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Author: Guido Guerzoni
Publisher: MSU Press
ISBN: 1609173619
Category : Art
Languages : en
Pages : 581
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Book Description
Guido Guerzoni presents the results of fifteen years of research into one of the more hotly debated topics among historians of art and of economics: the history of art markets. Dedicating equal attention to current thought in the fields of economics, economic history, and art history, Guerzoni offers a broad and far-reaching analysis of the Italian scene, highlighting the existence of different forms of commercial interchange and diverse kinds of art markets. In doing so he ranges beyond painting and sculpture, to examine as well the economic drivers behind architecture, decorative and sumptuary arts, and performing or ephemeral events. Organized by thematic areas (the ethics and psychology of consumption, an analysis of the demand, labor markets, services, prices, laws) that cover a large chronological period (from the 15th through the 17th century), various geographical areas, and several institution typologies, this book offers an exhaustive and up-to-date study of an increasingly fascinating topic.
Author: Guido Guerzoni
Publisher: MSU Press
ISBN: 1609173619
Category : Art
Languages : en
Pages : 581
Get Book Here
Book Description
Guido Guerzoni presents the results of fifteen years of research into one of the more hotly debated topics among historians of art and of economics: the history of art markets. Dedicating equal attention to current thought in the fields of economics, economic history, and art history, Guerzoni offers a broad and far-reaching analysis of the Italian scene, highlighting the existence of different forms of commercial interchange and diverse kinds of art markets. In doing so he ranges beyond painting and sculpture, to examine as well the economic drivers behind architecture, decorative and sumptuary arts, and performing or ephemeral events. Organized by thematic areas (the ethics and psychology of consumption, an analysis of the demand, labor markets, services, prices, laws) that cover a large chronological period (from the 15th through the 17th century), various geographical areas, and several institution typologies, this book offers an exhaustive and up-to-date study of an increasingly fascinating topic.
Author: Donald C. Jackson
Publisher: Routledge
ISBN: 135194651X
Category : History
Languages : en
Pages : 644
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Book Description
Dams have been used to control water for thousands of years, with the oldest known dam being a small earthen structure in present-day Jordan dating to c.4000 BCE. Since then, cultures throughout the world have practised the art of dam-building and the technology has evolved in myriad ways. The papers selected here examine the key technical issues influencing dam construction from ancient times to the early 20th century. In addition they illustrate why various human societies have built dams and how ’social’ (or seemingly ’non-technical’) factors have influenced the process of dam design. Though hydraulic engineering is the primary focus of the book, it also reveals a keen interest in questions of water resources and environmental history.
Author: Sebastiano Serlio
Publisher: Yale University Press
ISBN: 9780300085037
Category : Architecture
Languages : en
Pages : 706
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Book Description
Sebastiano Serlio was the most important architectural writer and theorist of the sixteenth century. The author of the first wide-ranging illustrated book on architecture, he produced a complete set of model designs as well as practical solutions for everyday design problems. This volume, the second in a two-volume series of Serlio's entire works, presents the previously unpublished sixth book, the seventh book, and, as well as The Extraordinary Book of Doors, his little-known Castrametation of the Romans, each of which demonstrates Serlio's sophisticated design theories. This is the first translation of Serlio's later works and the first time that the long lost sixth volume has been united with its companion works and restored to its intended position. The book also includes an introduction and notes by translators Vaughan Hart and Peter Hicks that demonstrate Serlio's significance within the history of architecture and the importance of these neglected texts to our understanding of Serlio's work.
Author: James Symonds
Publisher: Bloomsbury Publishing
ISBN: 1350226653
Category : History
Languages : en
Pages : 297
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Book Description
A Cultural History of Objects in the Renaissance covers the period 1400 to 1600. The Renaissance was a cultural movement, a time of re-awakening when classical knowledge was rediscovered, leading to an efflorescence in philosophy, art, and literature. The period fostered an emerging sense of individualism across European cultures. This sense was expressed through a fascination with materiality and the natural world, and a growing attachment to things. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds. James Symonds is Professor at the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Objects set. General Editors: Dan Hicks and William Whyte
Author: Allison Sherman
Publisher: Routledge
ISBN: 1351575252
Category : Art
Languages : en
Pages : 330
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Book Description
For too long, the ?centre? of the Renaissance has been considered to be Rome and the art produced in, or inspired by it. This collection of essays dedicated to Deborah Howard brings together an impressive group of internationally recognised scholars of art and architecture to showcase both the diversity within and the porosity between the ?centre? and ?periphery? in Renaissance art. Without abandoning Rome, but together with other centres of art production, the essays both shift their focus away from conventional categories and bring together recent trends in Renaissance studies, notably a focus on cultural contact, material culture and historiography. They explore the material mechanisms for the transmission and evolution of ideas, artistic training and networks, as well as the dynamics of collaboration and exchange between artists, theorists and patrons. The chapters, each with a wealth of groundbreaking research and previously unpublished documentary evidence, as well as innovative methodologies, reinterpret Italian art relating to canonical sites and artists such as Michelangelo, Titian, Tintoretto, Veronese, and Sebastiano del Piombo, in addition to showcasing the work of several hitherto neglected architects, painters, and an inimitable engineer-inventor.
