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Author:
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ISBN:
Category :
Languages : en
Pages : 1074
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1074
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Book Description
Author: United States. Congress. House
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ISBN:
Category : United States
Languages : en
Pages : 1076
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Book Description
Author: C. Albert White
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Category : Government publications
Languages : en
Pages : 794
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Author: United States. Congress. House. Committee on Appropriations
Publisher:
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Category : United States
Languages : en
Pages : 484
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Category :
Languages : en
Pages : 56
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Author: United States. National Archives and Records Service
Publisher:
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Category : Archives
Languages : en
Pages : 226
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Book Description
Author: Lyman Horace Weeks
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Category : New York (N.Y.)
Languages : en
Pages : 64
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Author: Alfred Goldberg
Publisher: Office of the Secretary, Historical Offi
ISBN:
Category : Architecture
Languages : en
Pages : 330
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Book Description
The most comprehensive account to date of the 9/11 attack on the Pentagon and aftermath, this volume includes unprecedented details on the impact on the Pentagon building and personnel and the scope of the rescue, recovery, and caregiving effort. It features 32 pages of photographs and more than a dozen diagrams and illustrations not previously available.
Author: John M. Curran
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Category : Clothing and dress
Languages : en
Pages : 24
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Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
