive it. Among the figures discussed are the anti-philanthropic Henry David Thoreau and the dangerously philanthropic John Brown.
Publisher: Indiana University Press
ISBN: 9780253113122
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
"... this volume presents a reasonable, fresh, and well-researched reading of several key texts in American studies." -- Journal of the American Studies Association of Texas During the Civil War, a crisis erupted in philanthropy that dramatically changed humanitarian theories and demanded new approaches to humanitarian work. Certain writer-activists began to advocate an "eccentric benevolence" -- a type of philanthropy that would undo the distinction between the powerful bestowers of benevolence and the weaker folks who receive it. Among the figures discussed are the anti-philanthropic Henry David Thoreau and the dangerously philanthropic John Brown.
Facing America
Author: Shirley Samuels
Publisher: Oxford University Press
ISBN: 9780195351699
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Facing America: Iconography and the Civil War investigates and explains the changing face of America during the Civil War. To conjure a face for the nation, author Shirley Samuels also explores the body of the nation imagined both physically and metaphorically, arguing that the Civil War marks a dramatic shift from identifying the American nation as feminine to identifying it as masculine. Expressions of such a change appear in the allegorical configurations of nineteenth-century American novels, poetry, cartoons, and political rhetoric. Because of the visibility of war's assaults on the male body, masculine vulnerability became such a dominant facet of national life that it practically obliterated the visibility of other vulnerable bodies. The simultaneous advent of photography and the Civil War in the nineteenth century may be as influential as the conjoined rise of the novel and the middle class in the eighteenth century. Both advents herald a changed understanding of how a transformative media can promote new cultural and national identities. Bodies immobilized because of war's practices of wounding and death are also bodies made static for the camera's gaze. The look of shock on the faces of soldiers photographed in order to display their wounds emphasizes the new technology of war literally embodied in the impact of new imploding bullets on vulnerable flesh. Such images mark both the context for and a counterpoint to the "look" of Walt Whitman as he bends over soldiers in their hospital beds. They also provide a way to interpret the languishing male heroes of novels such as August Evans's Macaria (1864), a southern elegy for the sundering of the nation. This book crucially shows how visual iconography affects the shift in postbellum gendered and racialized identifications of the nation.
Publisher: Oxford University Press
ISBN: 9780195351699
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Facing America: Iconography and the Civil War investigates and explains the changing face of America during the Civil War. To conjure a face for the nation, author Shirley Samuels also explores the body of the nation imagined both physically and metaphorically, arguing that the Civil War marks a dramatic shift from identifying the American nation as feminine to identifying it as masculine. Expressions of such a change appear in the allegorical configurations of nineteenth-century American novels, poetry, cartoons, and political rhetoric. Because of the visibility of war's assaults on the male body, masculine vulnerability became such a dominant facet of national life that it practically obliterated the visibility of other vulnerable bodies. The simultaneous advent of photography and the Civil War in the nineteenth century may be as influential as the conjoined rise of the novel and the middle class in the eighteenth century. Both advents herald a changed understanding of how a transformative media can promote new cultural and national identities. Bodies immobilized because of war's practices of wounding and death are also bodies made static for the camera's gaze. The look of shock on the faces of soldiers photographed in order to display their wounds emphasizes the new technology of war literally embodied in the impact of new imploding bullets on vulnerable flesh. Such images mark both the context for and a counterpoint to the "look" of Walt Whitman as he bends over soldiers in their hospital beds. They also provide a way to interpret the languishing male heroes of novels such as August Evans's Macaria (1864), a southern elegy for the sundering of the nation. This book crucially shows how visual iconography affects the shift in postbellum gendered and racialized identifications of the nation.
Theoretical Perspectives on Human Rights and Literature
Author: Elizabeth Swanson Goldberg
Publisher: Routledge
ISBN: 1136646388
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
What can literary theory reveal about discourses and practices of human rights, and how can human rights frameworks help to make sense of literature? How have human rights concerns shaped the literary marketplace, and how can literature impact human rights concerns? Essays in this volume theorize how both literature and reading literarily can shape understanding of human rights in productive ways. Contributors to Theoretical Perspectives on Human Rights and Literature provide a shared history of modern literature and rights; theorize how trauma, ethics, subjectivity, and witnessing shape representations of human rights violations and claims in literary texts across a range of genres (including poetry, the novel, graphic narrative, short story, testimonial, and religious fables); and consider a range of civil, political, social, economic, and cultural rights and their representations. The authors reflect on the imperial and colonial histories of human rights as well as the cynical mobilization of human rights discourses in the name of war, violence, and repression; at the same time, they take seriously Gayatri Spivak’s exhortation that human rights is something that we "cannot not want," exploring the central function of storytelling at the heart of all human rights claims, discourses, and policies.
