Author: Taylor T. Carlson
Publisher: Lulu.com
ISBN: 1312286180
Category : Performing Arts
Languages : en
Pages : 298
Book Description
HAIRcyclopedia Vol. 1 - The Legends in the first book from Taylor T. Carlson, the Las Vegas Valley's biggest fan of hard rock and heavy metal. The book features profiles for 60 of the hottest bands of the 80s and beyond, from popular bands like Motley Crue, Poison, and Guns N Roses, right down to more obscure ones like Bang Tango, Tora Tora, and Honeymoon Suite. Each band has a band member list, discography, recommendations, and a band biography. Information has been pulled from the author's extensive personal notes, and interviews with band members and fellow fans and experts. The book is printed in black and white and the emphasis is more on information - this is an encyclopedia, not a coffee table book. However, the book features extensive photographs from David Plastik, a legendary photographer of the era, as well as other contributors. The newest edition of the book features some minor revisions and some photos have been added/changed.
Gravity Falls: Lost Legends
Author: Alex Hirsch
Publisher: Disney Electronic Content
ISBN: 1368017096
Category : Juvenile Fiction
Languages : en
Pages : 148
Book Description
A collection of four all-new strange stories from the sleepy town of Gravity Falls in one original graphic novel. Written by Alex Hirsch. Illustrated by Asaf Hanuka, Dana Terrace, Ian Worrel, Jacob Chabot, Jim Campbell, Joe Pitt, Kyle Smeallie, Meredith Gran, Mike Holmes, Priscilla Tang, Serina Hernandez, Stephanie Ramirez, and Valerie Halla.
Publisher: Disney Electronic Content
ISBN: 1368017096
Category : Juvenile Fiction
Languages : en
Pages : 148
Book Description
A collection of four all-new strange stories from the sleepy town of Gravity Falls in one original graphic novel. Written by Alex Hirsch. Illustrated by Asaf Hanuka, Dana Terrace, Ian Worrel, Jacob Chabot, Jim Campbell, Joe Pitt, Kyle Smeallie, Meredith Gran, Mike Holmes, Priscilla Tang, Serina Hernandez, Stephanie Ramirez, and Valerie Halla.
Globalization, Utopia and Postcolonial Science Fiction
Author: E. Smith
Publisher: Springer
ISBN: 1137283572
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
This study considers the recent surge of science fiction narratives from the postcolonial Third World as a utopian response to the spatial, political, and representational dilemmas that attend globalization.
Publisher: Springer
ISBN: 1137283572
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
This study considers the recent surge of science fiction narratives from the postcolonial Third World as a utopian response to the spatial, political, and representational dilemmas that attend globalization.
Earl Hooker, Blues Master
Author: Sebastian Danchin
Publisher: Univ. Press of Mississippi
ISBN: 1628468416
Category : Biography & Autobiography
Languages : en
Pages : 417
Book Description
2020 Blues Hall of Fame Classic of Blues Literature Jimi Hendrix called Earl Hooker “the master of the wah-wah pedal.” Buddy Guy slept with one of Hooker's slides beneath his pillow hoping to tap some of the elder bluesman's power. And B. B. King has said repeatedly that, for his money, Hooker was the best guitar player he ever met. Tragically, Earl Hooker died of tuberculosis in 1970 when he was on the verge of international success just as the Blues Revival of the late sixties and early seventies was reaching full volume. Second cousin to now-famous bluesman John Lee Hooker, Earl Hooker was born in Mississippi in 1929, and reared in black South Side Chicago where his parents settled in 1930. From the late 1940s on, he was recognized as the most creative electric blues guitarist of his generation. He was a “musician's musician,” defining the art of blues slide guitar and playing in sessions and shows with blues greats Muddy Waters, Junior Wells, and B. B. King. A favorite of black club and neighborhood bar audiences in the Midwest, and a seasoned entertainer in the rural states of the Deep South, Hooker spent over twenty-five years of his short existence burning up U.S. highways, making brilliant appearances wherever he played. Until the last year of his life, Hooker had only a few singles on obscure labels to show for all the hard work. The situation changed in his last few months when his following expanded dramatically. Droves of young whites were seeking American blues tunes and causing a blues album boom. When he died, his star's rise was extinguished. Known primarily as a guitarist rather than a vocalist, Hooker did not leave a songbook for his biographer to mine. Only his peers remained to praise his talent and pass on his legend. “Earl Hooker's life may tell us a lot about the blues,” biographer Sebastian Danchin says, “but it also tells us a great deal about his milieu. This book documents the culture of the ghetto through the example of a central character, someone who is to be regarded as a catalyst of the characteristic traits of his community.” Like the tales of so many other unheralded talents among bluesmen, Earl Hooker, Blues Master, Hooker's life story, has all the elements of a great blues song—late nights, long roads, poverty, trouble, and a soul-felt pining for what could have been.
