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Author: Ross King
Publisher: A&C Black
ISBN: 0747599475
Category : Art
Languages : en
Pages : 352
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Book Description
Milan, 1496 and forty-four-year-old Leonardo da Vinci has a reputation for taking on commissions and failing to complete them. He is in a state of professional uncertainty and financial difficulty. For eighteen months he has been painting murals in both the Sforza Castle in Milan and the refectory of the convent of Santa Maria delle Grazie. The latter project will become the Last Supper, a complex mural that took a full three years to complete on a surface fifteen feet high by twenty feet wide. Not only had he never attempted a painting of such size, but he had no experience whatsoever in painting in the physically demanding medium of fresco.For more than five centuries the Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark has called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. Even today, according to Clark, we regard the painting as 'more a work of nature than a work of man'. And yet there is a very human story behind this artistic 'miracle', which was created against the backdrop of momentous events both in Milan and in the life of Leonardo himself.In Leonardo and the Last Supper, Ross King tells the complete story of this creation of this mural: the adversities suffered by the artist during its execution; the experimental techniques he employed; the models for Christ and the Apostles that he used; and the numerous personalities involved - everyone from the Leonardo's young assistants to Ludovico Sforza, the Duke of Milan who commissioned the work. Ross King's new book is both a record of Leonardo da Vinci's last five years in Milan and a 'biography' of one of the most famous works of art ever painted.
Author: Ross King
Publisher: A&C Black
ISBN: 0747599475
Category : Art
Languages : en
Pages : 352
Get Book
Book Description
Milan, 1496 and forty-four-year-old Leonardo da Vinci has a reputation for taking on commissions and failing to complete them. He is in a state of professional uncertainty and financial difficulty. For eighteen months he has been painting murals in both the Sforza Castle in Milan and the refectory of the convent of Santa Maria delle Grazie. The latter project will become the Last Supper, a complex mural that took a full three years to complete on a surface fifteen feet high by twenty feet wide. Not only had he never attempted a painting of such size, but he had no experience whatsoever in painting in the physically demanding medium of fresco.For more than five centuries the Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark has called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. Even today, according to Clark, we regard the painting as 'more a work of nature than a work of man'. And yet there is a very human story behind this artistic 'miracle', which was created against the backdrop of momentous events both in Milan and in the life of Leonardo himself.In Leonardo and the Last Supper, Ross King tells the complete story of this creation of this mural: the adversities suffered by the artist during its execution; the experimental techniques he employed; the models for Christ and the Apostles that he used; and the numerous personalities involved - everyone from the Leonardo's young assistants to Ludovico Sforza, the Duke of Milan who commissioned the work. Ross King's new book is both a record of Leonardo da Vinci's last five years in Milan and a 'biography' of one of the most famous works of art ever painted.
Author: Carlo Bertelli
Publisher: St Pauls BYB
ISBN: 9788171098798
Category : Architecture
Languages : en
Pages : 24
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Book Description
Author: La C�ne Report
Publisher: Lulu.com
ISBN: 1291405984
Category : History
Languages : en
Pages : 132
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Book Description
Where are Leonardo's canvas oil paintings he described? This report analyzes the historical and scientific details of a powerful, large painting bought at auction in France. Carbon-14 dates the canvas to around 1460s and the painting to 1514, the time Leonardo was in Rome. It encapsulates the geopolitical strategy of Medici Pope Leo X to create an alliance with France and stop the early church reform. It shows striking improvements to the Milan 'Last Supper' incorporating a mathematical structure, the only painted self-portrait of Leonardo and a replacement of the 'Christ' figure by Julian, the brother of Pope Leo X, who married into the French royal family of Francis I. This great work captures the turning point to the modern era, freedom of thought, religious and political emancipation from the tyranny of the sword and superstition. X-ray photography reveals Leonardo signaled his initials on his final masterpiece, not once with his hands, nor twice but three times.
Author: Ross King
Publisher: A&C Black
ISBN: 1408834278
Category : Art
Languages : en
Pages : 351
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Book Description
For more than five centuries The Last Supper has been an artistic, religious and cultural icon. The art historian Kenneth Clark called it 'the keystone of European art', and for a century after its creation it was regarded as nothing less than a miraculous image. And yet there is a very human story behind this artistic 'miracle'. Ross King's Leonardo and the Last Supper is both a 'biography' of one of the most famous works of art ever painted and a record of Leonardo da Vinci's last five years in Milan.