Publisher: Routledge
ISBN: 1136646388
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
What can literary theory reveal about discourses and practices of human rights, and how can human rights frameworks help to make sense of literature? How have human rights concerns shaped the literary marketplace, and how can literature impact human rights concerns? Essays in this volume theorize how both literature and reading literarily can shape understanding of human rights in productive ways. Contributors to Theoretical Perspectives on Human Rights and Literature provide a shared history of modern literature and rights; theorize how trauma, ethics, subjectivity, and witnessing shape representations of human rights violations and claims in literary texts across a range of genres (including poetry, the novel, graphic narrative, short story, testimonial, and religious fables); and consider a range of civil, political, social, economic, and cultural rights and their representations. The authors reflect on the imperial and colonial histories of human rights as well as the cynical mobilization of human rights discourses in the name of war, violence, and repression; at the same time, they take seriously Gayatri Spivak’s exhortation that human rights is something that we "cannot not want," exploring the central function of storytelling at the heart of all human rights claims, discourses, and policies.
Wendell Phillips, Social Justice, and the Power of the Past
Author: A J Aiséirithe
Publisher: LSU Press
ISBN: 0807164046
Category : Social Science
Languages : en
Pages : 385
Book Description
Born into an elite Boston family and a graduate of both Harvard College and Harvard Law School, white Massachusetts aristocrat Wendell Phillips’s path seemed clear. Yet he rejected his family’s and society’s expectations and gave away most of his great wealth by the time of his death in 1884. Instead he embraced the most incendiary causes of his era and became a radical advocate for abolitionism and reform. Only William Lloyd Garrison rivaled Phillips’s importance to the antislavery and reform movements, and no one equaled his eloquence or intellectual depth. His presence on the lecture circuit brought him great celebrity both in America and in Europe and helped ensure that his reputation as an advocate for social justice extended for generations after his death. In Wendell Phillips, Social Justice, and the Power of the Past, the world’s leading Phillips scholars explore the themes and ideas that animated this activist and his colleagues. These essays shed new light on the reform movement after the Civil War, especially regarding Phillips’s sustained role in Native American rights and the labor movement, subjects largely neglected by contemporary historical literature. In this collection, Phillips’s views on matters related to race, ethnicity, gender, and class serve as a lens through which the contributors examine crucial social justice questions that remain powerful to this day. Tackling a range of subjects that emerged during Phillips’s career, from the effectiveness of agitation, the dilemmas of democratic politics, and antislavery constitutional theory, to religion, violence, interracial friendships, women’s rights, Native American rights, labor rights, and historical memory, these essays offer a portrait of a man whose deep sense of fairness and justice shaped the course of American history.
Publisher: LSU Press
ISBN: 0807164046
Category : Social Science
Languages : en
Pages : 385
Book Description
Born into an elite Boston family and a graduate of both Harvard College and Harvard Law School, white Massachusetts aristocrat Wendell Phillips’s path seemed clear. Yet he rejected his family’s and society’s expectations and gave away most of his great wealth by the time of his death in 1884. Instead he embraced the most incendiary causes of his era and became a radical advocate for abolitionism and reform. Only William Lloyd Garrison rivaled Phillips’s importance to the antislavery and reform movements, and no one equaled his eloquence or intellectual depth. His presence on the lecture circuit brought him great celebrity both in America and in Europe and helped ensure that his reputation as an advocate for social justice extended for generations after his death. In Wendell Phillips, Social Justice, and the Power of the Past, the world’s leading Phillips scholars explore the themes and ideas that animated this activist and his colleagues. These essays shed new light on the reform movement after the Civil War, especially regarding Phillips’s sustained role in Native American rights and the labor movement, subjects largely neglected by contemporary historical literature. In this collection, Phillips’s views on matters related to race, ethnicity, gender, and class serve as a lens through which the contributors examine crucial social justice questions that remain powerful to this day. Tackling a range of subjects that emerged during Phillips’s career, from the effectiveness of agitation, the dilemmas of democratic politics, and antislavery constitutional theory, to religion, violence, interracial friendships, women’s rights, Native American rights, labor rights, and historical memory, these essays offer a portrait of a man whose deep sense of fairness and justice shaped the course of American history.
