Lettre autographe signée de Compan, dit Casimir, ténor à l'Opéra-Comique, Paris, 27 août 1824

Lettre autographe signée de Compan, dit Casimir, ténor à l'Opéra-Comique, Paris, 27 août 1824 PDF Author: Compan (dit Casimir, ténor à l'Opéra-Comique.)
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Languages : fr
Pages : 2

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Lettre autographe signée de Compan, dit Casimir, ténor à l'Opéra-Comique, Paris, 27 août 1824

Lettre autographe signée de Compan, dit Casimir, ténor à l'Opéra-Comique, Paris, 27 août 1824 PDF Author: Compan (dit Casimir, ténor à l'Opéra-Comique.)
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Languages : fr
Pages : 2

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Lettre autographe signée de Duverger, régisseur général de l'Opéra comique, au duc d'Aumont, 26 novembre 1822

Lettre autographe signée de Duverger, régisseur général de l'Opéra comique, au duc d'Aumont, 26 novembre 1822 PDF Author: Duverger (régisseur général de l'Opéra comique.)
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Languages : fr
Pages : 2

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Lettre autographe signée de Tilly, artiste de l'Opéra-Comique, à Monsieur de Pixérécourt, directeur de l'Opéra Comique, pour demander une avance sur ses appointements, "20 avril 1827"

Lettre autographe signée de Tilly, artiste de l'Opéra-Comique, à Monsieur de Pixérécourt, directeur de l'Opéra Comique, pour demander une avance sur ses appointements, Author: Tilly (artiste de l'Opéra-Comique.)
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Languages : fr
Pages : 2

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Lettre autographe signée d'E. Guiraud, timbalier dans l'orchestre de l'Opéra-Comique, à Emile Perrin, Paris, 2 septembre 1857

Lettre autographe signée d'E. Guiraud, timbalier dans l'orchestre de l'Opéra-Comique, à Emile Perrin, Paris, 2 septembre 1857 PDF Author: E. Guiraud (timbalier dans l'orchestre de l'Opéra-Comique.)
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Languages : fr
Pages : 2

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Salons, Singers and Songs

Salons, Singers and Songs PDF Author: David Tunley
Publisher: Routledge
ISBN: 1351550209
Category : Music
Languages : en
Pages : 245

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Music! It is the great pleasure of this city, the great occupation of the drawing-rooms, which have banished politics, and which have renounced literature, from ennui. Jules Janin, An American in Paris, 1843 Afternoon and evening entertainments in the drawing rooms of the aristocracy and upper middle classes were a staple of cultural life in nineteenth-century Paris. Music was often a feature of these occasions and private salons provided important opportunities for musicians, especially singers, to develop their careers. Such recitals included excerpts from favourite operas, but also the more traditional forms of French song, the romance and its successor the m die. Drawing on extensive research into the musical press of the period, David Tunley paints a vivid portrait of the nineteenth-century Parisien salons and the performers who sang in them. Against this colourful backdrop, he discusses the development of French romantic song, with its hallmarks of simplicity and clarity of diction. Combined with Italian influences and the impression made by Schubert's songs, the French romance developed into a form with greater complexity - the m die. Salons, Singers and Songs describes this transformation and the seeds it sowed for music by later composers such as Faur Duparc and Debussy.

French Opera, 1730-1830

French Opera, 1730-1830 PDF Author: David Charlton
Publisher: Routledge
ISBN:
Category : History
Languages : en
Pages : 414

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Book Description
The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume. Drawing on recent archival research and new musicological theory, they investigate distinctive qualities in French opera from early opéra comique to early grand opera. 'Media' is interpreted in terms of both narrative systems and practical theatre resources. One group of essays identifies narrative systems in 'minuet-scenes', in the diegetic romance, and in special uses of musical motives. Another group concerns the theory and æsthetics of opera, in which uses of metaphor help us interpret audience reception. A third group focuses on orchestral and staging practices, brought together in a new theory of the 'melodrama model' linking various genres from the 1780s with the world of the 1820s. French opera's relation with literature and politics is a continuing theme, explored in writings on prison scenes, Ossian, and public-private dramaturgy in grand opera. David Charlton has written widely on French music and opera topics for over 25 years. The selection of his articles presented here focuses on the period 1730-1830 when Paris was a hotbed of influential ideas in music and music theatre, with many of these ideas taken up by foreign composers. This volume assesses the French contribution to the development of Classical and Romantic styles and genres which has hitherto not received the attention it deserves.

The Age of Chopin

The Age of Chopin PDF Author: Halina Goldberg
Publisher: Indiana University Press
ISBN: 9780253216281
Category : Music
Languages : en
Pages : 388

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This multidisciplinary collection addresses Chopin's life and oeuvre in various cultural contexts of his era. Fourteen original essays by internationally-known scholars suggest new connections between his compositions and the intellectual, literary, artistic, and musical environs of Warsaw and Paris. Individual essays consider representations of Chopin in the visual arts; reception in the United States and in Poland; analytical aspects of the mazurkas and waltzes; and political, literary, and gender aspects of Chopin's music and legacy. Several senior scholars represent the fields of American, Western European, and Polish history; Slavic literature; musicology; music theory; and art history.

Pianist, Scholar, Connoisseur

Pianist, Scholar, Connoisseur PDF Author: Bruce Brubaker
Publisher: Pendragon Press
ISBN: 9781576470015
Category : Juvenile Nonfiction
Languages : en
Pages : 290

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World-renowned pianist and pedagogue Jacob Lateiner is a prime example of the performer as scholar. A member of the Juilliard School faculty since 1966, Mr. Lateiner is an avid collector of musical first editions, letters, and other rare materials, and a notable lecturer on the subject of textual authenticity and its relationship to musical performance. This collection of essays in honor of his 70th birthday includes contributions by Mr. Lateiner's friends and colleagues that illuminate his interests.

The Battle of Dorking

The Battle of Dorking PDF Author: George Chesney
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 60

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The Battle of Dorking: Reminiscences of a Volunteer is an 1871 novella by George Tomkyns Chesney, starting the genre of invasion literature and an important precursor of science fiction. Written just after the Prussian victory in the Franco-Prussian War, it describes an invasion of Britain by a German-speaking country referred to in oblique terms as The Other Power or The Enemy. Excerpt: "You ask me to tell you, my grandchildren, something about my share in the great events that happened fifty years ago. 'Tis sad work turning back to that bitter page in our history, but you may perhaps take profit in your new homes from the lesson it teaches. For us, in England, it came too late. And yet we had plenty of warnings if we had only made use of them."

Louise Farrenc, 1804-1875

Louise Farrenc, 1804-1875 PDF Author: Bea Friedland
Publisher:
ISBN:
Category :
Languages : en
Pages : 269

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