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Author: Amy Appleford
Publisher: University of Pennsylvania Press
ISBN: 0812246691
Category : Family & Relationships
Languages : en
Pages : 336
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Book Description
Taking as her focus a body of writings in poetic, didactic, and legal modes that circulated in England's capital between the 1380s—just a generation after the Black Death—and the first decade of the English reformation in the 1530s, Amy Appleford offers the first full-length study of the Middle English "art of dying" (ars moriendi). An educated awareness of death and mortality was a vital aspect of medieval civic culture, she contends, critical not only to the shaping of single lives and the management of families and households but also to the practices of cultural memory, the building of institutions, and the good government of the city itself. In fifteenth-century London in particular, where an increasingly laicized reformist religiosity coexisted with an ambitious program of urban renewal, cultivating a sophisticated attitude toward death was understood as essential to good living in the widest sense. The virtuous ordering of self, household, and city rested on a proper attitude toward mortality on the part both of the ruled and of their secular and religious rulers. The intricacies of keeping death constantly in mind informed not only the religious prose of the period, but also literary and visual arts. In London's version of the famous image-text known as the Dance of Death, Thomas Hoccleve's poetic collection The Series, and the early sixteenth-century prose treatises of Tudor writers Richard Whitford, Thomas Lupset, and Thomas More, death is understood as an explicitly generative force, one capable (if properly managed) of providing vital personal, social, and literary opportunities.
Author: Amy Appleford
Publisher: University of Pennsylvania Press
ISBN: 0812246691
Category : Family & Relationships
Languages : en
Pages : 336
Get Book Here
Book Description
Taking as her focus a body of writings in poetic, didactic, and legal modes that circulated in England's capital between the 1380s—just a generation after the Black Death—and the first decade of the English reformation in the 1530s, Amy Appleford offers the first full-length study of the Middle English "art of dying" (ars moriendi). An educated awareness of death and mortality was a vital aspect of medieval civic culture, she contends, critical not only to the shaping of single lives and the management of families and households but also to the practices of cultural memory, the building of institutions, and the good government of the city itself. In fifteenth-century London in particular, where an increasingly laicized reformist religiosity coexisted with an ambitious program of urban renewal, cultivating a sophisticated attitude toward death was understood as essential to good living in the widest sense. The virtuous ordering of self, household, and city rested on a proper attitude toward mortality on the part both of the ruled and of their secular and religious rulers. The intricacies of keeping death constantly in mind informed not only the religious prose of the period, but also literary and visual arts. In London's version of the famous image-text known as the Dance of Death, Thomas Hoccleve's poetic collection The Series, and the early sixteenth-century prose treatises of Tudor writers Richard Whitford, Thomas Lupset, and Thomas More, death is understood as an explicitly generative force, one capable (if properly managed) of providing vital personal, social, and literary opportunities.
Author: Daniel Birkholz
Publisher: Manchester University Press
ISBN: 152614042X
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
This study brings new methodologies of literary geography to bear upon the unique contents of a codex known as British Library MS Harley 2253. The Harley manuscript was produced upon England’s Welsh March, by a scribe whose generation died in the Black Death. It contains a diverse set of writings: love-lyrics and devotional literature, political songs and fabliaux, saints’ lives, courtesy texts, bible stories and travelogues. These works alternate between languages (Middle English, Anglo-Norman and Latin) but operate in conversation with one another. The introduction explores how this fragmentary miscellany keeps being sutured into 'whole'-ness by commentary upon it. Individual chapters examine different genres and social groupings and demonstrate that there are many Harley landscapes still waiting to be discovered. It will be of great value to those studying literary history, medieval studies, cultural geography, gender studies, Jewish studies and book history.
Author: Lynn Staley
Publisher: University of Michigan Press
ISBN: 0472126628
Category : History
Languages : en
Pages : 233
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Book Description
Following Chaucer: Offices of the Active Life explores three representative figures—the royal woman, the poet, and the merchant—in relation to the concept of “office,” which Cicero linked to the health of the republic, but Chaucer to that of the common good. Not usually conjoined to the term “office,” these three figures, situated in the active life, were not firmly mapped onto the body politic, which was used to figure a relational and ordered social body ruled by the king, the head. These figures are points of entry into a set of questions rooted in Chaucer’s understanding of his cultural and historical past and in his keen appraisal of the social dynamics of his own time that also reverberate in the centuries after Chaucer’s death. Following Chaucer does not trace influence but uses Chaucer’s likely reading, circumstances, and literary and social affiliations as guides to understanding his poetry, within the context of late medieval English culture and the reshaping of the concept of these particular offices that suited the needs of a future whose dynamics he anticipated. His understanding of the importance of the Ciceronian concept of office within the active life, his profound cultural awareness, and his probing of the foundations of social change provide him with a keen sense of the persistent tensions and inconsistencies that are fundamental to his poetry.
Author: Anna Dlabačová
Publisher: BRILL
ISBN: 9004520155
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
'The Open Access publishing costs of this volume were covered by the Dutch Research Council (NWO), Veni-project “Leaving a Lasting Impression. The Impact of Incunabula on Late Medieval Spirituality, Religious Practice and Visual Culture in the Low Countries” (grant number 275-30-036).' This volume explores various approaches to study vernacular books and reading practices across Europe in the 15th-16th centuries. Through a shared focus on the material book as an interface between producers and users, the contributors investigate how book producers conceived of their target audiences and how these vernacular books were designed and used. Three sections highlight connections between vernacularity and materiality from distinct perspectives: real and imagined readers, mobility of texts and images, and intermediality. The volume brings contributions on different regions, languages, and book types into dialogue. Contributors include Heather Bamford, Tillmann Taape, Stefan Matter, Suzan Folkerts, Karolina Mroziewicz, Martha W. Driver, Alexa Sand, Elisabeth de Bruijn, Katell Lavéant, Margriet Hoogvliet, and Walter S. Melion.
