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Author: Kate Haffey
Publisher: Springer
ISBN: 3030173011
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
This book explores the intersection between the recent work on queer temporality and the experiments of literary modernism. Kate Haffey argues that queer theory’s recent work on time owes a debt to modernist authors who developed new ways of representing temporality in their texts. By reading a series of early twentieth-century literary texts from modernists like Woolf, Eliot, Faulkner, and Stein alongside contemporary authors, this book examines the way in which modernist writers challenged narrative conventions of time in ways that both illuminate and foreshadow current scholarship on queer temporality. In her analyses of contemporary novelists and critics Michael Cunningham, Jeanette Winterson, Angela Carter, and Eve Sedgwick, Haffey also shows that these modernist temporalities have been reconfigured by contemporary authors to develop new approaches to futurity.
Author: Kate Haffey
Publisher: Springer
ISBN: 3030173011
Category : Literary Criticism
Languages : en
Pages : 210
Get Book Here
Book Description
This book explores the intersection between the recent work on queer temporality and the experiments of literary modernism. Kate Haffey argues that queer theory’s recent work on time owes a debt to modernist authors who developed new ways of representing temporality in their texts. By reading a series of early twentieth-century literary texts from modernists like Woolf, Eliot, Faulkner, and Stein alongside contemporary authors, this book examines the way in which modernist writers challenged narrative conventions of time in ways that both illuminate and foreshadow current scholarship on queer temporality. In her analyses of contemporary novelists and critics Michael Cunningham, Jeanette Winterson, Angela Carter, and Eve Sedgwick, Haffey also shows that these modernist temporalities have been reconfigured by contemporary authors to develop new approaches to futurity.
Author: Kate Haffey
Publisher: Palgrave Macmillan
ISBN: 9783030173005
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
This book explores the intersection between the recent work on queer temporality and the experiments of literary modernism. Kate Haffey argues that queer theory’s recent work on time owes a debt to modernist authors who developed new ways of representing temporality in their texts. By reading a series of early twentieth-century literary texts from modernists like Woolf, Eliot, Faulkner, and Stein alongside contemporary authors, this book examines the way in which modernist writers challenged narrative conventions of time in ways that both illuminate and foreshadow current scholarship on queer temporality. In her analyses of contemporary novelists and critics Michael Cunningham, Jeanette Winterson, Angela Carter, and Eve Sedgwick, Haffey also shows that these modernist temporalities have been reconfigured by contemporary authors to develop new approaches to futurity.
Author: Amy Elkins
Publisher: Oxford University Press
ISBN: 0192672452
Category : Art
Languages : en
Pages : 289
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Book Description
Crafting Feminism develops a dynamic study of craft and art-making in modern and contemporary feminist writing. In evocative readings of literary works from Virginia Woolf to Zadie Smith, this book expands our sense of transartistic modernist scholarship to encompass process-oriented and medium-specific analyses of textile arts, digital design, collage, photography, painting, and sculpture in literary culture. By integrating these craft practices into the book's enlightening archive, Elkins's theoretical argument extends a reading of craft metaphors into the material present. Crafting Feminism demonstrates how writers have engaged with handiwork across generations and have undertaken the crafting of a new modernity, one that is queer and feminist-threaded, messy, shattered, cut-up, pasted together, preserved, repaired, reflected, and spun out. An avant-garde work of scholarship, this book interweaves queer research methods and interdisciplinary rigor with a series of surprising archival discoveries. Making visible the collaborative, creative features of craft, Elkins captivates readers with generous illustrations and a series of "Techne" interchapters-interludes between longer chapters, which powerfully convey the symbiosis between feminist theory and method, and detail the network of archival influences that underpin this volume's hybrid approach. Foregrounding the work of decentering patriarchal and Eurocentric legacies of artistic authority, Elkins champions the diverse, intergenerational history of craft as a way to reposition intersectional makers at the heart of literary culture. An original and compelling study, Crafting Feminism breaks new ground in modernist and visual studies, digital humanities, and feminist, queer, and critical race theory.
Author: Edward O’Rourke
Publisher: Taylor & Francis
ISBN: 1040216897
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This book explores the intricate interplay between physical spaces and psychological landscapes in the works of Irish-American author Maeve Brennan. Brennan’s writing is now classed amongst the most important of twentieth-century Irish women’s fiction, having undergone a significant reclamation and reappraisal in the 30 years since her death. Single and childfree for most of her life, Brennan eschewed the securities of family and home, experiencing an "otherness" that she shared with her fellow New Yorkers, many of them left, she wrote, hanging on to a city half-capsized––“most of them still able to laugh as they cling to the island that is their life’s predicament.” It is a suitably ambiguous expression for a writer who cultivated an interstitial existence, whose stories inhere within a dream cycle of reiterative pasts, and whose works augment and elevate the canon of radical Irish fiction.