Author: Maria Constantino
Publisher:
ISBN: 9780765192790
Category :
Languages : en
Pages : 112
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Book Description
Author: Pietro Marani
Publisher:
ISBN: 9782370741264
Category : Art
Languages : en
Pages : 240
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Book Description
For the first time since its restoration, the copy of the Last Supper by Leonardo da Vinci, a tapestry made between 1505 and 1510, commissioned by Louise de Savoie and François, Duke of Angoulême, future king of France, is unveiled to the public. The tapestry, a monumental work of 6.5m x 9m, preserved in the Vatican Museums, was probably woven in Flanders by a Lombard artist, such as Bramantin or Marcod'Oggiono, artists known to have painted, as early as 1503, copies of the Leonardo's fresco. The tapestry represents one of the first copies of the masterpiece intended for the French court and testifies to the admiration of the kings of France for the artist.This book will also highlight the previous relationship between Louis XII's court and the Italian master and his disciples, such Andrea Solario, Andrea del Sarto and Bernadino de Conti.The essays will also focus on Leonardo da Vinci's journey to and stay in France, through some copies of his most famous paintings and prints, prints and watercolors. Specialists in both Leonard's art and the tapestry of the sixteenth and seventeenth centuries shed light on the provenance and making of this work, as well as it's meticulous restoration.
Author: Everest Media,
Publisher: Everest Media LLC
ISBN:
Category : Art
Languages : en
Pages : 53
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Book Description
Please note: This is a companion version & not the original book. Sample Book Insights: #1 In 1494, King Charles VIII of France entered an Alpine pass with an army of more than thirty thousand men, intent on marching through Italy and seizing the throne of Naples. The French king was short, myopic, and so ill proportioned that he seemed more like a monster than a man. #2 The city of Milan was the center of Lodovico’s empire, and it was a huge fortress with cylindrical towers on its northeast edge. It had been turned into Italy’s greatest by Lodovico’s wealth and determination.
Author: Ludwig Heinrich Heydenreich
Publisher: Viking Adult
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
Author: Jean-Pierre Isbouts
Publisher: Apollo Publishers
ISBN: 1948062356
Category : Art
Languages : en
Pages : 279
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Book Description
For the 500th anniversary of Leonardo da Vinci’s death comes an immersive journey through five centuries of history to define the Leonardo mystique and uncover how the elusive Renaissance artist became a global pop icon. Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark. But how did Leonardo, a painter of very few works who died in obscurity in France, become the internationally renowned icon he is today, with the Mona Lisa and the Last Supper the most visited artworks in the world, attracting nearly a billion visitors each year, and Salvator Mundi selling as the most expensive artwork of all time, for nearly half a billion dollars? This extraordinary volume, lavishly illustrated with 130 color images, is the first book to unravel these mysteries by diving deep into the art, literature, science, and politics of Europe from the Renaissance through today. It gives illuminating context to both Leonardo and his accomplishments; explores why Leonardo’s fame vastly overshadowed that of his contemporaries and disciples; and ultimately reveals why despite finishing very few works, his celebrity has survived, even thrived, through five centuries of history.
Author: Leonardo (da Vinci)
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 40
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Book Description
The Rizzoli Quadrifolio art series combines the most popular artists with authoritative text and a fresh, unique format destined to appeal to children and adults alike. Featuring sixteen pages that open up to four times the individual page size, this series allows the reader to delve into the details of individual paintings or see the full horizontal development of a fresco. With stunning color reproductions, expert commentary, and a revolutionary format, Rizzoli Quadrifolios is a pioneering art series. Following the success of Michelangelo, the Sistine Chapel; Vincent van Gogh; Gustav Klimt; and Caravaggio, is Leonardo da Vinci: The Last Supper, a book dedicated to perhaps one of the most significant and recognizable works of art ever created. The reader is afforded extraordinary details of this restored but still deteriorating fresco, perhaps the Renaissance master's most important work. Located in a small monastery in Milan, the work has recently been restored so that the delicate faces which register, with great subtlety, the gravity of the moment at which Christ announces to his apostles that one among them will betray him, are visible once again. Every inch of the work is reproduced here in illuminating close-ups so that the masterpiece can be appreciated anew.