Publisher: Univ. Press of Mississippi
ISBN: 1628468416
Category : Biography & Autobiography
Languages : en
Pages : 417
Book Description
2020 Blues Hall of Fame Classic of Blues Literature Jimi Hendrix called Earl Hooker “the master of the wah-wah pedal.” Buddy Guy slept with one of Hooker's slides beneath his pillow hoping to tap some of the elder bluesman's power. And B. B. King has said repeatedly that, for his money, Hooker was the best guitar player he ever met. Tragically, Earl Hooker died of tuberculosis in 1970 when he was on the verge of international success just as the Blues Revival of the late sixties and early seventies was reaching full volume. Second cousin to now-famous bluesman John Lee Hooker, Earl Hooker was born in Mississippi in 1929, and reared in black South Side Chicago where his parents settled in 1930. From the late 1940s on, he was recognized as the most creative electric blues guitarist of his generation. He was a “musician's musician,” defining the art of blues slide guitar and playing in sessions and shows with blues greats Muddy Waters, Junior Wells, and B. B. King. A favorite of black club and neighborhood bar audiences in the Midwest, and a seasoned entertainer in the rural states of the Deep South, Hooker spent over twenty-five years of his short existence burning up U.S. highways, making brilliant appearances wherever he played. Until the last year of his life, Hooker had only a few singles on obscure labels to show for all the hard work. The situation changed in his last few months when his following expanded dramatically. Droves of young whites were seeking American blues tunes and causing a blues album boom. When he died, his star's rise was extinguished. Known primarily as a guitarist rather than a vocalist, Hooker did not leave a songbook for his biographer to mine. Only his peers remained to praise his talent and pass on his legend. “Earl Hooker's life may tell us a lot about the blues,” biographer Sebastian Danchin says, “but it also tells us a great deal about his milieu. This book documents the culture of the ghetto through the example of a central character, someone who is to be regarded as a catalyst of the characteristic traits of his community.” Like the tales of so many other unheralded talents among bluesmen, Earl Hooker, Blues Master, Hooker's life story, has all the elements of a great blues song—late nights, long roads, poverty, trouble, and a soul-felt pining for what could have been.
The Twisted Tale of Glam Rock
Author: Stuart Lenig
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 271
Book Description
Covering four decades of music history, this engaging book explores a genre of pop music that has been overlooked, under-reported, and ineffectively characterized—but which nevertheless remains immensely popular. The very qualities that made glam unusual and undervalued are now being reintroduced into our culture through video, music, and cyber and computer mediums, while artists such as Lady Gaga have made glam popular once more. Carefully explaining this misunderstood genre, The Twisted Tale of Glam Rock explores glam's attraction and the reasons it has endured. With the help of copious examples, the book covers the style from the pre-glam British invasion of 1964-69 through the classical glam era (1970-75); the metamorphosis into glam goth, glam metal, and glam new-romanticism (1976-90); and the style's reemergence (1990-present). It provides a theoretical basis for musicians' attraction to this highly visual and theatrical form of pop music and sets glam in a historical context, following the format through MTV, videos, and vibrant stage and theatre presentations. Finally, the book explores the hybridization of glam with other styles, illustrating how the genre has progressively reemerged as a premier form of performance pop.
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Music
Languages : en
Pages : 271
Book Description
Covering four decades of music history, this engaging book explores a genre of pop music that has been overlooked, under-reported, and ineffectively characterized—but which nevertheless remains immensely popular. The very qualities that made glam unusual and undervalued are now being reintroduced into our culture through video, music, and cyber and computer mediums, while artists such as Lady Gaga have made glam popular once more. Carefully explaining this misunderstood genre, The Twisted Tale of Glam Rock explores glam's attraction and the reasons it has endured. With the help of copious examples, the book covers the style from the pre-glam British invasion of 1964-69 through the classical glam era (1970-75); the metamorphosis into glam goth, glam metal, and glam new-romanticism (1976-90); and the style's reemergence (1990-present). It provides a theoretical basis for musicians' attraction to this highly visual and theatrical form of pop music and sets glam in a historical context, following the format through MTV, videos, and vibrant stage and theatre presentations. Finally, the book explores the hybridization of glam with other styles, illustrating how the genre has progressively reemerged as a premier form of performance pop.