Questionable Charity
Author: William M. Morgan
Publisher: UPNE
ISBN: 9781584653882
Category : History
Languages : en
Pages : 268
Book Description
A fascinating reevaluation of U.S. literary realism during the Gilded Age.
Publisher: UPNE
ISBN: 9781584653882
Category : History
Languages : en
Pages : 268
Book Description
A fascinating reevaluation of U.S. literary realism during the Gilded Age.
Communities of Death
Author: Adam C. Bradford
Publisher: University of Missouri Press
ISBN: 0826273165
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
To 21st century readers, 19th century depictions of death look macabre if not maudlin—the mourning portraits and quilts, the postmortem daguerreotypes, and the memorial jewelry now hopelessly, if not morbidly, distressing. Yet this sentimental culture of mourning and memorializing provided opportunities to the bereaved to assert deeply held beliefs, forge social connections, and advocate for social and political change. This culture also permeated the literature of the day, especially the works of Edgar Allan Poe and Walt Whitman. In Communities of Death, Adam C. Bradford explores the ways in which the ideas, rituals, and practices of mourning were central to the work of both authors. While both Poe and Whitman were heavily influenced by the mourning culture of their time, their use of it differed. Poe focused on the tendency of mourners to cling to anything that could remind them of their lost loved ones; Whitman focused not on the mourner but on the soul’s immortality, positing an inevitable reunion. Yet Whitman repeatedly testified that Poe’s Gothic and macabre literature played a central role in spurring him to produce the transcendent Leaves of Grass. By unveiling a heretofore marginalized literary relationship between Poe and Whitman, Bradford rewrites our understanding of these authors and suggests a more intimate relationship among sentimentalism, romanticism, and transcendentalism than has previously been recognized. Bradford’s insights into the culture and lives of Poe and Whitman will change readers’ understanding of both literary icons.
Publisher: University of Missouri Press
ISBN: 0826273165
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
To 21st century readers, 19th century depictions of death look macabre if not maudlin—the mourning portraits and quilts, the postmortem daguerreotypes, and the memorial jewelry now hopelessly, if not morbidly, distressing. Yet this sentimental culture of mourning and memorializing provided opportunities to the bereaved to assert deeply held beliefs, forge social connections, and advocate for social and political change. This culture also permeated the literature of the day, especially the works of Edgar Allan Poe and Walt Whitman. In Communities of Death, Adam C. Bradford explores the ways in which the ideas, rituals, and practices of mourning were central to the work of both authors. While both Poe and Whitman were heavily influenced by the mourning culture of their time, their use of it differed. Poe focused on the tendency of mourners to cling to anything that could remind them of their lost loved ones; Whitman focused not on the mourner but on the soul’s immortality, positing an inevitable reunion. Yet Whitman repeatedly testified that Poe’s Gothic and macabre literature played a central role in spurring him to produce the transcendent Leaves of Grass. By unveiling a heretofore marginalized literary relationship between Poe and Whitman, Bradford rewrites our understanding of these authors and suggests a more intimate relationship among sentimentalism, romanticism, and transcendentalism than has previously been recognized. Bradford’s insights into the culture and lives of Poe and Whitman will change readers’ understanding of both literary icons.
Rehabilitating Bodies
Author: Lisa A. Long
Publisher: University of Pennsylvania Press
ISBN: 081220266X
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
The American Civil War is one of the most documented, romanticized, and perennially reenacted events in American history. In Rehabilitating Bodies: Health, History, and the American Civil War, Lisa A. Long charts how its extreme carnage dictated the Civil War's development into a lasting trope that expresses not only altered social, economic, and national relationships but also an emergent self-consciousness. Looking to a wide range of literary, medical, and historical texts, she explores how they insist on the intimate relationship between the war and a variety of invisible wounds, illnesses, and infirmities that beset Americans throughout the late nineteenth and early twentieth centuries and plague us still today. Long shows how efforts to narrate credibly the many and sometimes illusory sensations elicited by the Civil War led writers to the modern discourses of health and history, which are premised on the existence of a corporeal and often critical reality that practitioners cannot know fully yet believe in nevertheless. Professional thinkers and doers both literally and figuratively sought to rehabilitate—to reclothe, normalize, and stabilize—Civil War bodies and the stories that accounted for them. Taking a fresh look at the work of canonical war writers such as Louisa May Alcott and Stephen Crane while examining anew public records, journalism, and medical writing, Long brings the study of the Civil War into conversation with recent critical work on bodily ontology and epistemology and theories of narrative and history.
