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Author: David Edward Scherman
Publisher:
ISBN: 9781258365677
Category :
Languages : en
Pages : 214
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Book Description
Author: David Edward Scherman
Publisher:
ISBN: 9781258365677
Category :
Languages : en
Pages : 214
Get Book Here
Book Description
Author: David Gervais
Publisher: Cambridge University Press
ISBN: 0521443385
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
The influence of 'Englishness' - loss, nostalgia and exile - on the work of twentieth-century writers.
Author: Bill Brandt
Publisher:
ISBN: 9780893812232
Category : Photography
Languages : en
Pages : 75
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Book Description
From 1948 to 1951, Britain's foremost 20th-century photographer, Bill Brandt, journeyed into the heart of literary Britain, capturing these brilliant photographs.
Author: A Baugh
Publisher: Routledge
ISBN: 1136892990
Category : Literary Criticism
Languages : en
Pages : 857
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Book Description
First published in 1959. The scope of this four volume work makes it valuable as a work of reference, connecting one period with another an placing each author clearly in the setting of his time. This is the fourth volume and includes the Nineteeth Century and after (1789-1939).
Author: Robert Martin Adams
Publisher: W. W. Norton & Company
ISBN: 9780393303438
Category : History
Languages : en
Pages : 646
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Book Description
"Professor Adams seems to have read the whole library and yet. . .retained his pith, vigor, suppleness, and good cheer. In addition, he knows how to tell a story. . . .One of the pleasure. . .lies in [the book's] rich texture of cross-references between history and literature. . . .Exhilarating." --Daniel Albright, New York Review of Books
Author: Nigel Smith
Publisher: Yale University Press
ISBN: 9780300071535
Category : Literary Criticism
Languages : en
Pages : 452
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Book Description
At a time of crisis and constitutional turmoil, literature itself acquired new functions and played a dynamic part in the fragmentation of religious and political authority.
Author: James Chandler
Publisher: University of Chicago Press
ISBN: 9780226101095
Category : History
Languages : en
Pages : 616
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Book Description
1819 was the annus mirabilis for many British Romantic writers, and the annus terribilis for demonstrators protesting the state of parliamentary representation. In 1819 Keats wrote what many consider his greatest poetry. This was the year of Shelley's Prometheus Unbound, The Cenci, and Ode to the West Wind. Wordsworth published his most widely reviewed work, Peter Bell, and the craze for Walter Scott's historical novels reached its zenith. Many of these writings explicitly engaged with the politics of representation in 1819, especially the great movement for reform that was fueled by threats of mass emigration to America and came to a head that August with an unprovoked attack on unarmed men, women, and children in St. Peter's Field, Manchester, a massacre that journalists dubbed "Peterloo." But the year of Peterloo in British history is notable for more than just the volume, value, and topicality of its literature. Much of the writing from 1819, argues James Chandler, was acutely aware not only of its place in history, but also of its place as history - a realization of a literary "spirit of the age" that resonates strongly with the current "return to history" in literary studies. Chandler explores the ties between Romantic and contemporary historicism, such as the shared tendency to seize a single dated event as both important on its own and as a "case" testing general principles. To animate these issues, Chandler offers a series of cases of his own built around key texts from 1819.
Author: Ruth Mack
Publisher: Stanford University Press
ISBN: 0804759111
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Literary Historicity explores how eighteenth-century British writers considered the past as an aspect of experience. Mack moves between close examinations of literature, historiography, and recent philosophical writing on history, offering a new view of eighteenth-century philosophies of history in Britain. Such philosophies, she argues, could be important literarily without being focused, as has been assumed, on questions of fact and fiction. Eighteenth-century writerslike many twentieth-century philosophersoften used literary form not in order to exhibit a work's fictional status but in order to consider what the relation between the past and present might be. Literary Historicity portrays a British Enlightenment that both embraces the possibility of historical experience and interrogates the terms for such experience, one deeply engaged with historical consciousness not as an inevitability of the modern world, but as something to be understood within it.
Author: Mary Hammond
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754656685
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms, which meant new relationships between books, authors, readers and classifications of taste. Hammond uses previously unexamined archive material and focuses in detail on the working practices of selected publishers and distributors to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.
Author: William R. McKelvy
Publisher: University of Virginia Press
ISBN: 9780813925714
Category : History
Languages : en
Pages : 348
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Book Description
What constitutes reading? This is the question William McKelvy asks in The English Cult of Literature. Is it a theory of interpretation or a physical activity, a process determined by hermeneutic destiny or by paper, ink, hands, and eyes? McKelvy seeks to transform the nineteenth-century field of "Religion and Literature" into "Reading and Religion," emphasizing both the material and the institutional contexts for each. In doing so, he hopes to recover the ways in which modern literary authority developed in dialogue with a politically reconfigured religious authority.The received wisdom has been that England's literary tradition was modernity's most promising religion because the established forms of Christianity, wounded in the Enlightenment, inevitably gave up their hold on the imagination and on the political sphere. Through a series of case studies and analysis of a diverse range of writing, this work gives life to a very different story, one that shows literature assuming a religious vocation in concert with an increasingly unencumbered freedom of religious confession and the making of a reading nation. In the process the author shifts attention away from the idea of the literary critic in favor of considering the historic role of religious professionals in shaping and contesting the authority of print.Indebted to recent findings of book history and newer historiographies at odds with conventional secularization theory, this work makes an interdisciplinary contribution to revising the existing models for understanding change in Britain during the eighteenth and nineteenth centuries.