Author: David Shackleton
Publisher: Oxford University Press
ISBN: 0192857746
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
British Modernism and the Anthropocene: Experiments with Time assesses the environmental politics of modernism in relation to the idea of the Anthropocene--a proposed geological epoch in which humans have fundamentally changed the Earth System. The early twentieth century was marked by environmental transformations that were so complex and happened on such great scales that they defied representation. Modernist novelists responded with a range of innovative narrative forms that started to make environmental crisis on a planetary scale visible. Paradoxically, however, it is their failures to represent such a crisis that achieve the greatest success. David Shackleton explores how British modernists employed types of narrative breakdown--including fragmentation and faltering passages devoid of events--to expose the limitations of human schemes of meaning, negotiate the relationship between different scales and types of time, produce knowledge of ecological risk, and register various forms of non-human agency. Situating modernism in the context of fossil fuel energy systems, plantation monocultures, climate change, and species extinctions, Shackleton traces how H.G. Wells, D.H. Lawrence, Olive Moore, Virginia Woolf, and Jean Rhys undertook experiments with time in their novels that refigure history and the historical situations into which they were thrown. Ultimately, British Modernism and the Anthropocene shows how modernist novels provide rich resources for rethinking the current environmental crisis, and cultivating new structures of environmental care and concern.
Author: Benjamin Bateman
Publisher: Oxford University Press
ISBN: 0190676531
Category : Health & Fitness
Languages : en
Pages : 177
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Book Description
Drawing on a critical framework informed by queer theory and psychoanalysis, The Modernist Art of Queer Survival offers a new definition of survival, one that means more than merely the continuation of life. This book creates a literary archive of counterarguments to the conventional Darwinian evolutionary protocols of survival in early 20th century thought.
Author: Paige Reynolds
Publisher: Cambridge University Press
ISBN: 1108677169
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
The New Irish Studies demonstrates how diverse critical approaches enable a richer understanding of contemporary Irish writing and culture. The early decades of the twenty-first century in Ireland and Northern Ireland have seen an astonishing rate of change, one that reflects the common understanding of the contemporary as a moment of acceleration and flux. This collection tracks how Irish writers have represented the peace and reconciliation process in Northern Ireland, the consequences of the Celtic Tiger economic boom in the Republic, the waning influence of Catholicism, the increased authority of diverse voices, and an altered relationship with Europe. The essays acknowledge the distinctiveness of contemporary Irish literature, reflecting a sense that the local can shed light on the global, even as they reach beyond the limited tropes that have long identified Irish literature. The collection suggests routes forward for Irish Studies, and unsettles presumptions about what constitutes an Irish classic.
Author: Sam See
Publisher: Fordham University Press
ISBN: 0823287009
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Queer Natures, Queer Mythologies collects in two parts the scholarly work—both published and unpublished—that Sam See had completed as of his death in 2013. In Part I, in a thorough reading of Darwin, See argues that nature is constantly and aimlessly variable, and that nature itself might be considered queer. In Part II, See proposes that, understood as queer in this way, nature might be made the foundational myth for the building of queer communities. With essays by Scott Herring, Heather Love, and Wendy Moffat.
Author: Shannon Lambert
Publisher: Bloomsbury Publishing
ISBN: 1350425427
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Moving from the micro world of quantum physics to the macro scales of earth science and ecology, this book considers how, in contemporary literature, affective experiences like desire, suffering, anxiety, and joy shape scientific persons, practices, and products. This book brings into dialogue close readings of scientific writing and contemporary literary works by authors like Jeanette Winterson, Richard Powers, Hanya Yanagihara, Thalia Field, and Jenny Offill. Combining narrative and affect studies, it uses formal strategies such as moving metaphor, visceral or affective description, plot-level analogy, contraction, and rhythm to engage with western scientific epistemologies, which still tends towards the impassive, universal, and objective. While each chapter focuses on a different field (or fields) of science, all foreground bodies-human and nonhuman-as a way of exploring knowledge production. Through close readings, the book argues that select 'scientific stories' raise important questions about how 'knowledge' is defined and who (and what) is invited into its processes of production.
Author: Candice Lee Kent
Publisher: Taylor & Francis
ISBN: 1003860699
Category : Literary Criticism
Languages : en
Pages : 130
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Book Description
Durée as Einstein-in-the-Heart traces the trajectory of modernist interaction with Bergson and Einstein through the works of Virginia Woolf (1882–1941) and Mary Butts (1890–1937). It presents an overview of critical approaches that focus on time in Woolf’s novels, and that foreground Bergson in their analyses of Woolf. It then examines how Woolf’s formal experimentation, and theorisation of time, in Jacob’s Room (1922) and Mrs Dalloway (1925) relates to Bergson’s temporal theories. This is followed by a discussion on the role Bergson’s thinking played in the early formulation of Butts’s ideas of time, and an analysis of how Bergson’s ideas emerge in the short story ‘Angele au Couvent’ (1923), concluding by highlighting points of contrast in the engagements of Woolf and Butts. The book then documents the growth of Butts’s interest in Einstein’s ideas and shows how she amalgamates these with Bergson’s thinking in her journals and in the most intense of her fictional engagement with Einstein’s ideas, the novel Death of Felicity Taverner (1932). It discusses Butts’s responses to the popular science genre and examines the important role played by J. W. N. Sullivan and Arthur Eddington in the development of her understanding, and interpretation, of physics. It concludes with a discussion of Butts’s antisemitic characterisation of Kralin, as purveyor of corrupted science, in contrast with the Taverners, who are conscious of durée and delight in the abstractions of scientific truth.
