Author: Caroline Archer-Parré
Publisher: Liverpool University Press
ISBN: 1786948605
Category : History
Languages : en
Pages : 288
Book Description
The eighteenth-century typographer, printer, industrialist and Enlightenment figure, John Baskerville (1707-75) was an inventor, entrepreneur and artist with a worldwide reputation who made eighteenth-century Birmingham a city without typographic equal, by changing the course of type design. This publication explores Baskerville in his social and economic context and evaluates his impact.
John Baskerville
Author: Caroline Archer-Parré
Publisher: Liverpool University Press
ISBN: 1786948605
Category : History
Languages : en
Pages : 288
Book Description
The eighteenth-century typographer, printer, industrialist and Enlightenment figure, John Baskerville (1707-75) was an inventor, entrepreneur and artist with a worldwide reputation who made eighteenth-century Birmingham a city without typographic equal, by changing the course of type design. This publication explores Baskerville in his social and economic context and evaluates his impact.
Publisher: Liverpool University Press
ISBN: 1786948605
Category : History
Languages : en
Pages : 288
Book Description
The eighteenth-century typographer, printer, industrialist and Enlightenment figure, John Baskerville (1707-75) was an inventor, entrepreneur and artist with a worldwide reputation who made eighteenth-century Birmingham a city without typographic equal, by changing the course of type design. This publication explores Baskerville in his social and economic context and evaluates his impact.
Type
Author: Simon Loxley
Publisher: Bloomsbury Publishing
ISBN: 0857730177
Category : Design
Languages : en
Pages : 360
Book Description
Type is the bridge between writer and reader, between thought and understanding. Type is the message bearer: an art-form that impinges upon every literate being and yet for most of its history it has conformed to the old adage that 'good typography should be invisible', it should not distract with its own personality. It was only at the end of the nineteenth century that designers slowly realised that they could say as much with their lettering as writers could with their words. Form, of course, carries as much meaning as content. Now, anyone within reach of a computer and its limitless database of fonts has the same power. "Type: The Secret History of Letters" tells its story for the first time, treating typography as a hidden measure of our history. From the tempestuous debate about its beginnings in the fifteenth century, to the invention of our most contemporary lettering, Simon Loxley, with the skill of a novelist, tells of the people and events behind our letters. How did Johann Gutenberg, in late 1438, come to think of printing? Does Baskerville have anything to do with Sherlock Holmes? Why did the Nazis re-invent Blackletter? What is a Zapf? "Type" is a guide through the history of our letters and a study of their power. From fashion through propaganda and the development of mass literacy, Loxley shows how typography has changed our world.
Publisher: Bloomsbury Publishing
ISBN: 0857730177
Category : Design
Languages : en
Pages : 360
Book Description
Type is the bridge between writer and reader, between thought and understanding. Type is the message bearer: an art-form that impinges upon every literate being and yet for most of its history it has conformed to the old adage that 'good typography should be invisible', it should not distract with its own personality. It was only at the end of the nineteenth century that designers slowly realised that they could say as much with their lettering as writers could with their words. Form, of course, carries as much meaning as content. Now, anyone within reach of a computer and its limitless database of fonts has the same power. "Type: The Secret History of Letters" tells its story for the first time, treating typography as a hidden measure of our history. From the tempestuous debate about its beginnings in the fifteenth century, to the invention of our most contemporary lettering, Simon Loxley, with the skill of a novelist, tells of the people and events behind our letters. How did Johann Gutenberg, in late 1438, come to think of printing? Does Baskerville have anything to do with Sherlock Holmes? Why did the Nazis re-invent Blackletter? What is a Zapf? "Type" is a guide through the history of our letters and a study of their power. From fashion through propaganda and the development of mass literacy, Loxley shows how typography has changed our world.
Grammars of Approach
Author: Cynthia Wall
Publisher: University of Chicago Press
ISBN: 022646783X
Category : Literary Criticism
Languages : en
Pages : 355
Book Description
In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the “lesser parts of speech”. The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers’ manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines—new grammars of approach in ways of perceiving and representing the world in both word and image.
Publisher: University of Chicago Press
ISBN: 022646783X
Category : Literary Criticism
Languages : en
Pages : 355
Book Description
In Grammars of Approach, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of “approach.” In architecture, the term “approach” changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate “through the most interesting part of the grounds,” as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the “lesser parts of speech”. The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers’ manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines—new grammars of approach in ways of perceiving and representing the world in both word and image.
Index to British Literary Bibliography
Author: Trevor Howard Howard-Hill
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 924
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 924
Book Description
British Bibliography and Textual Criticism
Author: Trevor Howard Howard-Hill
Publisher: Oxford : Clarendon Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 768
Book Description
Publisher: Oxford : Clarendon Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 768
Book Description
Index to British Literary Bibliography: British bibliography and textual criticism: a bibliography
Author: Trevor Howard Howard-Hill
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 768
Book Description
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 768
Book Description
Bibliography of British History, 1485-: Pargellis, Stanley. The eighteenth century, 1714-1789
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 690
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 690
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
A World Bibliography of Bibliographies and of Bibliographical Catalogues, Calendars, Abstracts, Digests, Indexes and the Like
Author: Theodore Besterman
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 892
Book Description
Publisher:
ISBN:
Category : Bibliographical literature
Languages : en
Pages : 892
Book Description
An Encyclopedia of the Book
Author: Geoffrey Ashall Glaister
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 548
Book Description
Terms used in paper-making, printing, bookbinding, and publishing, with notes on illuminated manuscripts, bibliophiles, private presses, and printing societies. Many illustrations, some in color.
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 548
Book Description
Terms used in paper-making, printing, bookbinding, and publishing, with notes on illuminated manuscripts, bibliophiles, private presses, and printing societies. Many illustrations, some in color.