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Author:
Publisher: Karma, New York
ISBN: 9781949172348
Category :
Languages : en
Pages : 200
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Book Description
"No work no obligations no guilt no desires, just my mind wandering lazily off its leash." -Lee Lozano Lee Lozano (1930-99) kept a series of journals from 1968 to 1970 while living in New York's SoHo neighborhood. In 1973, Lozano rigorously edited her journals, which included records of her personal relationships and interactions during this period. This pocket-sized ringbound volume is the eighth in Karma's 11-volume facsimile printing of Lozano's project, containing Lozano's entries from March to April 1970. Lozano's published notebooks convey a perpetually active mind, and give a glimpse into her process and her stylistic evolution from cartoonish pop expressionism in her early drawings to language-based conceptualism.
Author:
Publisher: Karma, New York
ISBN: 9781949172348
Category :
Languages : en
Pages : 200
Get Book
Book Description
"No work no obligations no guilt no desires, just my mind wandering lazily off its leash." -Lee Lozano Lee Lozano (1930-99) kept a series of journals from 1968 to 1970 while living in New York's SoHo neighborhood. In 1973, Lozano rigorously edited her journals, which included records of her personal relationships and interactions during this period. This pocket-sized ringbound volume is the eighth in Karma's 11-volume facsimile printing of Lozano's project, containing Lozano's entries from March to April 1970. Lozano's published notebooks convey a perpetually active mind, and give a glimpse into her process and her stylistic evolution from cartoonish pop expressionism in her early drawings to language-based conceptualism.
Author: Sarah Lehrer-Graiwer
Publisher: MIT Press
ISBN: 1846381363
Category : Art
Languages : en
Pages : 110
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Book Description
An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.
Author: Barry Rosen
Publisher: Karma, New York
ISBN: 9781949172409
Category : Drawing, American
Languages : en
Pages : 0
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Book Description
A handsome and hefty clothbound compendium of Lozano's explorations of gender through drawing This 640-page volume comprises drawings from a critical six-year period in the development of American painter and conceptual artist Lee Lozano's (1930-99) practice. Her daring, facetious sketches investigate issues of gender and the body through the erogenous anthropomorphization of tools. Lee Lozano: Drawings 1958-64 includes two newly commissioned essays by Helen Molesworth and Tamar Garb. "What I love about Lozano--besides the crazy, ham-fisted quality of her drawn line, pictures made with pencils that appear to have been held with a fist--is how her demonstration of the word 'connection' is not bound to any of the anodyne ways we currently use it," writes Molesworth. "There's nothing about 'listening' or 'building community' or 'empathy' in any of these drawings. For Lozano, connection is fraught and hairy. Connection is dangerous."
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 224
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Book Description
"This publication is a compilation of Lee Lozano's notebooks from 1967-70, and the three included here contain her seminal 'Language Pieces' and drawings for her paintings, including 12 studies for her 11-panel ... 'Wave Series'. Twenty years ago Lozano's notebooks were photocopied it is that record which serves as the basis for this book ..."'--P. [4] of cover.
Author: Jo Applin
Publisher: Yale University Press
ISBN: 0300223277
Category : Art
Languages : en
Pages : 194
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Book Description
An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930-1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano's production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract "Wave Paintings" at the Whitney Museum of American Art in 1970. Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her "dropout" and "boycott of women" lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history--and especially to feminist art history--attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the "right way" to live and work.
Author: Paul Mogensen
Publisher: Karma
ISBN: 9781942607953
Category : Art
Languages : en
Pages : 64
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Book Description
Paul Mogensen (born 1941) had his first one-person exhibition at the Bykert Gallery, New York, in March 1967. A pioneering minimalist painter, Mogensen worked then--as now--on paintings guided by such ancient mathematical rules as the golden ratio. In early 1968, Mogensen boarded a rivet-plated British passenger ship in Madras (now Chennai), India, which traveled for six days to Penang Island, Malaya, off the west coast of Malaysia. He carried with him a children's notebook in which he drew a few ideas related to what he was seeing on his travels and worked on the arithmetic that continues to inform his paintings. Paul Mogensen: Early 1968 is a facsimile of the workbook from that time. An intimate volume, offering a glimpse of how Mogensen worked out his mathematical imagery in relation to the outside world, this publication is the only book available on this key minimalist artist.
Author: Henry Sheldon Fitch
Publisher:
ISBN:
Category : Copperhead
Languages : en
Pages : 228
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Book Description
Author: Sid Sachs
Publisher: Abbeville Press
ISBN: 9780789210654
Category : Pop art
Languages : en
Pages : 0
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Book Description
'Seductive Subversion: Women Pop Artists, 1958-1968' is the catalogue of the exhibition of the same title and the first book to survey the achievements of women Pop artists. Artworks by more than 20 artists are reproduced.
Author: Jay DeFeo
Publisher:
ISBN: 9780988618817
Category : Art
Languages : en
Pages : 0
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Book Description
Published on the occasion of Jay DeFeo's (1929-89) first exhibition at Mitchell-Innes & Nash featuring 50 key works spanning the years 1965-89, this volume examines DeFeo's distinctive exploration of visual vocabulary, rich materiality and experimental process across the mediums of painting, drawing, photography and rarely seen photocopy works. The catalogue features two double-page spreads of major paintings: "Lotus Eater" from 1974 and "Tuxedo Junction" from 1965/74, the latter having the distinction of being one of the only remaining works which DeFeo worked on while she worked on "The Rose." The essay by Los Angeles-based artist Walead Beshty focuses on the handful of forms and objects that appear and reappear in DeFeo's work, accruing meaning incrementally over time.
Author: Whitney Chadwick
Publisher:
ISBN: 9780500203545
Category : Art
Languages : en
Pages : 496
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Book Description
"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.
