Author: Barbara K. Gold
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296
Book Description
Focusing on literary evidence, Gold explores patronage in Greece and Rome through the words of the authors, revealing the forces that patronage exerted on genius and talent. The author argues that, although the patron was in important influence in the development of the literature written for and about him, the literary product emerged as a force in itself, independent of the influence of the patron. Gold sees the relationship between patron and literature as an integrator of the public and private realms. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Literary Patronage in Greece and Rome
Author: Barbara K. Gold
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296
Book Description
Focusing on literary evidence, Gold explores patronage in Greece and Rome through the words of the authors, revealing the forces that patronage exerted on genius and talent. The author argues that, although the patron was in important influence in the development of the literature written for and about him, the literary product emerged as a force in itself, independent of the influence of the patron. Gold sees the relationship between patron and literature as an integrator of the public and private realms. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 296
Book Description
Focusing on literary evidence, Gold explores patronage in Greece and Rome through the words of the authors, revealing the forces that patronage exerted on genius and talent. The author argues that, although the patron was in important influence in the development of the literature written for and about him, the literary product emerged as a force in itself, independent of the influence of the patron. Gold sees the relationship between patron and literature as an integrator of the public and private realms. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Literary Patronage in Greece and Rome
Author: Barbara K. Gold
Publisher:
ISBN: 9780608020693
Category :
Languages : en
Pages : 281
Book Description
Publisher:
ISBN: 9780608020693
Category :
Languages : en
Pages : 281
Book Description
Reconceptualising Conversion
Author: Zeba A. Crook
Publisher: Walter de Gruyter
ISBN: 311091560X
Category : Religion
Languages : en
Pages : 328
Book Description
Die Studie nimmt die bisherige Diskussion der Konversion in der Antike neu auf durch eine Verknüpfung von klassischen, epigraphischen und biblischen Quellen mit einer sozialwissenschaftlichen Methodologie. Der Autor hinterfragt dabei die bisher vorausgesetzte psychologische Kontinuität zwischen antiken und modernen Menschen und bietet statt dessen ein Modell, welches an den Denkvoraussetzungen der Antike selbst gebildet wurde. Die griechisch-römischen und mediterranen Religionen und Philosophien - also auch das hellenistische Judentum und das Christentum - orientierten sich an den Modellen von Patronat und Loyalität. Das Verständnis der antiken Konversion muss also hier ansetzen. In diesem Zusammenhang wird auch die "Bekehrung" des Paulus neu gedeutet.
Publisher: Walter de Gruyter
ISBN: 311091560X
Category : Religion
Languages : en
Pages : 328
Book Description
Die Studie nimmt die bisherige Diskussion der Konversion in der Antike neu auf durch eine Verknüpfung von klassischen, epigraphischen und biblischen Quellen mit einer sozialwissenschaftlichen Methodologie. Der Autor hinterfragt dabei die bisher vorausgesetzte psychologische Kontinuität zwischen antiken und modernen Menschen und bietet statt dessen ein Modell, welches an den Denkvoraussetzungen der Antike selbst gebildet wurde. Die griechisch-römischen und mediterranen Religionen und Philosophien - also auch das hellenistische Judentum und das Christentum - orientierten sich an den Modellen von Patronat und Loyalität. Das Verständnis der antiken Konversion muss also hier ansetzen. In diesem Zusammenhang wird auch die "Bekehrung" des Paulus neu gedeutet.
The Mask of the Parasite
Author: Cynthia Damon
Publisher: University of Michigan Press
ISBN: 9780472107605
Category : History
Languages : en
Pages : 326
Book Description
A much-needed cultural study of parasitic people in Roman drama, politics, and society
Publisher: University of Michigan Press
ISBN: 9780472107605
Category : History
Languages : en
Pages : 326
Book Description
A much-needed cultural study of parasitic people in Roman drama, politics, and society
Rome's Patron
Author: Emily Gowers
Publisher: Princeton University Press
ISBN: 0691193142
Category : History
Languages : en
Pages : 488
Book Description
The story of Maecenas and his role in the evolution and continuing legacy of ancient Roman poetry and culture An unelected statesman with exceptional powers, a patron of the arts and a luxury-loving friend of the emperor Augustus: Maecenas was one of the most prominent and distinctive personalities of ancient Rome. Yet the traces he left behind are unreliable and tantalizingly scarce. Rather than attempting a conventional biography, Emily Gowers shows in Rome’s Patron that it is possible to tell a different story, one about Maecenas’s influence, his changing identities and the many narratives attached to him across two millennia. Rome’s Patron explores Maecenas’s appearances in the central works of Augustan poetry written in his name—Virgil’s Georgics, Horace’s Odes and Propertius’s elegies—and in later works of Latin literature that reassess his influence. For the Roman poets he supported, Maecenas was a mascot of cultural flexibility and innovation, a pioneer of gender fluidity and a bearer of imperial demands who could be exposed as a secret sympathizer with their own values. For those excluded from his circle, he represented either favouritism and indulgence or the lost ideal of a patron in perfect collaboration with the authors he championed. As Gowers shows, Maecenas had and continues to have a unique cachet—in the fantasies that still surround the gardens, buildings and objects so tenuously associated with him; in literature, from Ariosto and Ben Johnson to Phillis Wheatley and W. B. Yeats; and in philanthropy, where his name has been surprisingly adaptable to more democratic forms of patronage.
