Author: Giuditta Cirnigliaro
Publisher: BRILL
ISBN: 9004527192
Category : Art
Languages : en
Pages : 270
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Book Description
An exploration of the compositional methods and sources of Leonardo’s fables to investigate their relationship with illustrations and scientific studies.
Author: Leonardo (da Vinci)
Publisher: Mitchell Beazley
ISBN:
Category : Fables
Languages : en
Pages : 128
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Book Description
Author: Leonardo (da Vinci)
Publisher: Univ of California Press
ISBN: 9780520033290
Category : Art
Languages : en
Pages : 468
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Book Description
Author: Leonardo Da Vinci
Publisher: Prabhat Prakashan
ISBN:
Category : Self-Help
Languages : en
Pages : 806
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Book Description
This Combo Collection (Set of 3 Books) includes All-time Bestseller Books. This anthology contains : Thoughts on Art and Life Leonardo da Vinci, Pathfinder of Science The Notebooks of Leonardo Da Vinci
Author: Leonardo (da Vinci.)
Publisher: Prabhat Prakashan
ISBN:
Category : Self-Help
Languages : en
Pages : 570
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Book Description
The Notebooks of Leonardo Da Vinci by Leonardo Da Vinci: This classic volume collects a wide range of Leonardo Da Vinci's notes and musings, offering a glimpse into the mind of one of history's greatest artists and inventors. With its rich insights into art, science, and the human experience, "The Notebooks of Leonardo Da Vinci" is a must-read for fans of intellectual history and biography. Key Aspects of the Book "The Notebooks of Leonardo Da Vinci": Insights into Art and Science: The book offers rich insights into the worlds of art and science, highlighting the complex and interrelated nature of these two fields. Musings and Reflections: The book features a wide range of notes and musings, showcasing Da Vinci's playful and curious spirit and his unending quest for knowledge. Historical Biography: The book provides a rich biography of Da Vinci, offering insights into his life and times and his enduring legacy in art and science. Leonardo Da Vinci was an Italian Renaissance artist and inventor who lived from 1452 to 1519. He was a leading figure in the worlds of art and science, known for his insights into human anatomy, his groundbreaking work in engineering and design, and his stunning masterpieces of painting and sculpture. "The Notebooks of Leonardo Da Vinci" is a testament to his enduring impact on human culture and history.
Author: Leonardo Da Vinci
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 778
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Book Description
The Notebooks Of Leonardo Da Vinci, Complete By Leonardo Da Vinci Leonardo da Vinci—artist, inventor, and prototypical Renaissance man—is a perennial source of fascination because of his astonishing intellect and boundless curiosity about the natural and man-made world. During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits. The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes. The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius. The Notebooks Of Leonardo Da Vinci, Complete By Leonardo Da Vinci
Author: Da Vinci Leonardo
Publisher: BoD – Books on Demand
ISBN: 9358597046
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
The Notebooks of Leonardo Da Vinci Vol-2' is an enlightening collection of writings by the renowned polymath Leonardo da Vinci. The second volume of Leonardo da Vinci's notebooks contains a wide range of writings on a variety of topics, including sculpture, architecture, zoology, physiology, medicine, astronomy, geography, naval warfare, swimming, flying machines, mining, music, and more. Leonardo's writings are often accompanied by detailed drawings and diagrams, which provide a fascinating glimpse into his mind and his work. The volume begins with a section on sculpture, in which Leonardo discusses the principles of design and proportion. He also provides detailed instructions on how to create sculptures, including how to model clay, cast bronze, and carve marble. The next section of the volume is devoted to architecture. Leonardo discusses the design of buildings, including churches, palaces, and fortifications. He also provides insights into the principles of engineering and construction.
Author: da Vinci, Leonardo
Publisher: Aegitas
ISBN: 500064008X
Category : History
Languages : en
Pages : 747
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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description.
Author: Martin Kemp
Publisher: Oxford University Press
ISBN: 019920778X
Category : Art
Languages : en
Pages : 429
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Book Description
A masterly account of the genius of Leonardo da Vinci and his vision of the world, generously illustrated throughout, presenting a fully integrated picture of Leonardo's art, science, and thought.
Author: Eugène Müntz
Publisher: Parkstone International
ISBN: 1781603871
Category : Art
Languages : en
Pages : 256
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Book Description
Leonardo’s early life was spent in Florence, his maturity in Milan, and the last three years of his life in France. Leonardo’s teacher was Verrocchio. First he was a goldsmith, then a painter and sculptor: as a painter, representative of the very scientific school of draughtsmanship; more famous as a sculptor, being the creator of the Colleoni statue at Venice, Leonardo was a man of striking physical attractiveness, great charm of manner and conversation, and mental accomplishment. He was well grounded in the sciences and mathematics of the day, as well as a gifted musician. His skill in draughtsmanship was extraordinary; shown by his numerous drawings as well as by his comparatively few paintings. His skill of hand is at the service of most minute observation and analytical research into the character and structure of form. Leonardo is the first in date of the great men who had the desire to create in a picture a kind of mystic unity brought about by the fusion of matter and spirit. Now that the Primitives had concluded their experiments, ceaselessly pursued during two centuries, by the conquest of the methods of painting, he was able to pronounce the words which served as a password to all later artists worthy of the name: painting is a spiritual thing, cosa mentale. He completed Florentine draughtsmanship in applying to modelling by light and shade, a sharp subtlety which his predecessors had used only to give greater precision to their contours. This marvellous draughtsmanship, this modelling and chiaroscuro he used not solely to paint the exterior appearance of the body but, as no one before him had done, to cast over it a reflection of the mystery of the inner life. In the Mona Lisa and his other masterpieces he even used landscape not merely as a more or less picturesque decoration, but as a sort of echo of that interior life and an element of a perfect harmony. Relying on the still quite novel laws of perspective this doctor of scholastic wisdom, who was at the same time an initiator of modern thought, substituted for the discursive manner of the Primitives the principle of concentration which is the basis of classical art. The picture is no longer presented to us as an almost fortuitous aggregate of details and episodes. It is an organism in which all the elements, lines and colours, shadows and lights, compose a subtle tracery converging on a spiritual, a sensuous centre. It was not with the external significance of objects, but with their inward and spiritual significance, that Leonardo was occupied.