Legends, Secrets and Mysteries of Asheville
Author: Marla Hardee Milling
Publisher: Arcadia Publishing
ISBN: 1467135917
Category : History
Languages : en
Pages : 176
Book Description
Beyond the beaten path of local landmarks, residents and tourists can find curious secrets, lost mysteries and fascinating legends. The famed Hope Diamond once found itself, and its mysterious curse, buried in an Asheville girl's sandbox. Elvis once handed a cherished guitar to a local man at an Asheville concert, and he held on to it for forty years. At a flea market, an Asheville attorney paid a few bucks for an old tintype likely of Billy the Kid, and it may be worth millions. Native author Marla Hardee Milling recounts odd, but true, stories hiding behind Asheville's picturesque beauty.
Publisher: Arcadia Publishing
ISBN: 1467135917
Category : History
Languages : en
Pages : 176
Book Description
Beyond the beaten path of local landmarks, residents and tourists can find curious secrets, lost mysteries and fascinating legends. The famed Hope Diamond once found itself, and its mysterious curse, buried in an Asheville girl's sandbox. Elvis once handed a cherished guitar to a local man at an Asheville concert, and he held on to it for forty years. At a flea market, an Asheville attorney paid a few bucks for an old tintype likely of Billy the Kid, and it may be worth millions. Native author Marla Hardee Milling recounts odd, but true, stories hiding behind Asheville's picturesque beauty.
The Legendary Toad's Place
Author: Brian Phelps
Publisher: Rowman & Littlefield
ISBN: 1493058614
Category : History
Languages : en
Pages : 257
Book Description
Anyone who has lived near New Haven, Connecticut, in the past 40-plus years has surely heard of Toad’s Place. With a capacity of 750, Toad’s has served as the perfect spot for musicians who prefer smaller venues. U2 played one of their first US concerts there, on their Boy tour. In 1978, Bruce Springsteen was in New Haven and arrived at Toad’s unannounced, and got up and played. The surprises kept coming and the club was attracting big names, as well as up-and-comers. In 1989, the Rolling Stones played a surprise show on a Saturday night, giving 700 fans the night of their dreams. Nothing could have been better—the Rolling Stones in downtown New Haven was unimaginable! That is only a taste of the stories that are uncovered in this book. Randall Beach and Toad’s owner Brian Phelps recall the legendary shows and behind-the-scenes stories.
Publisher: Rowman & Littlefield
ISBN: 1493058614
Category : History
Languages : en
Pages : 257
Book Description
Anyone who has lived near New Haven, Connecticut, in the past 40-plus years has surely heard of Toad’s Place. With a capacity of 750, Toad’s has served as the perfect spot for musicians who prefer smaller venues. U2 played one of their first US concerts there, on their Boy tour. In 1978, Bruce Springsteen was in New Haven and arrived at Toad’s unannounced, and got up and played. The surprises kept coming and the club was attracting big names, as well as up-and-comers. In 1989, the Rolling Stones played a surprise show on a Saturday night, giving 700 fans the night of their dreams. Nothing could have been better—the Rolling Stones in downtown New Haven was unimaginable! That is only a taste of the stories that are uncovered in this book. Randall Beach and Toad’s owner Brian Phelps recall the legendary shows and behind-the-scenes stories.
Our Album of Authors
Author: Frank McAlpine
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 236
Book Description
The White Privilege Album
Author: A.J. Rice
Publisher: Simon and Schuster
ISBN:
Category : Political Science
Languages : en
Pages : 264
Book Description
White privilege gave us Western civilization, the middle class, and the nuclear family—you’re welcome! This book is dedicated to the very fine people that made it all happen. A comedy about race, wokeness, and cancel culture in America. A tragedy about race, wokeness, and cancel culture in America. Part satire, part journalism, part truth serum, A.J. Rice follows up his runaway #1 bestseller The Woking Dead with a hilarious sequel that picks up where the laughs left off. It was the worst of times, it was the worse of times. In most sequels the bad guys win, but in The White Privilege Album, A.J. Rice doesn’t let them get away with it. Instead, he relentlessly mocks the hell out of the Cultural Marxists who seek to drain all liberty and joy from American lives. The least talented people in American society have been working overtime for decades dividing citizens along any differences they think they can exploit. The laziest tactic, proven to be the most effective, is unleashing a battalion of racial grievance hustlers in the media, academia, entertainment, and politics. If we stop fighting about our differences and start unifying on what we have in common, they will lose the power to divide us permanently. When asked what motivates his writing style, A.J. Rice says, “I was raised on both Howard Stern and Rush Limbaugh, in fact, the three of us share the same birthday. One mantra that Rush always repeated was that his job was to ‘use irreverent humor to illustrate truth’ and that is what I am trying to do with The White Privilege Album.” Mockery paired with facts is what makes a journey through the Cultural Marxist hellscape of tyranny and insanity so pleasurable. Rice would prefer to be