Author: Bernard Black Gallery (New York, N.Y.)
Publisher:
ISBN:
Category : Animal sculpture
Languages : en
Pages : 24
Book Description
Les Animaliers
Author: Bernard Black Gallery (New York, N.Y.)
Publisher:
ISBN:
Category : Animal sculpture
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Animal sculpture
Languages : en
Pages : 24
Book Description
Bronze Sculpture of Les Animaliers, Reference and Price Guide
Author: Jane Horswell
Publisher: ACC Distribution
ISBN:
Category : Art
Languages : en
Pages : 364
Book Description
Publisher: ACC Distribution
ISBN:
Category : Art
Languages : en
Pages : 364
Book Description
Les animaliers
Author: Cécile Ritzenthaler
Publisher:
ISBN:
Category : Animal painters
Languages : fr
Pages : 300
Book Description
Publisher:
ISBN:
Category : Animal painters
Languages : fr
Pages : 300
Book Description
Sculpture of Les Animaliers 1900-1950
Author: Edward Horswell
Publisher: Rizzoli International Publications
ISBN: 178551265X
Category : Art
Languages : en
Pages : 0
Book Description
The first truly comprehensive study of animal sculpture throughout Europe in the period between 1900 and 1950 The first half of the twentieth century marked the heyday of animal sculpture throughout Europe. This comprehensive survey showcases the work of forty artists at the forefront of the 'Les Animaliers' movement between 1900 and 1950. Drawing on the rich archive of the Sladmore Gallery, with over 350 colour photographs, individual biographies and two informative essays, this book contains a wealth of information for both established collectors and those new to the subject. It is a companion volume to Jane Horswell's pioneering Bronze Sculpture of Les Animaliers, which covered the nineteenth century and was published over 50 years ago. Rapid modernisation from the beginning of the twentieth century and the opening up of the natural world were both reflected in the art of the time. Today, as appreciation for our disappearing natural world increases, the period of sculpture featured in this publication resonates even more deeply.
Publisher: Rizzoli International Publications
ISBN: 178551265X
Category : Art
Languages : en
Pages : 0
Book Description
The first truly comprehensive study of animal sculpture throughout Europe in the period between 1900 and 1950 The first half of the twentieth century marked the heyday of animal sculpture throughout Europe. This comprehensive survey showcases the work of forty artists at the forefront of the 'Les Animaliers' movement between 1900 and 1950. Drawing on the rich archive of the Sladmore Gallery, with over 350 colour photographs, individual biographies and two informative essays, this book contains a wealth of information for both established collectors and those new to the subject. It is a companion volume to Jane Horswell's pioneering Bronze Sculpture of Les Animaliers, which covered the nineteenth century and was published over 50 years ago. Rapid modernisation from the beginning of the twentieth century and the opening up of the natural world were both reflected in the art of the time. Today, as appreciation for our disappearing natural world increases, the period of sculpture featured in this publication resonates even more deeply.
The Animaliers
Author: James Alexander Mackay
Publisher: Dutton Adult
ISBN:
Category : Animal sculptors
Languages : en
Pages : 176
Book Description
Publisher: Dutton Adult
ISBN:
Category : Animal sculptors
Languages : en
Pages : 176
Book Description
Author:
Publisher: Odile Jacob
ISBN: 2738183298
Category :
Languages : en
Pages : 315
Book Description
Publisher: Odile Jacob
ISBN: 2738183298
Category :
Languages : en
Pages : 315
Book Description
The Studio
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 486
Book Description
L’Humain et l’Animal dans la France médiévale (XIIe-XVe s.)