Publisher: University of Pennsylvania Press
ISBN: 081220266X
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
The American Civil War is one of the most documented, romanticized, and perennially reenacted events in American history. In Rehabilitating Bodies: Health, History, and the American Civil War, Lisa A. Long charts how its extreme carnage dictated the Civil War's development into a lasting trope that expresses not only altered social, economic, and national relationships but also an emergent self-consciousness. Looking to a wide range of literary, medical, and historical texts, she explores how they insist on the intimate relationship between the war and a variety of invisible wounds, illnesses, and infirmities that beset Americans throughout the late nineteenth and early twentieth centuries and plague us still today. Long shows how efforts to narrate credibly the many and sometimes illusory sensations elicited by the Civil War led writers to the modern discourses of health and history, which are premised on the existence of a corporeal and often critical reality that practitioners cannot know fully yet believe in nevertheless. Professional thinkers and doers both literally and figuratively sought to rehabilitate—to reclothe, normalize, and stabilize—Civil War bodies and the stories that accounted for them. Taking a fresh look at the work of canonical war writers such as Louisa May Alcott and Stephen Crane while examining anew public records, journalism, and medical writing, Long brings the study of the Civil War into conversation with recent critical work on bodily ontology and epistemology and theories of narrative and history.
Writing Revolution
Author: Peter J. Bellis
Publisher: University of Georgia Press
ISBN: 0820327204
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
In recent years, formalist and deconstructive approaches to literary studies have been under attack, charged by critics with isolating texts as distinctive aesthetic or linguistic objects, separate from their social and historical contexts. Historicist and cultural approaches have often responded by simply reversing the picture, reducing texts to no more than superstructural effects of historical or ideological forces. In Writing Revolution, Peter J. Bellis explores the ways in which literature can engage with--rather than escape from or obscure--social and political issues. Bellis argues that a number of nineteenth-century American writers, including Nathaniel Hawthorne, Henry David Thoreau, and Walt Whitman, saw their texts as spaces where alternative social and cultural possibilities could be suggested and explored. All writing in the same historical moment, Bellis's subjects were responding to the same cluster of issues: the need to redefine American identity after the Revolution, the problem of race slavery, and the growing industrialization of American society. Hawthorne, Bellis contends, sees the romance as "neutral territory" where the Imaginary and the Actual--the aesthetic and the historical--can interpenetrate and address crucial issues of class, race, and technological modernity. Whitman conceives of Leaves of Grass as a transformative democratic space where all forms of meditation, both political and literary, are swept away. Thoreau oscillates between these two approaches. Walden, like the romance, aims to fashion a mediating space between nature and society. His abolitionist essays, however, shift sharply away from both linguistic representation and the political, toward an apocalyptic cleansing violence. In addition to covering selected works by Hawthorne, Whitman, and Thoreau, Bellis also examines powerful works of social and political critique by Louisa May Alcott and Margaret Fuller. With its suggestions for new ways of reading antebellum American writing, Writing Revolution breaks through the thickets of contemporary literary discourse and will spark debate in the literary community.
Publisher: University of Georgia Press
ISBN: 0820327204
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
In recent years, formalist and deconstructive approaches to literary studies have been under attack, charged by critics with isolating texts as distinctive aesthetic or linguistic objects, separate from their social and historical contexts. Historicist and cultural approaches have often responded by simply reversing the picture, reducing texts to no more than superstructural effects of historical or ideological forces. In Writing Revolution, Peter J. Bellis explores the ways in which literature can engage with--rather than escape from or obscure--social and political issues. Bellis argues that a number of nineteenth-century American writers, including Nathaniel Hawthorne, Henry David Thoreau, and Walt Whitman, saw their texts as spaces where alternative social and cultural possibilities could be suggested and explored. All writing in the same historical moment, Bellis's subjects were responding to the same cluster of issues: the need to redefine American identity after the Revolution, the problem of race slavery, and the growing industrialization of American society. Hawthorne, Bellis contends, sees the romance as "neutral territory" where the Imaginary and the Actual--the aesthetic and the historical--can interpenetrate and address crucial issues of class, race, and technological modernity. Whitman conceives of Leaves of Grass as a transformative democratic space where all forms of meditation, both political and literary, are swept away. Thoreau oscillates between these two approaches. Walden, like the romance, aims to fashion a mediating space between nature and society. His abolitionist essays, however, shift sharply away from both linguistic representation and the political, toward an apocalyptic cleansing violence. In addition to covering selected works by Hawthorne, Whitman, and Thoreau, Bellis also examines powerful works of social and political critique by Louisa May Alcott and Margaret Fuller. With its suggestions for new ways of reading antebellum American writing, Writing Revolution breaks through the thickets of contemporary literary discourse and will spark debate in the literary community.
