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Author: Henry Nettleship
Publisher: Cambridge University Press
ISBN: 1108012450
Category : Foreign Language Study
Languages : en
Pages : 402
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Book Description
The celebrated classical scholar and lexicographer Henry Nettleship (1839-1893) published this volume in 1885 while he was Professor of Latin at Corpus Christi College, Oxford. The volume is a revised collection of his published articles up to 1884 on the topic of Latin literature, along with a number of his unpublished lectures given in Oxford between 1884 and 1878. The volume includes an essay on the German philologist Moritz Haupt (1808-1874); early Italian civilization and literature; the Latin authors Cicero, Catullus, Virgil, and Horace; the Latin grammarians Nonius Marcellus, Verrius Flaccus and Aulus Gellius; and reviews of text-critical editions of Latin works such as Georg Thilo's edition of Servius Maurus Honoratus' complete works (1878-1902). This collection of essays and lectures is a valuable source for the theories and ideas of a nineteenth-century Latinist who continues to influence Latin scholarship.
Author: Henry Nettleship
Publisher: Cambridge University Press
ISBN: 1108012450
Category : Foreign Language Study
Languages : en
Pages : 402
Get Book Here
Book Description
The celebrated classical scholar and lexicographer Henry Nettleship (1839-1893) published this volume in 1885 while he was Professor of Latin at Corpus Christi College, Oxford. The volume is a revised collection of his published articles up to 1884 on the topic of Latin literature, along with a number of his unpublished lectures given in Oxford between 1884 and 1878. The volume includes an essay on the German philologist Moritz Haupt (1808-1874); early Italian civilization and literature; the Latin authors Cicero, Catullus, Virgil, and Horace; the Latin grammarians Nonius Marcellus, Verrius Flaccus and Aulus Gellius; and reviews of text-critical editions of Latin works such as Georg Thilo's edition of Servius Maurus Honoratus' complete works (1878-1902). This collection of essays and lectures is a valuable source for the theories and ideas of a nineteenth-century Latinist who continues to influence Latin scholarship.
Author: William Sidney Gibson
Publisher:
ISBN:
Category : English essays
Languages : en
Pages : 332
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Book Description
Author: William Kingdon Clifford
Publisher: Legare Street Press
ISBN: 9781015826175
Category : Education
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Henry Fawcett
Publisher: BoD – Books on Demand
ISBN: 3368153625
Category : Fiction
Languages : en
Pages : 381
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Book Description
Reprint of the original.
Author:
Publisher:
ISBN: 9780787528393
Category : Classroom management
Languages : en
Pages : 290
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Book Description
Author: Philip Doddridge
Publisher:
ISBN:
Category : Theology, Doctrinal
Languages : en
Pages : 460
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Book Description
Author: George Orwell
Publisher: Renard Press Ltd
ISBN: 1913724263
Category : Literary Collections
Languages : en
Pages : 16
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Book Description
George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell's Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the 'four great motives for writing' – 'sheer egoism', 'aesthetic enthusiasm', 'historical impulse' and 'political purpose' – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell's mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer's oeuvre.
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022648257X
Category : Art
Languages : en
Pages : 241
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Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022669013X
Category : Art
Languages : en
Pages : 316
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Book Description
Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. Steinberg’s perceptions evolved from long, hard looking at his objects of study. Almost everything he wrote included passages of formal analysis, but always put into the service of interpretation. This volume begins and ends with thematic essays on two fundamental precepts of Steinberg’s art history: how dependence on textual authority mutes the visual truths of images and why artists routinely copy or adapt earlier artworks. In between are fourteen chapters on masterpieces of renaissance and baroque art, with bold and enlightening interpretations of works by Mantegna, Filippo Lippi, Pontormo, El Greco, Caravaggio, Steen and, finally, Velázquez. Four chapters are devoted to some of Velázquez’s best-known paintings, ending with the famously enigmatic Las Meninas. Renaissance and Baroque Art is the third volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.
Author: Leo Strauss
Publisher: University of Chicago Press
ISBN: 022651224X
Category : Philosophy
Languages : en
Pages : 318
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Book Description
Collected lectures and essays offering insight into the philosopher and his ideas on politics, natural law, and social sciences. Toward Natural Right and History collects six lectures by Leo Strauss, written while he was at the New School, and a full transcript of his 1949 Walgreen Lectures. These works show Strauss working toward the ideas he would present in fully matured form in his landmark work, Natural Right and History. In them, he explores natural right and the relationship between modern philosophers and the thought of the ancient Greek philosophers, as well as the relation of political philosophy to contemporary political science and to major political and historical events, especially the Holocaust and World War II. Previously unpublished in book form, Strauss’s lectures are presented here in a thematic order that mirrors Natural Right and History and with interpretive essays by J. A. Colen, Christopher Lynch, Svetozar Minkov, Daniel Tanguay, Nathan Tarcov, and Michael Zuckert that establish their relation to the work. Rounding out the book are copious annotations and notes to facilitate further study.