Author: Irène Fabry-Tehranchi
Publisher: Rodopi
ISBN: 9401211078
Category : History
Languages : en
Pages : 224
Book Description
Ce recueil explore les relations mouvantes entre hommes et animaux, aussi bien réels que fantastiques, dans la France médiévale, dans une perspective interdisciplinaire. Les auteurs examinent la façon dont le rapport humain-animal a été imaginé, défini et remodelé dans la pensée, la culture et la production artistique du Moyen Age. La distinction entre l’humain et l’animal, fondamentale dans le texte biblique et la philosophie antique, a été remise en question au cours du XIIe siècle. Ce phénomène transparaît dans la terminologie utilisée pour désigner les animaux, dans leur représentation dans les arts et la littérature, et dans l’évolution de textes fondamentaux comme le Physiologus ou les bestiaires. Les frontières entre le monde humain et animal, fondées sur des critères comme la maîtrise du langage, la capacité à rire ou la responsabilité légale, ont profondément évolué et été remises en cause entre le XIIe et le XVe siècle. This is the first volume that explores the changing relationships between humans and animals, both real and fantastic, in medieval France, from a completely interdisciplinary perspective. The authors examine the way the human-animal rapport was imagined, defined and remodeled in thought, culture and artistic production. The distinction between human and animal, fundamental in the Bible and in Ancient philosophy, was challenged throughout the course of the 12th century. This phenomenon can be traced in changes in the terminology used to designate animals, in their representations in the arts and literature, and in the reworking of fundamental texts such as the Physiologus and the bestiaries. The borders between the human and the animal world, based on criteria such as linguistic ability, the capacity to laugh and even legal responsibility, evolved and were fundamentally reconsidered between the 12th and the 15th century. Irène Fabry-Tehranchi est enseignante en langue et littérature française et médiévale à l’université de Reading. Elle est l’auteur de Texte et images des manuscrits du Merlin et de la Suite Vulgate (XIIIe-XVe s.) (Brepols, 2014). Anna Russakoff est enseignante et co-directrice du département d’Histoire de l’Art à The American University, Paris. Elle est co-éditrice et contributrice de l’ouvrage Jean Pucelle: Innovation and Collaboration in Manuscript Painting (Brepols, 2013).
Publisher: Rodopi
ISBN: 9401211078
Category : History
Languages : en
Pages : 224
Book Description
Ce recueil explore les relations mouvantes entre hommes et animaux, aussi bien réels que fantastiques, dans la France médiévale, dans une perspective interdisciplinaire. Les auteurs examinent la façon dont le rapport humain-animal a été imaginé, défini et remodelé dans la pensée, la culture et la production artistique du Moyen Age. La distinction entre l’humain et l’animal, fondamentale dans le texte biblique et la philosophie antique, a été remise en question au cours du XIIe siècle. Ce phénomène transparaît dans la terminologie utilisée pour désigner les animaux, dans leur représentation dans les arts et la littérature, et dans l’évolution de textes fondamentaux comme le Physiologus ou les bestiaires. Les frontières entre le monde humain et animal, fondées sur des critères comme la maîtrise du langage, la capacité à rire ou la responsabilité légale, ont profondément évolué et été remises en cause entre le XIIe et le XVe siècle. This is the first volume that explores the changing relationships between humans and animals, both real and fantastic, in medieval France, from a completely interdisciplinary perspective. The authors examine the way the human-animal rapport was imagined, defined and remodeled in thought, culture and artistic production. The distinction between human and animal, fundamental in the Bible and in Ancient philosophy, was challenged throughout the course of the 12th century. This phenomenon can be traced in changes in the terminology used to designate animals, in their representations in the arts and literature, and in the reworking of fundamental texts such as the Physiologus and the bestiaries. The borders between the human and the animal world, based on criteria such as linguistic ability, the capacity to laugh and even legal responsibility, evolved and were fundamentally reconsidered between the 12th and the 15th century. Irène Fabry-Tehranchi est enseignante en langue et littérature française et médiévale à l’université de Reading. Elle est l’auteur de Texte et images des manuscrits du Merlin et de la Suite Vulgate (XIIIe-XVe s.) (Brepols, 2014). Anna Russakoff est enseignante et co-directrice du département d’Histoire de l’Art à The American University, Paris. Elle est co-éditrice et contributrice de l’ouvrage Jean Pucelle: Innovation and Collaboration in Manuscript Painting (Brepols, 2013).
The Court Reconvenes
Author: International Courtly Literature Society. Congress
Publisher: DS Brewer
ISBN: 9780859917971
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
Table of contents
Publisher: DS Brewer
ISBN: 9780859917971
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
Table of contents
Pamphlets on Biology
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 634
Book Description