Publisher: Princeton University Press
ISBN: 0691193142
Category : History
Languages : en
Pages : 488
Book Description
The story of Maecenas and his role in the evolution and continuing legacy of ancient Roman poetry and culture An unelected statesman with exceptional powers, a patron of the arts and a luxury-loving friend of the emperor Augustus: Maecenas was one of the most prominent and distinctive personalities of ancient Rome. Yet the traces he left behind are unreliable and tantalizingly scarce. Rather than attempting a conventional biography, Emily Gowers shows in Rome’s Patron that it is possible to tell a different story, one about Maecenas’s influence, his changing identities and the many narratives attached to him across two millennia. Rome’s Patron explores Maecenas’s appearances in the central works of Augustan poetry written in his name—Virgil’s Georgics, Horace’s Odes and Propertius’s elegies—and in later works of Latin literature that reassess his influence. For the Roman poets he supported, Maecenas was a mascot of cultural flexibility and innovation, a pioneer of gender fluidity and a bearer of imperial demands who could be exposed as a secret sympathizer with their own values. For those excluded from his circle, he represented either favouritism and indulgence or the lost ideal of a patron in perfect collaboration with the authors he championed. As Gowers shows, Maecenas had and continues to have a unique cachet—in the fantasies that still surround the gardens, buildings and objects so tenuously associated with him; in literature, from Ariosto and Ben Johnson to Phillis Wheatley and W. B. Yeats; and in philanthropy, where his name has been surprisingly adaptable to more democratic forms of patronage.
Horace and the Gift Economy of Patronage
Author: Phebe Lowell Bowditch
Publisher: Univ of California Press
ISBN: 9780520925892
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
This innovative study explores selected odes and epistles by the late-first-century poet Horace in light of modern anthropological and literary theory. Phebe Lowell Bowditch looks in particular at how the relationship between Horace and his patron Maecenas is reflected in these poems' themes and rhetorical figures. Using anthropological studies on gift exchange, she uncovers an implicit economic dynamic in these poems and skillfully challenges standard views on literary patronage in this period. Horace and the Gift Economy of Patronage provides a striking new understanding of Horace's poems and the Roman system of patronage, and also demonstrates the relevance of New Historicist and Marxist critical paradigms for Roman studies. In addition to incorporating anthropological and sociological perspectives, Bowditch's theoretical approach makes use of concepts drawn from linguistics, deconstruction, and the work of Michel Foucault. She weaves together these ideas in an original approach to Horace's use of golden age imagery, his language concerning public gifts or munera, his metaphors of sacrifice, and the rhetoric of class and status found in these poems. Horace and the Gift Economy of Patronage represents an original approach to central issues and questions in the study of Latin literature, and sheds new light on our understanding of Roman society in general.
Publisher: Univ of California Press
ISBN: 9780520925892
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
This innovative study explores selected odes and epistles by the late-first-century poet Horace in light of modern anthropological and literary theory. Phebe Lowell Bowditch looks in particular at how the relationship between Horace and his patron Maecenas is reflected in these poems' themes and rhetorical figures. Using anthropological studies on gift exchange, she uncovers an implicit economic dynamic in these poems and skillfully challenges standard views on literary patronage in this period. Horace and the Gift Economy of Patronage provides a striking new understanding of Horace's poems and the Roman system of patronage, and also demonstrates the relevance of New Historicist and Marxist critical paradigms for Roman studies. In addition to incorporating anthropological and sociological perspectives, Bowditch's theoretical approach makes use of concepts drawn from linguistics, deconstruction, and the work of Michel Foucault. She weaves together these ideas in an original approach to Horace's use of golden age imagery, his language concerning public gifts or munera, his metaphors of sacrifice, and the rhetoric of class and status found in these poems. Horace and the Gift Economy of Patronage represents an original approach to central issues and questions in the study of Latin literature, and sheds new light on our understanding of Roman society in general.
Roman Patrons of Greek Cities
Author: Claude Eilers
Publisher: OUP Oxford
ISBN: 0191554510
Category : History
Languages : en
Pages : 348
Book Description
Patronage has long been an important topic of interest to ancient historians. It remains unclear what patronage entailed, however, and how it worked. Is it a universal phenomenon embracing all, or most, relationships between unequals? Or is it an especially Roman practice? In previous discussions of patronage, one crucial body of evidence has been under-exploited: inscriptions from the Greek East that borrow the Latin term 'patron' and use it to honour their Roman officials. The fact that the Greeks borrow the term patron suggests that there was something uniquely Roman about the patron-client relationship. Moreover, this epigraphic evidence implies that patronage was not only a part of Rome's history, but had a history of its own. The rise and fall of city patrons in the Greek East is linked to the fundamental changes that took place during the fall of the Republic and the transition to the Principate. Senatorial patrons appear in the Greek inscriptions of the Roman province of Asia towards the end of the second century BC and are widely attested in the region and elsewhere for the following century. In the early principate, however, they become less common and soon more or less disappear. Eilers's discursive treatment of the origins, nature, and decline of this type of patronage, and its place in Roman practice as a whole, is supplemented by a reference catalogue of Roman patrons of Greek communities.
