Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 20 avril 1926

Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 20 avril 1926 PDF Author: Jean Chantavoine
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Languages : fr
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Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 20 avril 1926

Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 20 avril 1926 PDF Author: Jean Chantavoine
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Languages : fr
Pages :

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Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 20 juin 1927

Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 20 juin 1927 PDF Author: Jean Chantavoine
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Languages : fr
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Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 8 juillet 1927

Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 8 juillet 1927 PDF Author: Jean Chantavoine
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Languages : fr
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Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 4 juin 1927

Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 4 juin 1927 PDF Author: Jean Chantavoine
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Languages : fr
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Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 2 septembre 1927

Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 2 septembre 1927 PDF Author: Jean Chantavoine
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Languages : fr
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Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 23 novembre 1923

Lettre de Jean Chantavoine à l'Association pour l'expansion artistique, 23 novembre 1923 PDF Author: Jean Chantavoine
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Languages : fr
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Crescendo of the Virtuoso

Crescendo of the Virtuoso PDF Author: Paul Metzner
Publisher: Univ of California Press
ISBN: 0520377400
Category : History
Languages : en
Pages : 403

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During the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1999.

Conversations with Cézanne

Conversations with Cézanne PDF Author: Paul Cézanne
Publisher: Univ of California Press
ISBN: 9780520225176
Category : Art
Languages : en
Pages : 326

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This book gathers the commentary of people who knew the painter Paul Cezanne, especially in his later years. Now seen as one of the most influential of modern painters, in his 40s he returned to his village of Aix-en-Provence where, he worked in near obscurity and with great dedication until his death in 1906.

Emile Bernard, 1868-1941

Emile Bernard, 1868-1941 PDF Author: Emile Bernard
Publisher:
ISBN:
Category : Brothels in art
Languages : en
Pages : 52

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Satie the Bohemian

Satie the Bohemian PDF Author: Steven Moore Whiting
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610

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Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.