Author: Julie Paulson
Publisher: University of Notre Dame Pess
ISBN: 0268104646
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
In Theater of the Word: Selfhood in the English Morality Play, Julie Paulson sheds new light on medieval constructions of the self as they emerge from within a deeply sacramental culture. The book examines the medieval morality play, a genre that explicitly addresses the question of what it means to be human and takes up the ritual traditions of confession and penance, long associated with medieval interiority, as its primary subjects. The morality play is allegorical drama, a “theater of the word," that follows a penitential progression in which an everyman figure falls into sin and is eventually redeemed through penitential ritual. Written during an era of reform when the ritual life of the medieval Church was under scrutiny, the morality plays as a whole insist upon a self that is first and foremost performed—constructed, articulated, and known through ritual and other communal performances that were interwoven into the fabric of medieval life. This fascinating look at the genre of the morality play will be of keen interest to scholars of medieval drama and to those interested in late medieval culture, sacramentalism, penance and confession, the history of the self, and theater and performance.
Author: Walter Melion
Publisher: BRILL
ISBN: 9004310436
Category : Art
Languages : en
Pages : 787
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Book Description
Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.
Author: Timothy G. Fehler
Publisher: Manchester University Press
ISBN: 1526162466
Category : History
Languages : en
Pages : 187
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Book Description
For nearly two millennia, Christians have tried to make sense of the Bible’s reminder that the poor are ‘always among us’. This volume explores the diverse range of ideas, institutions, and experiences early modern Europeans brought to bear in response to this biblical adage. Do good unto all traces the concept and practice of charity across the four major early modern Christian confessions – Catholic, Lutheran, Calvinist, and Anabaptist – and over a wide range of geographical areas from Scotland to Switzerland and the Spanish Atlantic World. By bringing such a diverse set of localised studies into concert for the first time, this volume exposes the many intersections and tensions that arose between and within communities as they attempted to translate the ideal of charity into practice. This comparative approach shifts the focus from binary definitions of ‘deserving’ and ‘undeserving’ poor or ‘Catholic’ and ‘Protestant’. Instead, Do good unto all charts a new course for the study of charity beyond institutional poor relief, where the matrix of individual ideas and experiences can be fully appreciated.
Author: Wim Blockmans
Publisher: Routledge
ISBN: 1351598449
Category : History
Languages : en
Pages : 542
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Book Description
Introduction to Medieval Europe 300–1500 provides a comprehensive survey of this complex and varied formative period of European history, covering themes as diverse as barbarian migrations, the impact of Christianisation, the formation of nations and states, the emergence of an expansionist commercial economy, the growth of cities, the Crusades, the effects of plague, and the intellectual and cultural life of the Middle Ages. The book explores the driving forces behind the formation of medieval society and the directions in which it developed and changed. In doing this, the authors cover a wide geographic expanse, including Western interactions with the Byzantine Empire and the Islamic World. This third edition contains a wealth of new features that help to bring this fascinating era to life, including: In the book: A number of new maps and images to further understanding of the period Clear signposting and extended discussions of key topics such as feudalism and gender Expanded geographic coverage into Eastern Europe and the Middle East On the companion website: An updated, comparative and interactive timeline, highlighting surprising synchronicities in medieval history, and annotated links to useful websites A list of movies, television series and novels related to the Middle Ages, accompanied by introductions and commentaries Assignable discussion questions and the maps, plates, figures and tables from the book available to download and use in the classroom Clear and stimulating, the third edition of Introduction to Medieval Europe is the ideal companion to studying Europe in the Middle Ages at undergraduate level.
Author: Daniela Rywiková
Publisher: Rowman & Littlefield
ISBN: 1498586562
Category : History
Languages : en
Pages : 263
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Book Description
This study analyzes late medieval paintings of personified death in Bohemia, arguing that Bohemian iconography was distinct from the body of macabre painting found in other Central European regions during the same period. The author focuses on a variety of images from late medieval Bohemia, examining how they express the imagination, devotion, and anxieties surrounding death in the Middle Ages.
Author: Michelle R. Warren
Publisher: Stanford University Press
ISBN: 1503631176
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
Medieval books that survive today have been through a lot: singed by fire, mottled by mold, eaten by insects, annotated by readers, cut into fragments, or damaged through well-intentioned preservation efforts. In this book, Michelle Warren tells the story of one such manuscript—an Arthurian romance with textual origins in twelfth-century England now diffused across the twenty-first century internet. This trajectory has been propelled by a succession of technologies—from paper manufacture to printing to computers. Together, they have made literary history itself a cultural technology indebted to colonial capitalism. Bringing to bear media theory, medieval literary studies, and book history, Warren shows how digital infrastructures change texts and books, even very old ones. In the process, she uncovers a practice of "tech medievalism" that weaves through the history of computing since the mid-twentieth century; metaphors indebted to King Arthur and the Holy Grail are integral to some of the technologies that now sustain medieval books on the internet. This infrastructural approach to book history illuminates how the meaning of literature is made by many people besides canonical authors: translators, scribes, patrons, readers, collectors, librarians, cataloguers, editors, photographers, software programmers, and many more. Situated at the intersections of the digital humanities, library sciences, literary history, and book history, Holy Digital Grail offers new ways to conceptualize authorship, canon formation, and the definition of a "book."
