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Author: Lennox Berkeley
Publisher: Boydell Press
ISBN: 1843837854
Category : Biography & Autobiography
Languages : en
Pages : 346
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Book Description
"A substantial introduction from Dickinson, who first met Berkeley in 1956, is followed by Berkeley's reports on musical life in Paris (1929-34) and a selection of his letters to his celebrated teacher Nadia Boulsnger (in translation). Almost all of Berkely's later writings follow, and then there are four interviews he gave in the 1970s. After Berkeley's death, Dickinson interviewed performers, composers, family and friends for a BBC Radio 3 documentary, and the complete recorded discussions are transcribed"--Publisher's description.
Author: Lennox Berkeley
Publisher: Boydell Press
ISBN: 1843837854
Category : Biography & Autobiography
Languages : en
Pages : 346
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Book Description
"A substantial introduction from Dickinson, who first met Berkeley in 1956, is followed by Berkeley's reports on musical life in Paris (1929-34) and a selection of his letters to his celebrated teacher Nadia Boulsnger (in translation). Almost all of Berkely's later writings follow, and then there are four interviews he gave in the 1970s. After Berkeley's death, Dickinson interviewed performers, composers, family and friends for a BBC Radio 3 documentary, and the complete recorded discussions are transcribed"--Publisher's description.
Author: Tony Scotland
Publisher:
ISBN: 9780859553193
Category : Composers
Languages : en
Pages : 575
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Book Description
Once in a relationship with Benjamin Britten, Lennox Berkeley surprised his friends when he married Freda Bernstein in the winter of 1946. In 'Lennox and Freda', Tony Scotland paints a portrait of their unconventional marriage, as well as remembering a way of life which is now long gone.
Author: Peter Dickinson
Publisher: Boydell Press
ISBN: 9780851159362
Category : Biography & Autobiography
Languages : en
Pages : 268
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Book Description
Fully revised edition of Peter Dickinson's acclaimed study of one of the great British composers of the twentieth century. Sir Lennox Berkeley (1903-1989) was one of the leading British composers of the mid-twentieth century and his music has unique qualities which will ensure its survival far beyond transient fashions. Peter Dickinson knew Berkeley for more than thirty years and this much enlarged book places the composer in the context of his extended study with Nadia Boulanger, his friendship with Britten, and the achievement of an independent voice of remarkable distinction. The new book now benefits from interviews with Lady Berkeley, Michael Berkeley, Julian Bream, Colin Horsley, Sir John Manduell, Nicholas Maw, Malcolm Williamson and the late Basil Douglas, Desmond Shawe-Taylor and Norman del Mar. There are photographs, a full list of works, bibliographies and over a hundred musical examples. PETER DICKINSON is Head of Music at the Institute of United States Studies at the University of London and an Emeritus Professor of the Universities of Keele and London.
Author: Stephen H. Smith
Publisher: Troubador Publishing Ltd
ISBN: 180046696X
Category : Music
Languages : en
Pages : 360
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Book Description
My book begins with a brief consideration of what we mean by “English music” and what factors are involved. I explain the reasons behind my choice of composers for consideration, and for the omissions from the survey.
Author: Peter Dickinson
Publisher: Boydell & Brewer
ISBN: 178327106X
Category : Music
Languages : en
Pages : 338
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Book Description
Articles, tributes and reminiscences of composer, pianist and author Peter Dickinson are here brought together for the first time.
Author: Iain Quinn
Publisher: Routledge
ISBN: 1351672401
Category : Music
Languages : en
Pages : 323
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Book Description
Studies in English Organ Music is a collection of essays by expert authors that examines key areas of the repertoire in the history of organ music in England. The essays on repertoire are placed alongside supporting studies in organ building and liturgical practice in order to provide a comprehensive contextualization. An analysis of the symbiotic relationship between the organ, liturgy, and composers reveals how the repertoire has been shaped by these complementary areas and developed through history. This volume is the first collection of specialist studies related to the field of English organ music.
Author: Peter Webster
Publisher: Springer
ISBN: 1137369108
Category : History
Languages : en
Pages : 263
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Book Description
This book is the first full-length treatment of Walter Hussey's work as a patron between 1943 and 1978, first for the Anglican parish church of St Matthew in Northampton, and then at Chichester Cathedral. He was responsible for the most significant sequence of works of art commissioned for the British churches in the twentieth century. They included music by Benjamin Britten, Leonard Bernstein and William Walton, visual art by Henry Moore, Graham Sutherland and Marc Chagall, and poetry by W. H. Auden. Placing Hussey in theological context and in a period of rapid cultural change, it explores the making and reception of the commissions, and the longer-term influence of his work, still felt today. As well as contributing to the religious and cultural history of Britain, and of Anglo-Catholicism and the cathedrals in particular, the book will be of interest to all those concerned with the relationship between theology and the arts, and to historians of music and the visual arts.
