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Author: Marco Siena
Publisher: Babelcube Inc.
ISBN: 1507193734
Category : Fiction
Languages : en
Pages : 59
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Book Description
Restarting from scratch, traveling in an RV without a purpose, free of commitments, of the routine. Giorgio gets on the road after selling the house that, for him, was prison. His first stop is random: a small town in the Mantua countryside. A closed community, with its town fair, holds some secrets and Giorgio will, unfortunately, discover them. A noir horror that touches the topic of inbreeding, a horror not foreign even to our rural Italian communities.
Author: Marco Siena
Publisher: Babelcube Inc.
ISBN: 1507193734
Category : Fiction
Languages : en
Pages : 59
Get Book Here
Book Description
Restarting from scratch, traveling in an RV without a purpose, free of commitments, of the routine. Giorgio gets on the road after selling the house that, for him, was prison. His first stop is random: a small town in the Mantua countryside. A closed community, with its town fair, holds some secrets and Giorgio will, unfortunately, discover them. A noir horror that touches the topic of inbreeding, a horror not foreign even to our rural Italian communities.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 754
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Book Description
Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199795932
Category : Music
Languages : en
Pages : 609
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Book Description
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 776
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Book Description
Author: Church of England
Publisher:
ISBN:
Category : Prayers
Languages : en
Pages : 624
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Book Description
Author: Mark Lemon
Publisher:
ISBN:
Category : Anecdotes
Languages : en
Pages : 386
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Book Description
Author: David Beach
Publisher: Boydell & Brewer
ISBN: 1580465595
Category : Music
Languages : en
Pages : 374
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Book Description
Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.
Author: Girolamo Savonarola
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 260
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Book Description
Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Coins, British
Languages : en
Pages : 716
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Book Description
Author: Edward R. Phillips
Publisher: Taylor & Francis
ISBN: 1135838976
Category : Music
Languages : en
Pages : 408
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Book Description
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