Publisher: OUP Oxford
ISBN: 0191554510
Category : History
Languages : en
Pages : 348
Book Description
Patronage has long been an important topic of interest to ancient historians. It remains unclear what patronage entailed, however, and how it worked. Is it a universal phenomenon embracing all, or most, relationships between unequals? Or is it an especially Roman practice? In previous discussions of patronage, one crucial body of evidence has been under-exploited: inscriptions from the Greek East that borrow the Latin term 'patron' and use it to honour their Roman officials. The fact that the Greeks borrow the term patron suggests that there was something uniquely Roman about the patron-client relationship. Moreover, this epigraphic evidence implies that patronage was not only a part of Rome's history, but had a history of its own. The rise and fall of city patrons in the Greek East is linked to the fundamental changes that took place during the fall of the Republic and the transition to the Principate. Senatorial patrons appear in the Greek inscriptions of the Roman province of Asia towards the end of the second century BC and are widely attested in the region and elsewhere for the following century. In the early principate, however, they become less common and soon more or less disappear. Eilers's discursive treatment of the origins, nature, and decline of this type of patronage, and its place in Roman practice as a whole, is supplemented by a reference catalogue of Roman patrons of Greek communities.
The Oxford encyclopedia of ancient Greece and Rome. - Vol. 1 - 7
Author: Michael Gagarin
Publisher:
ISBN: 0195170725
Category : Civilization, Classical
Languages : en
Pages : 3369
Book Description
Publisher:
ISBN: 0195170725
Category : Civilization, Classical
Languages : en
Pages : 3369
Book Description
Studies in Greek Culture and Roman Policy
Author: Erich S. Gruen
Publisher: Univ of California Press
ISBN: 9780520204836
Category : History
Languages : en
Pages : 228
Book Description
Gruen studies the Hellenization of Rome during the middle Republic years, where changes in arts, religion and philosophy, and politics altered Roman public life by introducing Greek learning.
Publisher: Univ of California Press
ISBN: 9780520204836
Category : History
Languages : en
Pages : 228
Book Description
Gruen studies the Hellenization of Rome during the middle Republic years, where changes in arts, religion and philosophy, and politics altered Roman public life by introducing Greek learning.
Horace
Author: Randall L. B. McNeill
Publisher: JHU Press
ISBN: 0801876516
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Traditional views of Horace seek to present the poet as a consistent, vivid personality who stands behind and orchestrates the diverse "Horatian" writings that have come down to us. In recent years, however, an alternate tradition suggests that there may be many Horaces, that his work is more productively read as the constant invention of rhetorical techniques sensitively attuned to the requirements of different situations and audiences. As Randall L. B. McNeill argues, any sense that readers have of the "real" Horace is clearly deceptive; Horace offers us no unguarded self-portrait, but rather a number of consciously developed characterizations to suit diverse audiences, whether patron, peers, or the public. Horace: Image, Identity, and Audience provides a wide-ranging analysis of Horace's use of self-presentation in his poetry: in his portrayal of his relationships with his patron Maecenas and with his larger readership as a whole; in his discussion of the craft of poetry and his own identity as a poet; and in his handling of contemporary Roman political events in the light of his assumed role as critic of his own society. McNeill uncovers the techniques Horace uses to depict the intricacies of his personal existence; in the book's conclusion, he explores how similar techniques were adapted by later poets such as Ovid. This volume will interest scholars of Horace, Latin poetry, rhetoric, as well as those interested in the cultural studies aspect of persona and identity.
Publisher: JHU Press
ISBN: 0801876516
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Traditional views of Horace seek to present the poet as a consistent, vivid personality who stands behind and orchestrates the diverse "Horatian" writings that have come down to us. In recent years, however, an alternate tradition suggests that there may be many Horaces, that his work is more productively read as the constant invention of rhetorical techniques sensitively attuned to the requirements of different situations and audiences. As Randall L. B. McNeill argues, any sense that readers have of the "real" Horace is clearly deceptive; Horace offers us no unguarded self-portrait, but rather a number of consciously developed characterizations to suit diverse audiences, whether patron, peers, or the public. Horace: Image, Identity, and Audience provides a wide-ranging analysis of Horace's use of self-presentation in his poetry: in his portrayal of his relationships with his patron Maecenas and with his larger readership as a whole; in his discussion of the craft of poetry and his own identity as a poet; and in his handling of contemporary Roman political events in the light of his assumed role as critic of his own society. McNeill uncovers the techniques Horace uses to depict the intricacies of his personal existence; in the book's conclusion, he explores how similar techniques were adapted by later poets such as Ovid. This volume will interest scholars of Horace, Latin poetry, rhetoric, as well as those interested in the cultural studies aspect of persona and identity.