Author: Roger Nichols
Publisher: Yale University Press
ISBN: 0300226500
Category : Biography & Autobiography
Languages : en
Pages : 403
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Book Description
An authoritative account of the life and work of Francis Poulenc, one of the most prolific and striking figures in twentieth-century classical music "An assured overview of Poulenc's life and work."--Alex Ross, New Yorker "Essential reading for anyone interested in the French musical culture of Poulenc's time. This is the biography the composer deserves."--Christopher Dingle, BBC Music Magazine, Named one of the Best Books on Classical Music in 2020 by BBC Music Magazine Francis Poulenc is a key figure in twentieth-century classical music, as well as an unorthodox and striking individual. Roger Nichols draws upon Poulenc's music and other primary sources to write an authoritative life of this great artist. Although associated with five other French composers in what came to be called "Les Six", Poulenc was very much sui generis in personality and in his music, where he excelled over a wide repertoire--opera, songs, ballet scores, chamber works, piano pieces, sacred and secular choral works, orchestral works and concertos. This book fully covers this wide range, while also describing the vicissitudes of Poulenc's life and the many important relationships he had with major figures such as Satie, Ravel, Stravinsky, Diaghilev, Cocteau and others.
Author: Graham Elliott
Publisher: OUP Oxford
ISBN: 0191541710
Category : Music
Languages : en
Pages : 186
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Book Description
Since Britten's death in 1976, numerous articles and books have been written about his life and work. Much has been made of the strong influences of his pacifism and his homosexuality. It is often suggested that Britten felt himself to be an outsider from 'normal' society, and that this accounts for the his concern to portray the 'outsider' in his operas. There is no doubt that this is an important aspect of Britten's art, but the present work attempts to show that his music embraces much wider and more universal concerns, and in addressing those concerns there is a clearly defined pattern of spiritual influence. Part One of the book examines Britten's early life, and the strong presence which the Church had in his childhood and adolescence. It explores the way in which certain spiritual influences were first manifested, and how, like the more specifically musical 'themes' which Donald Mitchell has noted, they can be traced throughout Britten's life and work. The author was privileged to have conversations with two clergymen who were influential in Britten's life, as well as gathering valuable insights through a long series of conversations with Sir Peter Pears. Part Two examines a wide range of the composer's music in which a spiritual dimension can be traced. The specifically liturgical music has received rather less critical notice than Britten's larger works. The music is discussed here, and shown to possess musical characteristics in common with the larger works. Britten could not be described as a conventional Christian; still less is it true to describe him, as Eric Walter White has done, as 'keen, wherever possible, to work within the framework of the Church of England'. Nevertheless, his spirituality was rooted in the religious experience of his childhood. This book seeks to demonstrate that Britten retained a sense of the Christian values absorbed in childhood and adolescence, and that these - along with the specifically Christian heritage of plainsong - were strongly influential in his choice and treatment of themes.
Author: R. James Tobin
Publisher: Rowman & Littlefield
ISBN: 0810884402
Category : Music
Languages : en
Pages : 301
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Book Description
From the 1920s to the 1950s, neoclassicism was one of the dominant movements in American music. Today this music is largely in eclipse, mostly absent in performance and even from accounts of music history, in spite of—and initially because of—its adherence to an expanded tonality. No previous book has focused on the nature and scope of this musical tradition. Neoclassical Music in America: Voices of Clarity and Restraint makes clear what neoclassicism was, how it emerged in America, and what happened to it. Music reviewer and scholar, R. James Tobin argues that efforts to define musical neoclassicism as a style largely fail because of the stylistic diversity of the music that fall within its scope. However, neoclassicists as different from one another as the influential Igor Stravinsky and Paul Hindemith did have a classical aesthetic in common, the basic characteristics of which extend to other neoclassicists This study focuses, in particular, on a group of interrelated neoclassical American composers who came to full maturity in the 1940s. These included Harvard professor Walter Piston, who had studied in France in the 1920s; Harold Shapero, the most traditional of the group; Irving Fine and Arthur Berger, his colleagues at Brandeis; Lukas Foss, later an experimentalist composer whose origins lay in neoclassicism of the 1940s; Alexei Haieff, and Ingolf Dahl, both close associates of Stravinsky; and others. Tobin surveys the careers of these figures, drawing especially on early reviews of performances before offering his own critical assessment of individual works. Adventurous collectors of recordings, performing musicians, concert and broadcasting programmers, as well as music and cultural historians and those interested in musical aesthetics, will find much of interest here. Dates of composition, approximate duration of individual works, and discographies add to the work’s reference value.
