Author: Jean Lemaire de Belges
Publisher:
ISBN:
Category :
Languages : fr
Pages : 374
Book Description
Oeuvres de Jean Lemaire de Belges
Author: Jean Lemaire de Belges
Publisher:
ISBN:
Category :
Languages : fr
Pages : 374
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 374
Book Description
Oeuvres de Jean Lemaire de Belges,: Les illustrations de Gaule et singularitez de Troye
Author: Jean Lemaire de Belges
Publisher:
ISBN:
Category :
Languages : fr
Pages : 378
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 378
Book Description
Œuvres de Jean Lemaire de Belges: Les illustrations de Gaule et singularitez de Troye
Author: Jean Lemaire de Belges
Publisher:
ISBN:
Category :
Languages : fr
Pages : 508
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 508
Book Description
Oeuvres de Jean Lemaire de Belges
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Jean Lemaire de Belges's Les Illustrations de Gaule Et Singularitez de Troye
Author: Judy Kem
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
This study compares Lemaire's treatment of the Trojan legend in his three-volume Les Illustrations de Gaule et singularitez de Troye (1511-1513) to this sources as well as to medieval French and Latin versions of the legend that he wished to correct. It also examines Lemaire's moral and political objectives in writing the work, as well as his view of history. It demonstrates that Lemaire reinterprets the past by offering complementary yet widely divergent moral lessons to his female and male readers while he attempts to influence the future by promoting European unity and a crusade against the Turks.
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 200
Book Description
This study compares Lemaire's treatment of the Trojan legend in his three-volume Les Illustrations de Gaule et singularitez de Troye (1511-1513) to this sources as well as to medieval French and Latin versions of the legend that he wished to correct. It also examines Lemaire's moral and political objectives in writing the work, as well as his view of history. It demonstrates that Lemaire reinterprets the past by offering complementary yet widely divergent moral lessons to his female and male readers while he attempts to influence the future by promoting European unity and a crusade against the Turks.
Les illustrations de Gaule et singularitez de Troye de Jean Lemaire de Belges
Author: Jacques Abelard
Publisher:
ISBN:
Category :
Languages : fr
Pages : 234
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 234
Book Description
Allusions and Reflections
Author: Elisabeth Wåghäll Nivre
Publisher: Cambridge Scholars Publishing
ISBN: 144387891X
Category : Art
Languages : en
Pages : 498
Book Description
In June 2012, scholars from a number of disciplines and countries gathered in Stockholm to discuss the representation of ancient mythology in Renaissance Europe. This symposium was an opportunity for the participants to cross disciplinary borders and to problematize a well-researched field. The aim was to move beyond a view of mythology as mere propaganda in order to promote an understanding of ancient tales and fables as contemporary means to explain and comprehend the Early Modern world. W ...
Publisher: Cambridge Scholars Publishing
ISBN: 144387891X
Category : Art
Languages : en
Pages : 498
Book Description
In June 2012, scholars from a number of disciplines and countries gathered in Stockholm to discuss the representation of ancient mythology in Renaissance Europe. This symposium was an opportunity for the participants to cross disciplinary borders and to problematize a well-researched field. The aim was to move beyond a view of mythology as mere propaganda in order to promote an understanding of ancient tales and fables as contemporary means to explain and comprehend the Early Modern world. W ...
Advertising the Self in Renaissance France
Author: Scott Francis
Publisher: University of Virginia Press
ISBN: 1644530082
Category : History
Languages : en
Pages : 343
Book Description
Advertising the Self in Renaissance France explores how authors and readers are represented in printed editions of three major literary figures: Jean Lemaire de Belges, Clément Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books but also particular ways of reading. They advertised correct modes of reading as transformative experiences offered by selfless authors that would help the actual reader attain the image of the ideal reader held up by the text and paratext. Thus, authorial personae were constructed around the self-fashioning offered to readers, creating an interdependent relationship that anticipated modern advertising. Distributed for the University of Delaware Press
Publisher: University of Virginia Press
ISBN: 1644530082
Category : History
Languages : en
Pages : 343
Book Description
Advertising the Self in Renaissance France explores how authors and readers are represented in printed editions of three major literary figures: Jean Lemaire de Belges, Clément Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books but also particular ways of reading. They advertised correct modes of reading as transformative experiences offered by selfless authors that would help the actual reader attain the image of the ideal reader held up by the text and paratext. Thus, authorial personae were constructed around the self-fashioning offered to readers, creating an interdependent relationship that anticipated modern advertising. Distributed for the University of Delaware Press
Print and Power in France and England, 1500-1800
Author: Adrian Armstrong
Publisher: Routledge
ISBN: 1351908898
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.
Publisher: Routledge
ISBN: 1351908898
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.
The Creation of Brittany
Author: Michael Jones
Publisher: A&C Black
ISBN: 090762880X
Category : History
Languages : en
Pages : 464
Book Description
Michael Jones is recognised on both sides of the Channel as an authority on late medieval Breton history. In this book he brings together much of his work on the subject, examining not only the administration of the duchy but also more intangible questions about the identity of a late medieval state.
Publisher: A&C Black
ISBN: 090762880X
Category : History
Languages : en
Pages : 464
Book Description
Michael Jones is recognised on both sides of the Channel as an authority on late medieval Breton history. In this book he brings together much of his work on the subject, examining not only the administration of the duchy but also more intangible questions about the identity of a late medieval state.