Dust Off the Gold Medal
Author: Sara L. Schwebel
Publisher: Taylor & Francis
ISBN: 1000417611
Category : Literary Collections
Languages : en
Pages : 281
Book Description
The oldest and most prestigious children’s literature award, the Newbery Medal has since 1922 been granted annually by the American Library Association to the children’s book it deems "most distinguished." Medal books enjoy an outsized influence on American children’s literature, figuring perennially on publishers’ lists, on library and bookstore shelves, and in school curricula. As such, they offer a compelling window into the history of US children’s literature and publishing, as well as into changing societal attitudes about which books are "best" for America’s schoolchildren. Yet literary scholars have disproportionately ignored the Medal winners in their research. This volume provides a critically- and historically-grounded scholarly analysis of representative but understudied Newbery Medal books from the 1920s through the 2010s, interrogating the disjunction between the books’ omnipresence and influence, on the one hand, and the critical silence surrounding them, on the other. Dust Off the Gold Medal makes a case for closing these scholarly gaps by revealing neglected texts’ insights into the politics of children’s literature prizing and by demonstrating how neglected titles illuminate critical debates currently central to the field of children’s literature. In particular, the essays shed light on the hidden elements of diversity apparent in the neglected Newbery canon while illustrating how the books respond—sometimes in quite subtle ways—to contemporaneous concerns around race, class, gender, disability, nationalism, and globalism.
Publisher: Taylor & Francis
ISBN: 1000417611
Category : Literary Collections
Languages : en
Pages : 281
Book Description
The oldest and most prestigious children’s literature award, the Newbery Medal has since 1922 been granted annually by the American Library Association to the children’s book it deems "most distinguished." Medal books enjoy an outsized influence on American children’s literature, figuring perennially on publishers’ lists, on library and bookstore shelves, and in school curricula. As such, they offer a compelling window into the history of US children’s literature and publishing, as well as into changing societal attitudes about which books are "best" for America’s schoolchildren. Yet literary scholars have disproportionately ignored the Medal winners in their research. This volume provides a critically- and historically-grounded scholarly analysis of representative but understudied Newbery Medal books from the 1920s through the 2010s, interrogating the disjunction between the books’ omnipresence and influence, on the one hand, and the critical silence surrounding them, on the other. Dust Off the Gold Medal makes a case for closing these scholarly gaps by revealing neglected texts’ insights into the politics of children’s literature prizing and by demonstrating how neglected titles illuminate critical debates currently central to the field of children’s literature. In particular, the essays shed light on the hidden elements of diversity apparent in the neglected Newbery canon while illustrating how the books respond—sometimes in quite subtle ways—to contemporaneous concerns around race, class, gender, disability, nationalism, and globalism.
Enterprising Youth
Author: Monika Elbert
Publisher: Routledge
ISBN: 1135898545
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
"Recommended" by Choice Enterprising Youth examines the agenda behind the shaping of nineteenth-century children’s perceptions and world views and the transmission of civic duties and social values to children by adults. The essays in this book reveal the contradictions involved in the perceptions of children as active or passive, as representatives of a new order, or as receptacles of the transmitted values of their parents. The question, then, is whether the business of telling children's stories becomes an adult enterprise of conservative indoctrination, or whether children are enterprising enough to read what many of the contributors to this volume see as the subversive potential of these texts. This collection of literary and historical criticism of nineteenth-century American children’s literature draws upon recent assessments of canon formations, gender studies, and cultural studies to show how concepts of public/private, male/female, and domestic/foreign are collapsed to reveal a picture of American childhood and life that is expansive and constrictive at the same time.
Publisher: Routledge
ISBN: 1135898545
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
"Recommended" by Choice Enterprising Youth examines the agenda behind the shaping of nineteenth-century children’s perceptions and world views and the transmission of civic duties and social values to children by adults. The essays in this book reveal the contradictions involved in the perceptions of children as active or passive, as representatives of a new order, or as receptacles of the transmitted values of their parents. The question, then, is whether the business of telling children's stories becomes an adult enterprise of conservative indoctrination, or whether children are enterprising enough to read what many of the contributors to this volume see as the subversive potential of these texts. This collection of literary and historical criticism of nineteenth-century American children’s literature draws upon recent assessments of canon formations, gender studies, and cultural studies to show how concepts of public/private, male/female, and domestic/foreign are collapsed to reveal a picture of American childhood and life that is expansive and constrictive at the same time.