Author: Francis Ames-Lewis
Publisher: Routledge
ISBN: 0429860544
Category : Social Science
Languages : en
Pages : 379
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Book Description
In this Volume, published in1998, Fifteen scholars reveal the ways of preserving, conceiving and creating beauty were as diverse as the cultural influenced at work at the time, deriving from antique, medieval and more recent literature and philosophy, and from contemporary notions of morality and courtly behaviour. Approaches include discussion of contemporary critical terms and how these determined writers’ appreciation of paintings, sculpture, architecture and costume; studies of the quest to create beauty in the work of artists such as Botticeli, Leonardo, Raphael, Parmigianino and Vasari; and the investigation of changes functioning of the eye and brain, or to technical innovations like those found in Venetian glass.
Author: Yvonne Elet
Publisher: Cambridge University Press
ISBN: 1108216110
Category : Art
Languages : en
Pages : 382
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Book Description
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
Author: Elizabeth Pilliod
Publisher: Yale University Press
ISBN: 9780300085433
Category : Art
Languages : en
Pages : 308
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Book Description
"Pilliod compares information from documents she has discovered with Vasari's versions of the artists' lives and shows how Vasari manipulated their biographies - for example, suppressing any mention of Pontormo's status as a court artist, including his salary from Duke Cosimo I - in order to diminish their reputations, to obliterate memory of the traditional Florentine workshops, and to enhance the importance of the Academy instead. She also discusses such subjects as the evidence for Pontormo's association with the Medici court; Pontormo's house and its place in the urban fabric of Florence; Bronzino's and Pontormo's intimate association with poets and theatrical spectacles; and Allori's painted challenge to Vasari's view of the artistic scene in sixteenth-century Florence.
Author: Alberto Pérez Gómez
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773517111
Category : Architecture
Languages : en
Pages : 354
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Book Description
Contributors explore diverse historical and critical issues in architecture, attempting to discover architectural alternatives based on concepts of aesthetics, technology, and sociology. Essays touch on historical subjects and describe speculative theoretical "projects" that blur conventional boundaries between history and fiction. They demonstrate a reconciliatory architecture that respects cultural differences, acknowledges the globalization of technological culture, and points to a referent other than itself. Includes bandw photos of art installations, film stills, and historical illustrations. Lacks a subject index. The editors are affiliated with McGill University and Dalhousie University. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Brian Sandberg
Publisher: JHU Press
ISBN: 0801899699
Category : History
Languages : en
Pages : 425
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Book Description
How did warrior nobles’ practices of violence shape provincial society and the royal state in early seventeenth-century France? Warrior nobles frequently armed themselves for civil war in southern France during the troubled early seventeenth century. These bellicose nobles’ practices of violence shaped provincial society and the royal state in early modern France. The southern French provinces of Guyenne and Languedoc suffered almost continual religious strife and civil conflict between 1598 and 1635, providing an excellent case for investigating the dynamics of early modern civil violence. Warrior Pursuits constructs a cultural history of civil conflict, analyzing in detail how provincial nobles engaged in revolt and civil warfare during this period. Brian Sandberg’s extensive archival research on noble families in these provinces reveals that violence continued to be a way of life for many French nobles, challenging previous scholarship that depicts a progressive “civilizing” of noble culture. Sandberg argues that southern French nobles engaged in warrior pursuits—social and cultural practices of violence designed to raise personal military forces and to wage civil warfare in order to advance various political and religious goals. Close relationships between the profession of arms, the bonds of nobility, and the culture of revolt allowed nobles to regard their violent performances as “heroic gestures” and “beautiful warrior acts.” Warrior nobles represented the key organizers of civil warfare in the early seventeenth century, orchestrating all aspects of the conduct of civil warfare—from recruitment to combat—according to their own understandings of their warrior pursuits. Building on the work of Arlette Jouanna and other historians of the nobility, Sandberg provides new perspectives on noble culture, state development, and civil warfare in early modern France. French historians and scholars of the Reformation and the European Wars of Religion will find Warrior Pursuits engaging and insightful.