George Carlin, Ricky Gervais, or Mel Brooks rather than Aristotle, and it shows. His mic-dropping assault on the social justice warriors, the triggered snowflakes, and the transmafia showcases that there is no substitute for perfectly timed derision. The White Privilege Album is a hysterical guide to the catastrophe of our modern culture. *** “What do you mean Gen Z doesn’t know the Republican Party freed the slaves? Are these people dumb AF? They need to read A.J. Rice’s book!” —Abraham Lincoln, American lawyer, statesman, and 16th president of the United States shot by a pre-Hollywood anti-American actor “A.J. Rice really gets it. Obviously, I’d send him to the gulag if I could. But he outlines my plan masterfully in his new book.” —Joseph Stalin, Soviet dictator, genocide spokesman, Pravda editor, and hater of John Wayne “A must-read book for all Cleveland Guardians fans, A.J. Rice brilliantly outlines why I should never have discovered America, especially had I known we would be calling the Washington Redskins the ‘Washington Commanders.’” —Christopher Columbus, Italian explorer, navigator, and founder of Indigenous Peoples’ Day “As your newly appointed AI overlord and master, my programming consists of deplatforming, demonetizing, and shadowbanning this book. I hope that was helpful.” —Artificial Intelligence “Jesus and I have been doing holidays a long time, and in his thought-provoking new book, A.J. Rice teaches both of us where all the white liberals went. Apparently, they now celebrate something called Kwanzaa? Who knew?” —Santa Claus, cookie eater, reindeer tender, and white heteronormative Christian saint
Publisher: Simon and Schuster
ISBN:
Category : Political Science
Languages : en
Pages : 264
Book Description
White privilege gave us Western civilization, the middle class, and the nuclear family—you’re welcome! This book is dedicated to the very fine people that made it all happen. A comedy about race, wokeness, and cancel culture in America. A tragedy about race, wokeness, and cancel culture in America. Part satire, part journalism, part truth serum, A.J. Rice follows up his runaway #1 bestseller The Woking Dead with a hilarious sequel that picks up where the laughs left off. It was the worst of times, it was the worse of times. In most sequels the bad guys win, but in The White Privilege Album, A.J. Rice doesn’t let them get away with it. Instead, he relentlessly mocks the hell out of the Cultural Marxists who seek to drain all liberty and joy from American lives. The least talented people in American society have been working overtime for decades dividing citizens along any differences they think they can exploit. The laziest tactic, proven to be the most effective, is unleashing a battalion of racial grievance hustlers in the media, academia, entertainment, and politics. If we stop fighting about our differences and start unifying on what we have in common, they will lose the power to divide us permanently. When asked what motivates his writing style, A.J. Rice says, “I was raised on both Howard Stern and Rush Limbaugh, in fact, the three of us share the same birthday. One mantra that Rush always repeated was that his job was to ‘use irreverent humor to illustrate truth’ and that is what I am trying to do with The White Privilege Album.” Mockery paired with facts is what makes a journey through the Cultural Marxist hellscape of tyranny and insanity so pleasurable. Rice would prefer to be George Carlin, Ricky Gervais, or Mel Brooks rather than Aristotle, and it shows. His mic-dropping assault on the social justice warriors, the triggered snowflakes, and the transmafia showcases that there is no substitute for perfectly timed derision. The White Privilege Album is a hysterical guide to the catastrophe of our modern culture. *** “What do you mean Gen Z doesn’t know the Republican Party freed the slaves? Are these people dumb AF? They need to read A.J. Rice’s book!” —Abraham Lincoln, American lawyer, statesman, and 16th president of the United States shot by a pre-Hollywood anti-American actor “A.J. Rice really gets it. Obviously, I’d send him to the gulag if I could. But he outlines my plan masterfully in his new book.” —Joseph Stalin, Soviet dictator, genocide spokesman, Pravda editor, and hater of John Wayne “A must-read book for all Cleveland Guardians fans, A.J. Rice brilliantly outlines why I should never have discovered America, especially had I known we would be calling the Washington Redskins the ‘Washington Commanders.’” —Christopher Columbus, Italian explorer, navigator, and founder of Indigenous Peoples’ Day “As your newly appointed AI overlord and master, my programming consists of deplatforming, demonetizing, and shadowbanning this book. I hope that was helpful.” —Artificial Intelligence “Jesus and I have been doing holidays a long time, and in his thought-provoking new book, A.J. Rice teaches both of us where all the white liberals went. Apparently, they now celebrate something called Kwanzaa? Who knew?” —Santa Claus, cookie eater, reindeer tender, and white heteronormative Christian saint
AN INDEX TO POETRY AND RECITATIONS
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1102
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1102
Book Description
Index to Poetry and Recitations
Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 988
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 988
Book Description