Lettre autographe signée de Lucienne Bréval, 7 mars 1907 PDF Download
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Author: Lucienne Bréval
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
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Book Description
Author: Lucienne Bréval
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
Get Book Here
Book Description
Author: Lucienne Bréval
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
Get Book Here
Book Description
Author: Lucienne Bréval
Publisher:
ISBN:
Category :
Languages : fr
Pages : 8
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Book Description
Author: Lucienne Bréval
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
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Book Description
Author: Gabriel Dupont
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
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Book Description
Author: Lucienne Bréval
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
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Book Description
Author: Eugène Carrière
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
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Book Description
Author: Gabriel Dupont
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
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Book Description
Author: Carlton Lake
Publisher: New Directions Publishing
ISBN: 9780811211307
Category : Antiques & Collectibles
Languages : en
Pages : 236
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Book Description
The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.
Author: Martha Feldman
Publisher: Univ of California Press
ISBN: 0520292448
Category : History
Languages : en
Pages : 496
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Book Description
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy—involving teachers, patrons, colleagues, and relatives—whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers—from Cavalli and Pergolesi to Handel, Mozart, and Rossini—were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.
