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Author: Elizabeth A. T. Smith
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 398
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Book Description
With its title taken from a signature work by Bruce Nauman, Life, Death, Love, Hate, Pleasure, Pain presents a selection of approximately 190 works from the collection of the Museum of Contemporary Art, Chicago. A wide-ranging, insightful survey, arranged in roughly chronological order, it features work by such artists as Vito Acconci, Magdalena Abakanowicz, Francis Bacon, Matthew Barney, Joseph, Beuys, Christo, Iìigo Manglano-Ovalle, KerryJames Marshall, Mariko Mori, Martin Puryear, Richard Serra, Yinka Shonibare and H. C. Westermann. In an introductory essay, chief curator Elizabeth Smith discusses key trends in art from World War II to the present and provides a brief history of the MCA and its collection. Additional, accessible short texts by the curatorial staff of the MCA focus on individiual works.
Author: Elizabeth A. T. Smith
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 398
Get Book Here
Book Description
With its title taken from a signature work by Bruce Nauman, Life, Death, Love, Hate, Pleasure, Pain presents a selection of approximately 190 works from the collection of the Museum of Contemporary Art, Chicago. A wide-ranging, insightful survey, arranged in roughly chronological order, it features work by such artists as Vito Acconci, Magdalena Abakanowicz, Francis Bacon, Matthew Barney, Joseph, Beuys, Christo, Iìigo Manglano-Ovalle, KerryJames Marshall, Mariko Mori, Martin Puryear, Richard Serra, Yinka Shonibare and H. C. Westermann. In an introductory essay, chief curator Elizabeth Smith discusses key trends in art from World War II to the present and provides a brief history of the MCA and its collection. Additional, accessible short texts by the curatorial staff of the MCA focus on individiual works.
Author: Cameron J. Anderson
Publisher: InterVarsity Press
ISBN: 083089442X
Category : Art
Languages : en
Pages : 304
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Book Description
Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.
Author: Laura Lee Love
Publisher: Balboa Press
ISBN: 1504365747
Category : Biography & Autobiography
Languages : en
Pages : 44
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Book Description
This book is the universe, speaking to you personally. It is as if the Divine is telling you what you need to know and learn while here on earth. It is a short, straightforward, mind-opening book filled with inspirational knowledge that will beneficially impact your life. This book will help you grow spiritually and help the universe to evolve into a more loving and compassionate state of being.
Author: Lawrence Coupe
Publisher: Routledge
ISBN: 1135349002
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Kenneth Burke--rhetorician, philosopher, linguist, sociologist, literary and music critic, crank--was one of the foremost theorists of literary form. He did not fit tidily into any philosophical school, nor was he reducible to any simple set of principles or ideas. He published widely, and is probably best known for two of his classic works, A Rhetoric of Motive and Philosophy of Literary Form. His observations on myth, however, were never systematic, and much of his writing on literary theory and other topics cannot be fully understood without fleshing out his thoughts on myth and mythmaking.
Author: Joan Simon
Publisher: Gregory R. Miller & Co.
ISBN: 9780974364858
Category : Architecture
Languages : en
Pages : 324
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Book Description
Ann Hamilton: An Inventory of Objects ISBN 0-9743648-5-1 / 978-0-9743648-5-8 Hardcover, 7 x 10.5 in. / 264 pgs / 150 color and 80 b&w. / U.S. $60.00 CDN $72.00 November / Art
Author: Alison Pearlman
Publisher: University of Chicago Press
ISBN: 9780226651453
Category : Art
Languages : en
Pages : 288
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Book Description
American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art. Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art. Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.
Author: Laurence Coupe
Publisher: Parlor Press LLC
ISBN: 1602354561
Category : Social Science
Languages : en
Pages : 218
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Book Description
KENNETH BURKE: FROM MYTH TO ECOLOGY is the first full-length study of a remarkable thinker's approach to those founding narratives, those essential structures of thought, which cannot be credited to any one individual but rather belong to the whole community.
Author: Arthur Henry Hallam
Publisher:
ISBN:
Category :
Languages : en
Pages : 412
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Book Description
Author: Bob Nugent
Publisher: Board and Bench Publishing
ISBN: 1891267922
Category : Design
Languages : en
Pages : 276
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Book Description
In 1985, winemaker Joe Benziger and Sonoma artist Bob Nugent struck on the idea of putting original art on special releases of Imagery Estate wines. The goal was straight-forward: commission the world's modern art luminaries to create works for reproduction onto wine labels. Two decades and 160 labels later, they have assembled a staggering collection of contemporary art, from the likes of Sol Lewitt, Terry Winters, Nancy Graves, John Baldessari, Judy Pfaff, and Bob Arneson. This book highlights 133 works of art, the best of the Imagery collection. The images are big and lush, and accompanied by biographical sketches of the artists' careers, as well as a short description of their individual ideas and methods. The pictorial index shows the works in their label-form, from 1985 to the most recent vintages. These images are evocations of wine's multi-faceted ability to inspire us.
Author: Yisrael Levin
Publisher: Routledge
ISBN: 1317186192
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
Focusing on Algernon Charles Swinburne's later writings, this collection makes a case for the seriousness and significance of the writer's mature work. While Swinburne's scandalous early poetry has received considerable critical attention, the thoughtful, rich, spiritually and politically informed poetry that began to emerge in his thirties has been generally neglected. This volume addresses the need for a fuller understanding of Swinburne's career that includes his fiction, aesthetic ideology, and analyses of Shakespeare and the great French writers. Among the key features of the collection is the contextualizing of Swinburne's work in new contexts such as Victorian mythography, continental aestheticism, positivism, and empiricism. Individual essays examine, among other topics, the dialect poems and Swinburne's position as a regional poet, Swinburne as a transition figure from nineteenth-century aesthetic writing to the professionalized criticism that dominates the twentieth century, Swinburne's participation in the French literary scene, Swinburne's friendships with women writers, and the selections made for anthologies from the nineteenth century to the present. Taken together, the essays offer scholars a richer portrait of Swinburne's importance as a poet, critic, and fiction writer.
