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Author: Elena Russo
Publisher: JHU Press
ISBN: 080189610X
Category : Literary Criticism
Languages : en
Pages : 361
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Book Description
Styles of Enlightenment argues that alongside its democratic ideals and its efforts to create a unified public sphere, the Enlightenment also displayed a tendency to erect rigid barriers when it came to matters of style and artistic expression. The French philosophes tackled the issue of the hierarchy of genres with surprising inflexibility, and they looked down on those forms of art that they saw as commercial, popular, and merely entertaining. They were convinced that the standard of taste was too important a matter to be left to the whims of the public and the vagaries of the marketplace: aesthetic judgment ought to belong to a few, enlightened minds who would then pass it on to the masses. Through readings of fictions, essays, memoirs, eulogies, and theatrical works by Fénelon, Bouhours, Marivaux, Montesquieu, Voltaire, Diderot, Rousseau, Mercier, Thomas, and others, Styles of Enlightenment traces the stages of a confrontation between the virile philosophe and the effeminate worldly writer, "good" and "bad" taste, high art and frivolous entertainment, state patronage and the privately sponsored marketplace, the academic eulogy and worldly conversation. It teases out the finer points of division on the public battlefields of literature and politics and the new world of contesting sexual economies.
Author: Elena Russo
Publisher: JHU Press
ISBN: 080189610X
Category : Literary Criticism
Languages : en
Pages : 361
Get Book Here
Book Description
Styles of Enlightenment argues that alongside its democratic ideals and its efforts to create a unified public sphere, the Enlightenment also displayed a tendency to erect rigid barriers when it came to matters of style and artistic expression. The French philosophes tackled the issue of the hierarchy of genres with surprising inflexibility, and they looked down on those forms of art that they saw as commercial, popular, and merely entertaining. They were convinced that the standard of taste was too important a matter to be left to the whims of the public and the vagaries of the marketplace: aesthetic judgment ought to belong to a few, enlightened minds who would then pass it on to the masses. Through readings of fictions, essays, memoirs, eulogies, and theatrical works by Fénelon, Bouhours, Marivaux, Montesquieu, Voltaire, Diderot, Rousseau, Mercier, Thomas, and others, Styles of Enlightenment traces the stages of a confrontation between the virile philosophe and the effeminate worldly writer, "good" and "bad" taste, high art and frivolous entertainment, state patronage and the privately sponsored marketplace, the academic eulogy and worldly conversation. It teases out the finer points of division on the public battlefields of literature and politics and the new world of contesting sexual economies.
Author: Marie-Madeleine Fontaine
Publisher: Librairie Droz
ISBN: 9782600031042
Category :
Languages : en
Pages : 148
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Book Description
Author: B. Hutchinson
Publisher: Springer
ISBN: 0230343201
Category : History
Languages : en
Pages : 311
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Book Description
Modernism is fundamentally determined by its relationship to its own notions of style: oscillating between the poles of 'pure' style and 'purely' style, this traces the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s.
Author: Phiroze Vasunia
Publisher: Bloomsbury Publishing
ISBN: 1350162647
Category : History
Languages : en
Pages : 312
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Book Description
The Politics of Form in Greek Literature explores the relationship between form and political life specifically in Greek textual culture. In the last generation or so, classicists (and their counterparts in other disciplines) have begun to pay greater attention to the socio-historical contexts of literary production and sought to historicize aesthetic practice. However, historicism (and in particular New Historicism) is only one mode of approaching the question of form, which is increasingly brought into dialogue with a number of other issues (e.g. gender). Bringing together contributions from a range of experts, this volume examines these and other related approaches, assessing their limitations and discussing possibilities for the future. Individual chapters discuss an array of ancient authors, including Homer, Sophocles, Euripides, Plato, Aristotle, Callimachus, and more, and sketch out the specifically Greek contribution to the debate, as well as the implications for other disciplines. What emerges from this book are new ways of thinking about form, and indeed about politics, that will be of value to scholars and students across the humanities and social sciences.
Author: Carlo Ginzburg
Publisher: Univ of California Press
ISBN: 0520274482
Category : History
Languages : en
Pages : 336
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Book Description
"This book is a translation of historian Carlo Ginzburgʾs latest collection of essays. Through the detective work of uncovering a wide variety of stories or microhistories from fragments, Ginzburg takes on the bigger questions: How do we draw the line between truth and fiction? What is the relationship between history and memory? Stories range from medieval Europe, the inquisitional trial of a witch, seventeenth-century antiquarianism, and twentieth-century historians"--Provided by publisher.
Author: Tasso Borbé
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110869896
Category : Language Arts & Disciplines
Languages : en
Pages : 1888
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Book Description
Author: Jacques Havet
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111532399
Category : Language Arts & Disciplines
Languages : en
Pages : 968
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Book Description
No detailed description available for "Anthropological and historical sciences. Aesthetics and the sciences of art".
Author: Adam Watt
Publisher: BRILL
ISBN: 9004302425
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This number of Marcel Proust Aujourd’hui, ‘Swann at 100/Swann à 100 ans’, edited by Adam Watt, has its origins in a conference that took place in Exeter, UK, in December 2013 to celebrate the centenary of the publication of Du côté de chez Swann. The articles, in English and French, approach this first volume of A la recherche du temps perdu from various perspectives: there are reception studies, thematic and stylistic studies, as well as contributions to our knowledge of the cultural and intellectual history of the period and, in particular, that annus mirabilis 1913. ‘Swann at 100’ will be an important resource for all readers of the Recherche. Ce numéro de Marcel Proust Aujourd’hui, ‘Swann at 100/Swann à 100 ans’, dirigé par Adam Watt, a ses racines dans un colloque qui eut lieu à Exeter (Angleterre) en décembre 2013 pour fêter le centenaire de la publication de Du côté de chez Swann. Les articles, en français et en anglais, abordent ce premier volume de la Recherche (ainsi que d’autres parties du roman) sous plusieurs perspectives : on y trouve des études de la réception de l’œuvre, des études thématiques et stylistiques, ainsi que des contributions à notre connaissance de l’histoire culturelle et intellectuelle de la période et, en particulier, de cette annus mirabilis 1913. ‘Swann à 100 ans’ sera une ressource considérable pour tout lecteur de la Recherche.
Author: Michael Vincent
Publisher: John Benjamins Publishing
ISBN: 9027277338
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
The works of Jean de La Fontaine have invited an extraordinary variety of readings in the three centuries since their composition. By engaging selected fables and tales with contemporary notions of intertextuality, reader reception theory, and grammatology, Figures of the Text raises questions about what “reading La Fontaine” meant in the 17th century, and what it means today. The study integrates a theory of reading and a theory of textual production by drawing attention to those aspects of the text that figure writing and reading, for instance: scenes of reading; other modes of writing (emblems, hieroglyphics); inscriptions and epitaphs; proper names; and citation (proverbs, maxims, allusions); the relation of represented orality to textuality, of textuality to corporeality, and of textuality to the visual arts (ekphrasis); and the archaeology of textual figures, such as labyrinths, textiles, and veils.
Author: Robert H. Crawshaw
Publisher: Psychology Press
ISBN: 9780415184083
Category : Foreign Language Study
Languages : en
Pages : 246
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Book Description
Varied and clearly presented, this book introduces students of French to a range of methods of text analysis, including stylistics and discourse analysis.
