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Author: Alan Richardson
Publisher: Cambridge University Press
ISBN: 1139428519
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
In this provocative and original study, Alan Richardson examines an entire range of intellectual, cultural, and ideological points of contact between British Romantic literary writing and the pioneering brain science of the time. Richardson breaks new ground in two fields, revealing a significant and undervalued facet of British Romanticism while demonstrating the 'Romantic' character of early neuroscience. Crucial notions like the active mind, organicism, the unconscious, the fragmented subject, instinct and intuition, arising simultaneously within the literature and psychology of the era, take on unsuspected valences that transform conventional accounts of Romantic cultural history. Neglected issues like the corporeality of mind, the role of non-linguistic communication, and the peculiarly Romantic understanding of cultural universals are reopened in discussions that bring new light to bear on long-standing critical puzzles, from Coleridge's suppression of 'Kubla Khan', to Wordsworth's perplexing theory of poetic language, to Austen's interest in head injury.
Author: Alan Richardson
Publisher: Cambridge University Press
ISBN: 1139428519
Category : Literary Criticism
Languages : en
Pages : 270
Get Book Here
Book Description
In this provocative and original study, Alan Richardson examines an entire range of intellectual, cultural, and ideological points of contact between British Romantic literary writing and the pioneering brain science of the time. Richardson breaks new ground in two fields, revealing a significant and undervalued facet of British Romanticism while demonstrating the 'Romantic' character of early neuroscience. Crucial notions like the active mind, organicism, the unconscious, the fragmented subject, instinct and intuition, arising simultaneously within the literature and psychology of the era, take on unsuspected valences that transform conventional accounts of Romantic cultural history. Neglected issues like the corporeality of mind, the role of non-linguistic communication, and the peculiarly Romantic understanding of cultural universals are reopened in discussions that bring new light to bear on long-standing critical puzzles, from Coleridge's suppression of 'Kubla Khan', to Wordsworth's perplexing theory of poetic language, to Austen's interest in head injury.
Author: Tim Fulford
Publisher: Cambridge University Press
ISBN: 9780521829199
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
Examines the massive impact of colonial exploration on British scientific and literary activity between the 1760s and 1830s.
Author: Essaka Joshua
Publisher: Cambridge University Press
ISBN: 1108836704
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
This book provides new period-appropriate concepts for understanding Romantic-era physical disability through function and aesthetics.
Author: Paul Varner
Publisher: Rowman & Littlefield
ISBN: 0810878860
Category : Literary Criticism
Languages : en
Pages : 549
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Book Description
The Historical Dictionary of Romanticism in Literature provides a large overview of the Romantic Movement that seemed at the time to have swept across Europe from Russia to Germany and France, to Britain, and across the Atlantic to the United States. The Romantics saw themselves as inaugurating a new era. They frequently referred to themselves or their contemporaries as Romantics and their art as Romantic. From the early stirrings in Germany, to the last decade of the eighteenth century in England with the political radicals and the Lake Poets, to the Transcendental Club in Massachusetts, the leaders of the age acknowledged their new Romantic attitudes. This volume takes a close and comprehensive look at romanticism in literature through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on the writers and the poems, novels, short stories and essays, plays, and other works they produced; the leading trends, techniques, journals, and literary circles and the spirit of the times are also covered. This book is an excellent access point for students, researchers, and anyone wanting to know more romanticism in literature.
Author: Carmen Casaliggi
Publisher: Routledge
ISBN: 1317609352
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
Author: Peggy Keeran
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 276
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Book Description
The British Romantic era (ca. 1775-1830) was a time of contradictions, of growth, and of diversity in all aspects of English life. "Romanticism" originally referred to the works of six male poets: Wordsworth, Blake, Shelley, Coleridge, Keats, and Byron. However, current scholarly attempts to demonstrate that the period encompasses a rich and varied range of poets, essayists, and novelists of both genders have caused the definition to come under debate. Not limiting itself to these six figures, Literary Research and the British Romantic Era discusses English, Scottish, Irish, and Welsh resources for both primary and secondary research within the Romantic Era, including general literary research guides; union library catalogs; print and online bibliographies; manuscripts and archives; microfilm and digitization projects; eighteenth and nineteenth century journals and newspapers; contemporary reviews; and electronic texts, journals, and Web resources. Each chapter addresses the best methods to extract relevant information from the research tools employed, enabling scholars to find relevant materials. The strengths and weakness of core and specialized electronic and print research tools and standard search techniques are also examined.
Author: Nigel Leask
Publisher: Cambridge University Press
ISBN: 9780521604444
Category : History
Languages : en
Pages : 288
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Book Description
Studies the work of Byron, Shelley and De Quincey and other Romantic writers in relation to Britain's imperial designs on the 'Orient'.
Author: Richard C. Sha
Publisher: JHU Press
ISBN: 0801890411
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
At the nexus of Kantian aesthetics, literary analysis, and the history of medicine, Perverse Romanticism makes an important contribution to the study of sexuality in the long eighteenth century.
Author: Frederick Burwick
Publisher: John Wiley & Sons
ISBN: 1119044359
Category : Literary Criticism
Languages : en
Pages : 543
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Book Description
Historical Narrative Offers Introduction to Romanticism by Placing Key Figures in Overall Social Context Going beyond the general literary survey, A History of Romantic Literature examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy, by providing a richly integrated account of shared themes, interests, innovations, rivalries and disputes among the writers of the late eighteenth and early nineteenth centuries. Drawing from the assemblage theory, Prof. Burwick maintains that the literature of the period is inseparable from prevailing economic conditions and ongoing political and religious turmoil, as well as developments in physics, astronomy, music and art. Thus, rather than deal with authors as if they worked in isolation from society, he identifies and describes their interactions with their communities and with one another, as well as their responses to current events. By connecting seemingly scattered and random events such as the bank crisis of 1825, he weaves the coincidental into a coherent narrative of the networking that informed the rise and progress of Romanticism. Notable features of the book include: A strong narrative structure divided into four major chronological periods: Revolution, 1789-1798; Napoleonic Wars, 1799-1815; Riots, 1815-1820; Reform, 1821-1832 Thorough coverage of major and minor figures and institutions of the Romantic movement (including Mary Wollstonecraft, Elizabeth Montague and the Bluestockings, Lord Byron, John Keats, Letitia Elizabeth Landon etc.) Emphasis on the influence of social networks among authors, such as informal dinners and teas, clubs, salons and more formal institutions With its extensive coverage and insightful analysis set within a lively historical narrative, History of Romantic Literature is highly recommended for courses on British Romanticism at both undergraduate and post-graduate levels. It will also prove a highly useful reference for advanced scholars pursuing their own research.
Author: Tilar J. Mazzeo
Publisher: University of Pennsylvania Press
ISBN: 0812202732
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.
